Category: Uncategorized
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Six Poems – Tobi Alfier
Before the ScatteringWe knew that soon we’d split apartlike the lumber we shattered and carriedup the dunes to our private place,the sound of the ocean just over the ridge,breeze turning to wind with the lowering sunand our thoughts turning inward to remember.This day’s brilliance will become the very historyof light. This evening’s laughter the very historyof probably never again. Fireshadows mottleour faces. And the unseen tide rises and falls.Out come the thick sweaters even with the fire’s heat.We reminisce. We kiss. We dance.The lovers and the never-to-be lovers—all the sameon this last night. Some of us will sleep herespooned close to the embers, the Constellationsof Sadness and Joy whispering to us in the dark.Some of us will be on our way—a train to catchor other reason to avoid the morning glowof tears we all shed in the dark. Supposedly grown,we are like children listening for the ice cream cartof Dreamsicles and next steps. But this night we willalways recall, no matter what happens tomorrow.The End of WinterWe see the back of him as we watch the water.He’s hunched over a splintered picnic tableoddly angled into a slow hill down to the road.He wears the uniform of all retired local fishermen:well-worn denim jacket over hand-knit sweater,black watch cap pulled down over his ears. A ruddy,windblown profile. We see a pencil clutchedin one hand, the other arm holds a notebook downto keep it from gusting to the sea.He writes his observations just as we do,pays no attention to us or anyone else, not evenhis wife hollering for him to bring in wood—but gulls hunting low-slung fiddler crabs, a ferryrounding a far-off point and heading towardthe harbor to disembark city day-timers achingto quiet their minds for just a short minute,stocks of beer for the pubs, full creels and provisionsfor hotel restaurants…that he notes.This beloved island. Where hours slip slow like seabirdsand the shore is mainly quiet. A few collectorsof beach glass, and always the sad silhouetteof one person who knew their embrace was forever—they won’t be returning to the mainlandwith the last ferry, not today, not tomorrow.We see their hurts where a truth is buried in every scar,the silence of their pain like a feather,falling from a wing.OffshoreThe sea tells its story in more than myths and shipwrecks,it is mothers and sons, sons and lovers, lovers and husbandsas well as all things living or dying, or dead—the thick kelp forest hides meteorites from heavenand much sea life, some we can’t even describebecause we have no words for it, all preservedin the salt of witness, stories passed downfrom generations, changed very little as they go.I catch her often on beaches that thread the coast,always gazing seaward, lowering her head to light a smokeeven in damp winds, her collar drawn up against the cold.The day is already etching away in shadows—she has not found what she searches for, only gullscrying up and down the flattened water. They carryno answers. I’m fearful of approaching her to askwhat she seeks. She won’t find it tonight, I’m sure.Flying clouds muscle in on the gulls, change starsinto scraps of constellations. The sky over the seaturns tungsten-gray to blue-black. Late workers on breakcongregate in the beach parking to pass a flask.It’s time for the woman to move on to her next lookout.I don’t know where she’s going or how she’ll get there.May her ghosts find their sea legs and bring her peacebefore the next morning breaks—my unspoken wish for her.Calendar Girl – AprilSpring is a fading map of winter.As the sun strips ice from fields,she exhales. It’s time to put downher hair, put on her bracelets,and spin and spin and spinon the new lawn carpeting upspiky between her toes,and smelling like a world reborn.It’s all about the boots and music,Saturday night dances springing upfrom here to across the border,honky tonks, jukeboxes and radios all night,a wealth of warmth falling on bare shouldersall day. A balmy breeze. A hardblue sky.Sundress stained with the beginnings of flowersand luminous fragments of joy touch everyone.She drinks in the colors, pure and sweet,packs away the winter beiges and grays,digs out her sandals, follows the soundsof water over river stones, the rush of wings.Calendar Girl – MayAunt May settled herself down on a few acresfour hours and lightyears away from her family.She woke each morning through spring’s open windows,fingers twirling through her fine gray hair, listeningfor the music deep inside while looking at the orchardsthat had come to be both savior and friend.Peaches and apricots on her tongue like her husband,blessed be, and her companions—never introducedas anyone’s uncle and fooling no one,they’d last as long as a spare hair on a pillowcasebefore it went into the wash. Aunt May was our real aunt.We knew she’d grown up rough, only guessed the storiesfrom the awkward silences between grown-upsif we marched in for some attention. We never got to hearthe good stuff—surrounded by a thick musk of secretslike lovers in by-the-hour motel rooms. Not one word.We loved Aunt May and she loved us. We huggedher tight when we could. At the end, when the storm brokeand sunlight fell wild over everything in life and in dream,she was our wildflower who opened private and alone.Road TripWe watch a young girl skip down to the water’s edgeas we stroll the shore, warming in the mid-morning sun.Georgia—her parents had taken a road trip cross-countryand that’s where she was born—rubs her 34-week bellyas we talk about names. Our hope’s as full as a harvest moonshining in a small window. Georgia had always wanted April,May, June or July but it’s coming up on August now,and we’d opted for surprise. So much to discussin this privacy with a short shelf life and many loved oneswith opinions. The sweet scent of cut grass rolls over usfrom an upwind field and I kiss her hands. Her summery dressslips down one shoulder in that way it does. Gets me every time.Forget the walk, it’s time for wine. And juice. And the list:no relatives still living, no first loves, second loves, any loves.We go to the harbor, look at names stenciled on hard-workingtrawlers. The light leans into afternoon. Georgia leans into me.She draws her finger across my lifeline as we both see the right choice,the early breeze blesses it as favorable as a soft kiss. -

Mister Brother
Mister Brother is shaving for a date. Mister Brother likes getting ready and he likes having had sex. Everything in between is just business.“Hey, Twohey,” he says. “Better take it easy on the sheets tonight, Mom’s out of bleach.”“Twohey (that’s you if you’re ready to wear the skin for a while) says, “Shut up, you moron.”“Ow,” Mister Brother says, expertly stroking his jaw with Schick steel. Don’t call me a moron, you know how upset it gets me.”Mister Brother, seventeen years old, looks dressed even when he’s naked. His flesh has a serenely unsurprised quality not common in the male nude since the last of the classical Greek sculptors cut his last torso. Mom and Dad, modest people, terrorized people, are always begging Mister Brother to put something on.“Shut up,” you tell. Him. “Just shut up.”You, Twohey, I’m sorry to say, are plump and pink as a birthday cake. You are never naked.“Twohey, m’dear,” Mister Brother says “haven’t you got any pressing business, ahem, elsewhere?”You say, “You bet I do.”And yet you stay where you are, perched on the edge of the bathtub, watching Mister Brother, naked as a gladiator, prepare himself for Saturday night. You can’t seem to imagine being anywhere else.Mister Brother rinses off, inspects his face for specks of stubble. He selects an after-shave from the lineup. To break the scented silence, you offer a wolf whistle.“Mister Brother says, “Honestly, if you don’t let up on me, I’m going to start crying. I’m going to just fall apart, and won’t that make you happy?”Mister Brother is a wicked mimic. When you tease him, he tends to answer in your mother’s voice, but he performs only her hysterical aspect. He omits her undercurrent of bitter, muscular competence.You laugh. For a moment your mother, not you, is the fool of the house. Mister Brother smiles into the mirror. You watch as he plucks a stray eyebrow hair from the bridge of his nose. Later, as the future starts springing its surprises, and you find yourself acquainted with a drag queen or two, you will note that they do not extend to their toilets quite the level of ecstatic care practiced by Mister Brother before the medicine cabinet mirror.“Hey honey, come on now; don’t cry. I didn’t mean it,” you say, in an attempt at your father’s stately and mortified manner. Imitation is not, unfortunately, the area in which your main talents lie, and you sound more like Daffy Duck than you do like a rueful middle-aged tax attorney. You try to hold the moment by laughing. You do not mean your laughter to sound high-pitched or whinnying.Mister Brother plucks another hair, rapt as a neurosurgeon. He says, “Twohey, man.” He says nothing more. You understand. Work on that laugh, okay?Where are you going?” you ask, hoping to be loved for your selfless interest in the lives of others.“O-U-T” he says. “Into the night. Don’t wait up.”“You going out with Sandy?”“I am, in fact.”“Sandy’s a skank.”Mister Brother preens, undeterred. “And, what’ve you got lined up for tonight, buddy?” he says. “A little Bonanza, a little self-abuse?“Shut up,” you say. He is, as usual, dead right, and you’re starting to panic. How is it possible that the phrase, “lonely, plump and petulant” could apply to you? There is another you, lean and knowing, desired, and he’s right here, under your skin. All you need is a little help getting him out into the world.“So, Twohey,” Mister Brother says. “How would you feel about shedding your light someplace else for a while? A man needs his privacy, dig?”“Sayonara,” you say, but you can’t quite make yourself leave the bathroom. Here, right here, in this small chamber of tile and mirror, with three swan decals floating serenely over the bathtub, is all you hope to know about love and ardor, the whole machinery of the future. Everything else is just your house.“Twohey, brave little chap, I’m serious, capish? Run along, now. On to further adventures.”You nod, and remain. Mister Brother has created a wad of shifting muscles between his shoulder blades. The ropes of his triceps are big enough to throw shadows onto his skin.You decide to deliver a line devised some time ago, and held in reserve. You say, “Why do you bother with Sandy? Why don’t you just date yourself? You know you’ll put out, and you can save the price of a movie.”Mister Brother looks at your reflected face in the mirror. He says, “Out faggot.” Now he is imitating no one but himself.You would prefer to be unaffected by such a cheap shot. It would help if it wasn’t true. Given that it is true, you would prefer to have something more in the way of a haughty, crushing response. You would prefer not to be standing here, fat in the fluorescent light, with hippopotamus tears suddenly streaming down your face.“Christ,” Mister Brother says. “Will you just fucking get out of here? Please?”You will. In another moment, you will. But, even now, impaled as you are, you can’t quite remove yourself from the presence of your brother’s stern and certain beauty.What can the world possibly do but ruin him? Mister Brother, at seventeen, can have anything he wants, and sees nothing extraordinary about that fact. So, what can the world do but marry him (to Carla, not Sandy), find him a job, arrange constellations over his head just the way he likes them and then slowly start shutting down the power? It’s one of the oldest stories. There’s the beautiful wife who refuses, obdurately, mysteriously, to be as happy as she’d like to be. There’s the baby, then another, then (oops, hey, she must be putting pinholes in my condoms) a third. There’s the corporate job (money’s no joke anymore, not with three kids at home) where charm counts for less and less and where Ossie Ringwald, who played cornet in the high school band, joins the firm three years after Mister Brother does and takes less than two years to become his boss.All that is waiting, and you and Mister Brother probably know it, somehow, here on this spring night in Pasadena, where the scents of honeysuckle and chaparral are extinguished by Mister Brother’s Aramis and Right Guard, and where the souped-up cars of Mister Brother’s friends and rivals leave rubber behind on the street. Why else would you love and despise each other so ardently, you who have nothing but blood in common? Looking at that present from this present, it seems possible that you both sense somewhere, beneath the level of language, that some thirty years later he, full of Scotch, pecked bloody from his flock of sorrows, will suffer a spasm of tears and then fall asleep on your sofa with his head on your lap.That night is now. Here you are, forty-five years old, showing Mister Brother around the new hilltop house you’ve bought. As Mister Brother walks the premises, Scotch in hand, appreciating this detail or that, you feel suddenly embarrassed by the house. It’s too grand. No, it’s grand in the wrong way. It’s cheesy, Gatsbyesque. The sofa is so . . . faggot Baroque. How had you failed to notice? What made you choose white suede? It had seemed like a brave, reckless disregard of the threat of stains. At his moment, though, it seems possible––it does not seem impossible––that men don’t stay around because they can’t imagine sitting with you, night after night, on a sofa like this. Maybe that’s why you’re still alone.Tonight you sit on the sofa with Mister Brother, who lays his head in your lap. You tell him lots of people go through bad spells in their marriages. You tell him things at work will turn around after the election. Although you still call him by that name, this man is not, strictly speaking, Mister Brother at all. This is a forty-eight-year-old nattily dressed semi-bald guy with a chain around his neck. This is a tax attorney. Here he is and here you are, speaking softly and consolingly as the more powerful constellations begin to show themselves outside your sliding glass doors.And here you are at fourteen, in this suburban bathroom. You stand another moment with Mister Brother, livid, ashamed, sniveling, and then you finally force yourself to perform the singular act that should, all along, have been so simple. You leave him alone.“So long, asshole,” you say weepily as you exit. “And, fuck you too.”If he thought more of you, he’d lash out. He wouldn’t continue plucking his eyebrows in the mirror.You go and lie on your bed, running your fingers over the stylish houndstooth blanket you insisted on; worried, as always, about the stains it covers. You hear Mister Brother downstairs flirting with Mom, shadowboxing with Dad. You hear his Mustang fire up in the driveway. You lie on your bed in the room that will become a guest room, a junk room, a home office, and then the bedroom of a stranger’s child. You plan to lose weight and get handsome. You plan to earn in the high five figures before you turn forty. You plan to be somebody other people need to know. These plans will largely, astonishingly, come true.As Mister Brother roars away, radio blasting, you plan a future in which he respects and admires you. You plan to see him humbled, weeping, penitent. You plan to look pityingly down at him from your own pinnacle of strength and love. These plans will not come true. When the time arrives, reparations will be negotiated between a handsome, lonely man and a much older-looking guy in Dockers and a Bill Blass jacket; an exhausted family man who’s had a few too many Scotches. Mister Brother won’t come at all. Mister Brother is too fast. Mister Brother is too cool. Mister Brother is off to further adventures, and in his place he’s sent a husband and father for you to hold as the city sparkles beyond the blue brightness of your pool and cars pass by on the street below, leaving snatches of music behind.“Copyright@1998 by Michael Cunningham. Originally published in DoubleTake Magazine, Fall 1998. All rights reserved. Reprinted by permission of Brandt and Hochman, Literary Agents, Inc.
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Poetry Potpourri
Three PoemsBy Timothy ResauRendezvous at St. Paul’sRendezvous outside St Paul’s stained-glass windows—lips locked—breathing crowdedwith floating radiation—Why say more whenJesus is behind the wall,selling knives to Lord Byron,as Ms. Lamb squintsblue eyes at a rag-muffin hillbillyriding a pony down the asphalt hill?A real woman in these lost-n-found arms.And in the backyardAmerica’s cooking its dreams:plastic poets dreamingin bowling alleys—neighbors sellinglies painted Catholic.The radio plays broken Mozart,& babies are found in junkyards—An aroma of gasoline driftsthru the air—& acne is real!A tattoo of loveis on her face forever—The kiss of life fromthe high poet, selling paperbackbooks for a fin—Glitter & goldsummer & cold—yes, I’ll be old!Acid LoveBroken love ride—love wreck-wired—the outcomes always the same—unreality-a cold chill – iced!The anguished heartthrobbing, throbbing,pumping, purplecold fear — alone.The design itself — wrecked.A high of love — lost.Love constellation—stellar vibrations—a child’s pleading eyes—A young black man on corner,waxing mustache, saying:I’ll never come down from this—like a bird frozen in eternal flight.Everyone’s a delusion,trying to be real—The experience is all….Nobody Thinks I’m HumanThe full moon hid across my face—my shadow missing in the pale light,& they kept saying that they wouldn’thave missed it for the world.Things you never forget—like the murder of love.The pain of each death–the fearthe hatethe waiting.Two Poems
By Scott RenzoniRed Hair, Blue Jacket
The blue of her jacket was primary.You wouldn’t’ve called itanything other than blue.Not cerulean or indigo or delft,and with no modifierslike baby or powder, sky or navy.That hair, though!Cascading over the collar…An autumn sunset over Walden Pond.The embers of humanity’s first fire.The way the sky sometimes looksat dawn when you wake upnext to a new lover.I’m sure she doesn’t think of it that wayin the mornings, before coffee,as she drags her combthrough fireand runs her fingersthrough flame.A Refrigerator in PatersonHis wife must have been beside herself.Not one plum left for breakfast,and that maddeningly casual note:“this is just to say”,despite having been told, probably repeatedly,they were intended for the morning table.And that report about how sweetand how cold they were—insult to injury, making the“forgive me”as hollow as the bowl with its gnawed pits.Perhaps there had been other notes,making excuses for whythe dog wasn’t walked,the garbage not removed,the car not washed,or the Sunday paper left on the stepto soak through in an afternoon rain.Or perhaps it was the only one,scratched on a scrapin the middle of the night,knowing that no noteand no apology could ever fully explainhow sometimes even plumsare too beautiful to be left alone. -

Six Poems – Jared Beloff
Firstborn of the Dead
after Pablo Neruda’s “United Fruit Company”The sky vanished like a scrollrolling itself up, and every mountainand island was removed from its place – Revelation, 6:14When the sky vanished, it wasall foreseen on the earth, parceled out,maps marked in oil: ExxonMobil, GazpromBritish Petroleum, pipelines carving latitude,dominion over the earth.Along shifting coastlines, flies helixed over shipsforging new routes, past islands of dying treessubmerged dunes, silt ruddy with blood and bleached corallike treasure or a burial of tombs, homes sinking like rotten teethon the floodplain: a woman walks within boarded houses,seven Xs across seven sealed doors,the river’s flood thrashing beyond the levies.Meanwhile, an eye of fire ruptured in the Gulfa wall of flame replacing the sky in the West:meanwhile, the Fruit Companies sprayed suntan lotionon withered fruit, leaned on their worn bodies, first generationspicking cherries in the dark, children cutting melons in the dark,their restless bodies rooted to the fields like windswept stalks—and lo, they brought greatness and freedom and comfortfor the lowest prices packaged in plastic and cellophane,their juices glimmering under the skin in the market’s fluorescent light.The Ship of TheseusThe ship they held in harborbecame a relic, a memorialfor honor or battle, remembereda man whose name tremblesat the tooth’s edge, trying to holda sound they could not keep:Each rotten board a treeeach tree a root returning.What is recognizableis never certain: the waya leaf breathes in lightor a wave will curl its undoingback against the boards.Each root a tendril tunnelingto find its proper ground.Our taste buds change,every seven years they shedold favorites, find joy in new flavor:tang of blood, sweat’s brineraising new questions:How do we forgive the timetaken to forget ourselves?A forest burns across continents,a glacier calves cities of icewhich only just rememberthey were once the ocean.How long do we havebefore we forget what wehave replaced: each nailand tooth, the splinter’s weeping?Watching Time Lapse Videos with My DaughterThe world pirouettes on a screenseveral suns leap over a shadowed citycirrus clouds meet then scatter across stage,a moon waggles in the wings. We don’t blink,pupils widening like sinkholes.At this speed we are tail light thin,reduced to ribbons and flares along the freeway,raw scars of flame, a curtain of smoke swellingto cover the wind’s tapestry, pinions folded over loose threads,replacing the sky.Her curiosity breaks our momentum:When will we die? In our hands a forest glows,the heave of Queen Anne’s lace, a stand of sunflowersstem their way through soil, stretch to their zenith,turn their heads down as if to watch, as if to pray,looking back over the earth they had left,unable to remember the cause of their leaving.Tomorrow is Neverafter Kay Sage, 1955There is no skyonly the haze we drape over ourselves.We swell in our scaffolding, towersreflecting each pleated thought.There is no tideonly oil pluming across water.we slick and dissipate, driftingin the sun’s overzealous spin.There is no earthonly soot and the animals retreating; a doelays back down into the press of summer strawwary of the ark we never built.Don’t look backfor the dappled green, the startled bloomof spring, hooked as we are—Tomorrow is never.Revolutionreset the gene that lies dormant,let your hand retract, reach away.crawl with withered legs, belly grippingback over the mess of leaves,and trailing bodies to what we once were:remember this sound? the spinning world,blood’s hammer and drum, the ocean’s wash,a withdrawal in your ear—turn back,feel the slither and fin, shaking, resurgent.let it rise up, teeming, primordial:your lips curling around the callnaming what’s undiscoveredEkphrasisI will not describe the grapeswhich are not grapesnor the fish whose chest is cut openwhich is my father.I will not play with color nor light,nor the arrangement of objectswhich are harsher, more cleanthan the sky outside.I will not draw upon shadowsnor trace each drooping petalnor find meaning in a paring knifewhich wobbles like a brush stroke.Do not approach the windowthat wrings itself in reflectionagainst empty wine bottles.There is no view, only your looking. -
Mona Lisa’s Third Eye: Twenty-five Haiku
talk is cheap
but even at that
the dinosaurs have no cash
*
in Coco Chanel’s apartment
a giant meteor
and a puff of smoke
*
drifting toward sleep —
dark perfume
falling off a cliff
*
he rises
at night to write down
strange chords
*
even before
he could walk, his crib
floated on water
*
diamond —
a gathering
of windows
*
falling rain
reveals the mirrors
hid in clouds
*
a treatment
for claustrophobia — to swallow
elixir of mirrors
*
toward my back door
slow as a glacier
a graveyard flows
*
a tiny uncharted island —
a place
to hide from Egypt
*
mummy cloth
in a few centuries
I’ll unwrap myself
*
to prepare
for the Sack of Rome —
tea and toast
*
guns grow limp
unable to get hard
they die out
*
changing tastes –
once-famous paintings
are melting
*
behind Mona Lisa’s
third eye a temple of glass
still under construction
*
wet or dry
the stones are happy
to be a cathedral
*
inside a marble head
there is no memory
of Ancient Rome
*
in Kansas City
in a house of glass
a banker consults an astrologer
*
reaching up
Gertrude Stein catches
a bird in any sky
*
Gertrude Stein is laughing
a ball is falling to pieces
who fly away
*
just when I almost
saw the wind’s face
it changed
*
in Antarctica
researchers hallucinate
in fields of snow
*
like the Great Pyramid
there are many snowflakes
I’ll never see falling
*
in Gertrude Stein
patterns emerge
as fish in flight
*
it’s too beautiful –
I cannot finish
the novel
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That Which is Bright Rises Twice
The 2 doctors have determined that I’m 24 years old. (By my teeth, among other things. Making me feel like a horse. A mare.) & that I’ve had at least one miscarriage.
Probably more than one: according to the mother figure of the team, Dr. Rachel Krotkin. The father figure is Dr. George Gamble Jr.. A junior who is pushing 50. I can’t understand why anybody wants to stay a son that long. Unless his father is a king.
For the time being the 2 doctors have become my home base. My frame of reference. They could be my parents, if they were married. To each other. If they had been nonprofessionally attracted to each other some 25 years ago. & were claiming me as their lost daughter. Which they’re not.
(Professionally they’re not attracted to each other. They treat each other with condescending politeness.
Both married outsiders. & are the parents of other daughters. That are neither lost nor found. Dr. Junior’s desk is dominated by a set of silver-framed gap-toothed high school twins, & Dr. Krotkin is divorced, with an unphotographed daughter in college.
Leaving me free to be anybody’s daughter. Sister. An orphan. A wife. A lover. Anything I want to be. Without a past, life, has almost unlimited possibilities.)
Apparently my miscarriage or miscarriages was or were induced. Fortunately: for my teeth. (Again.) A maturing pregnancy, culminating in childbirth especially one without early & continued medical surveillance would most likely have left me with a mouth full of cavities. I have a calcium deficiency as it is.
My mind trips to a long low room
choked in phlegmy white light.
A host of young men in gleaming white
jackets swarms after an old man’s bald-
gleaming head.
He leads them to a long low cot between
2 window slits.
He lifts a sheet off a long thin body,
sapped by long bluish-black hair.
He lifts the hair, revealing the dark
cavity of a skull emptied of its brain.
& a thin necklace of small pale-blue
beads at the base of a long thin neck.
The old doctor’s fingers travel down the
thin long body. Pause at the heart the
lungs the spleen the liver. Wait for a
student to determine the cause of death:
Both doctors politely agree that I would not have subjected myself to early & continued medical surveillance availed myself of: was the term used by Dr. G.G.jr.; not even for the sake of a new life to judge by my overall physical condition. I obviously didn’t take very good care of myself.
Perhaps I’m a doctor’s daughter. Worse: a doctors’ daughter. (Smiles. Smiles. Politely smiled acknowledgement: by Dr. Gramble.) & rebelled against my parents’ concern with health. Which I considered deadly. (Smiles: Dr. Krotkin has beautiful teeth.) A drag. Perhaps running myself down had felt like a form of freedom to me. The preparation for my eventual escape into amnesia.
My mind is driving down an endless highway.
There is a white string running along the
road ahead of me. Sometimes it runs straight,
sometimes in curves. Sometimes on the left,
sometimes on the right.
I wonder nervously if the string is attached
to a stick of dynamite. If the road is under
construction, & I missed the detour sign. I
seem to be the only car.
I feel relieved when I see a trailer. With
a red & white band: WIDE LOAD stretched across
the back. I can’t pass. I wave to the woman
who is sitting crosslegged on the trailer roof.
She waves back with a wine bottle. She
is singing: Sweet Wide Load…to the tune
of: Caroline Rice.
She is Ariadne on Naxos, drinking herself
to death after Theseus dropped her off.
She is still holding on to the thread, with
the other hand.
It doesn’t look as though I’d been too poor to be healthy. I had $2,200 — in my coat pocket when I walked into the police station. I wasn’t carrying a purse.
They’re still guessing where the money came from. If it was my own. Which I had saved, & drawn out. To go away. To buy a car, perhaps, to go away in.
It turns out that I don’t know how to drive. They tested me. They both think it unlikely that I would not have retained a mechanical skill. They both think my body would remember the necessary gestures, even if my mind has taken leave of my past. (I do remember how to ride a bicycle. Also how to swim.)
They both deduced that I lived in a big city, where one doesn’t need a car to get around. I’m likely from New York.
Dr. Gamble tried to make me into a cashier, a bookkeeper, etc., on my way to the bank. Who was attacked, but not robbed. Perhaps partially robbed; perhaps I’d had more money in my coat pocket, at the outset. Something/someone had interrupted my attackers. Who had, however, robbed me of my memory.
Perhaps I stole the money. My co-workers’ hard-earned weekly pay. & so shocked myself in the act that I forgot everything about the dishonest bookkeeper I had become, & my conscience programmed me to turn myself in. Continuing to function on its own, like the legs of beheaded thieves, running around the execution block.
I have a sudden flash vision:
The chalk-white back of a chicken, standing
stone-still in the middle of a highway in
the middle of the night.
Cars are swerving around it on either side.
I cannot see the chicken’s head. It must be
hanging forward, all the way to the ground.
Perhaps its neck is broken. Perhaps it
broke its neck when it tried to fly off the truck
that was carrying poultry to a city market.
In the middle of a summer.
The vision was associated with heat. My skin felt wrapped in a stinging cheesecloth of sweat.
Both doctors made a note of it. They haven’t decided whether I actually saw such a chicken at one point perhaps a crucial point in my life, & my memory is trying to come back. (The association with heat points to memory: in Dr. Krotkin’s opinion.) Or whether I imagined it.
The various reports of recent robberies which the police checked out don’t fit my story. & I did singularly poorly when Dr. Gamble tested my business aptitudes. I seem to have no relationship to figures. To adding machines. To the price of butter.
My hands show no trace of a manual occupation. I don’t seem to know how to cook. I type: with 2 fingers.
Only that I used to bite my nails. (I’ve stopped.)
Perhaps I’m still in college. & the money was meant for my tuition. Dr. Krotkin is sending photographs & descriptions of me to every college in America.
It is both doctors’ educated guess that I’m American-born. Upper middle class: to judge by my way of speaking. From New York. Or Boston. Perhaps from a larger city in California. (Although most Californians know how to drive.) Definitely not from the South.
My ethnic background is most likely central European: to judge by my bone structure. & once again by my teeth
My mother was mostly likely born in Central Europe, anyway between Danzig & Grenoble. Probably after the first world war between 1920 & 1930 & raised on skimmed milk and rutabagas. Which produced the calcium deficiency which she passed onto me.
Dr. Gamble (jr.) would like to include Ireland. My mother might very well have been might well still be Irish.
On the other hand, I might have been born in Europe myself. & the after-effects of the second world war cumulated with those of the first, in my teeth.
I may have been born in a concentration camp, toward the very end of the war. Perhaps a surprisingly resilient 28, rather than a neglected 24.
Which Dr. Gamble (jr.) doubts: I don’t look Jewish.
I would, if he knew I was: is Dr. Krotkin’s coolly smiled opinion.
Perhaps my American-born, definitely upper middle class probably intellectual parents failed to give me the proper attention. For whatever selfishness of their own. I probably come from a broken home.
I have a flash vision:
Long black hair hanging out to dry from a
French window, above a garden of weeds.
In the weed lie the weather-flattened
bodies of 3 one-day-old kittens.
They have been lying in the weeds for a long
time. A month or more. They look as flat as
cardboard cut-outs.
The face under the hair is round & white.
It is watching a German shepherd that has
jumped over the wall into the garden. & has
picked up one of the cardboard kittens. &
is shaking it from side to side, like a
slipper. With laughing teeth.
It turns out that I speak fluent idiomatic Spanish. With a Latin-American inflection.
They’ve been testing me on a number of languages. So far, I seem to know Spanish, Portuguese, & French. But no Italian. Also Dutch; but no German.
Dr. G.G. jr. suggests that I went to school in those different countries, as a little girl. Perhaps I’m a diplomat’s daughter.
Dr. Krotkin has a different suggestion: My knowledge of languages is psychic. I don’t really know any of the languages they tested me in except upper middle class American English but am able to pull them out of the collective subconscious under test conditions.
Perhaps I’m a medium. Who suspended her personal consciousness once too long once too often while going into a trance. & came out with no recollection of myself.
Then how does she explain the fact that I neither read nor speak nor write nor understand Italian? Or German?
By the fact that the manifestations of mediums are as subject to the law of hit or miss as the diagnoses of doctors.
I’m beginning to like Dr. Rachel Krotkin. At least she isn’t pompous.
I wonder how the unphotographed daughter feels about her irreverently smiling doctor-mother. Perhaps she is going to college mainly to be away from her mother. Perhaps most girls think that they would rather have most other girls’ mothers.
But not most other girls’ fathers. The gap-toothed high school twins open wide for no one but their daddy.
Who is beginning to direct his professional irritation with Krotkin’s beautiful teeth against my defenseless past: Perhaps I’m an escaped mental patient…
Who was kidnapped by one of my divorced upper middle class intellectual diplomat parents. Who felt guilty about my being institutionalized. Or refused to admit that any daughter of his or hers could be anything but the sanest; professional opinions to the contrary notwithstanding. & sneaked me out of the institution, to take me home. & now feels embarrassed about having lost me somehow somewhere along the way.
Too embarrassed to notify the Missing Persons’ Bureau.
Perhaps he or she is glad to be rid of me.
My tested reflexes & reactions appear to be those of a “normal” approximately 24-year-old “female.” Who has, however, lost her memory. & presents a somewhat baffling mixture of knowledge and ignorance.
The Missing Persons’ Bureau was called immediately. While I was still at the police station. None of the missing “females” on record fits my description. None of the missing “females” on record fits my description. They’re either too young, or too old, or too fat, or too tall.
The closest, so far, is the missing 21-year-old granddaughter of an ancient woman from Staten Island who refuses to go home until she has had a look at me.
She raised the girl, apparently, to permit her own daughter to pursue a career. Or to remarry. The missing girl’s mother has not appeared so far.
Dr. Gamble would like to allow the ancient woman to take a look at me. Even though the photographs she brought with her
a stack of baby pictures; most of them against a garden background
a sequence of classroom photos of an increasingly plump schoolgirl from 7 through 10; of a fat girl of 12, hiding in her hair
a family reunion of 3 generations of seated women under last year’s Christmas tree: the lost overweight granddaughter wedged between a slim wan-eyed mother & a bone-sculptured grandmother
have nothing whatsoever in common with the photographs they’ve been taking of me. Which the old woman has seen.
The lost granddaughter is a plump sullen girl of 21 still a virgin with a thick black braid halfway down her back. I’m a skinny short-haired blonde (of 24?) with a wide & ready smile. (& I’ve had at least one miscarriage.)
Nonetheless Dr. Gamble favors a confrontation. He feels sorry for the ancient woman. Who is blaming her lack of vigilance for what happened.
She is convinced that I am her granddaughter. (Who has my height apparently: 5’5”.)
That someone abducted me. & altered my appearance. Better to hide me from her. & that I managed to get away from my captor with what he had left me of my once very good mind.
(& with $2,200.—in my coat pocket?)
& ran to the police for protection.
She is sure that she will recognize me the instant she sees me face to face. By certain subtle traits that cannot be altered. Certain little gestures & facial expressions that don’t show on a photograph.
Dr. Krotkin does not favor a confrontation. At least not just yet. She fears that it will depress me. Unnecessarily, since I’m obviously not the missing granddaughter from Staten Island. The coincidence of height an average height of 5’5” hardly constitutes sufficient evidence. Her daughter measures 5’5”, too.
Dr. Krotkin also feels sorry for the ancient woman. But would hesitate to risk delaying my recovery for the sake of compassion. She will resist becoming sentimental about grandmothers. She believes in equal rights for the young.
She has been known to side with her daughter against herself, on occasion. When her daughter was still in her teens.
Dr. Gamble has difficulty conceiving of a parent-child relationship that furnishes occasions for taking sides. He would hesitate to deprive his twins of the loving authority all children need. & crave. A father’s warm firm hand, to point their noses in the right direction.
He senses a lack of loving paternal authority in my upbringing. Perhaps I’ve been raised by a “modern” mother. Who prided herself on her tolerance. Which was the modern euphemism for permissiveness, more often than not. The justification for lack of interest.
Perhaps my uninterested, selfishly tolerant modern mother had boarded me in a convent. Where authority was predominantly female. Where the father-figure wore a skirt.
Unless she ha turned me over to her own mother… If I had been raised by my grandmother… the ancient woman from Staten Island…
I felt dizzy all of a sudden. I thought I was going to pass out. Every coil in my brain seemed to be pulled in a different direction.
Dr. Krotkin made me sit down. & fed me a protein wafer.
Dr. Gamble produced a liverwurst sandwich & a glass of milk fro ma small icebox behind a glass partition.
They watched me eat. Decidedly, I didn’t take very good care of myself.
…Because someone else had ceased to care, perhaps?
Perhaps the money in my coat pocket was a parting gift. Severance pay, from a fatigued lover the father of my (last) induced miscarriage who wanted to be free of me. Like another one before him. another one before that one, perhaps.
Experience which was, after all, based on remembering had taught me what to expect. & made me apprehensive. More vulnerable. My mind refused to accept another rejection.
Or rather: my mind, too, rejected me. It rejected the 24 years during which I had grown into what I was: REJECTABLE. & my calcium deficiency aided by an empty stomach supplied the chemical way out.
Dr. Krotkin thinks that my amnesia is most likely the result of starvation. The cumulation of years of emotional malnutrition. To which I later added not-eating.
Out of adolescent laziness, at first. Until I discovered that not-eating induced a certain state of trance into which I could escape. From situations that were not to my liking. Which I lacked the strength to handle in a healthier, more constructive fashion.
My loss of memory was my most radical attempt at escape. It was not unlike a suicide attempt. Which was why she would prefer not to expose me to the ancient woman. At least not for a while. In case the ancient woman managed to turn herself into the grandmother who had raised me. Who had painstakingly depressed my impressionable years.
Dr. Krotkin did not approve of throwing a survivor back into the environment from which the escape had been attempted.
& Dr. Gamble did not approve of sending a poor old woman home to Staten Island to sit in front of a blind television, imagining gorier & gorier details about the abduction
rape/murder; Frankenstein surgery of a missing granddaughter, if the granddaughter had perhaps been found.
Dr. Krotkin finally, shruggingly, agreed to a compromise: They would let the old woman have a look at me through one of the glass doors to the hall.
I stood on the office side, & the old woman stood on the hall side of the glass. She peered at me for a long time. From different angles. With & without her glasses. Coming up very close. Stepping back again, as from a painting. Sniffing at me with her eyes, through the glass.
I gave her a wide smile, & she shook her head, & turned away.
I felt relieved. Even through the glass the sight of her had made me feel heavy. Morose. Unwilling to assume the duty of being alive.
Which was made up of an orderly sequence of derivative duties: Such as breathing. Brushing one’s teeth; one’s hair. Cleaning one’s body. Feeding it. Exercising it. Giving it sufficient rest. Never overexerting it, be it in work or in play. Least of all in play. In order to keep it in good functioning order. In order to go on breathing brushing cleaning feeding, etc., in order to etc. . A dutiful virtuous circle that beckoned me to be its center.
She had made the whole day look shabby.
I said I felt sorry for the old woman. & I meant it. Her back had looked defeated, when she turned away. I almost felt like knocking on the glass to call her back. To let her make me into the granddaughter she is looking for.
Whom she might reject, when she learned about the miscarriage(s): Dr. Krotkin laid an arm around my shoulders. She would have permitted no such thing…
They took my fingerprints, at the police station. I didn’t seem to be on record. I’m neither wanted. Nor a naturalized American citizen. Nor a civil servant.
The policeman who turned my fingers one by one in the black ink commented on my bitten fingernails: Why would a nice-looking chick…
Later, Dr. Krotkin commented on my toenails. Which also looked bitten. She made me sit on the floor, & bring one foot up to my face. She laughed when I hooked both heels behind my neck. She asked if I wanted a book to read. I looked so comfortable in that position.
-
Mother’s Onigiri
mother’s onigiri
Without warning my mother tells me, “I was orphaned at your age.” I look into her marble eyes, and they seem to be asking me if I understand: the pain. Do you feel the pain? Of course I do. I feel all the pain. I unlock my eyes from hers and look down at the table, in between us are stained, empty plates. Only moments ago, the plates were filled with food that we’d cooked in the small kitchen together, the apartment filling with the smell of salted salmon, fresh white rice, vegetable and tofu soup. They are all gone now—things are so fleeting.
“She died when I was 29. Your age,” my mother continues. “Can you imagine losing me right now?” A tiny bomb sets off in my ribcage. Just a few nights ago, I had a dream that my mother was a stranger. She did not die, but it felt worse. The woman looked familiar, but I did not recognize her as my mother. I woke up terrified, the feeling of not having a mother lingering in my body for a moment before my consciousness reminded me that I had a mother still. Her marble eyes are still looking at me, into me, so I mutter a broken “no.” I cannot imagine her dying now. Or ever. “She died when I needed her the most,” she says. I do not know what to answer.
There is so much space in my brain for memories with my grandmother. My brain contains none. My grandmother knew me for a little while—just for a few months before the cancer got to her brain. She held me, she fed me, she changed me, she sang to me, she bathed me, she rocked me. But I don’t remember.
Lately, when people ask me what I am writing, I answer, “about my dead family.” I tell them, “It’s a way for me to bring them back to life. Or at least to remember them. I don’t have them anymore, so I need to write about them so they’re not gone.” It is an act of desperation. I have more family members who are dead than alive. I don’t know how to cope with that. I miss them—even the ones I never knew. Even the ones I never met.
My mother and I move over to the kitchen to clean up and prepare our lunches for tomorrow. We both go into work a few times a week: my mother to her office job in midtown at her Japanese bank job; me to two different college campuses for adjunct teaching jobs. It’s strange to be preparing lunch again, after a year of just eating lunches at home. Before COVID, we’d make semi-elaborate bentos out of leftover dinner, but the rhythm is gone now and usually, we scrummage through the fridge for something edible to bring, or when we remember to, we make onigiri.
I fill up the glass bowl with scoops of still-hot rice from the rice cooker and add in the onigiri mix. While I mix with a rice paddle, my mother washes the dishes. She glances over at me to say something. She is always saying something to me.
“I used to hate the onigiri my mother made for me when I was young,” she says, the warm water running over her hands in the sink.
“What, why?” I ask, still mixing.
“All of the other girls’ moms would make these really small, neat triangular onigiri and pack the seaweed separately, but my mother would make these giant balls pre-wrapped with seaweed. They looked like black baseballs.”
I can’t help but laugh. I can picture my mother in middle school sighing as the two big balls of rice covered in black stared back at her. I can see the girls sitting around her smiling politely but also widening their eyes a little at the intenseness of my grandmother’s onigiri.
“I would give anything to have one of those now, though,” she says. I stop mixing and look at her. I look at her hands. My grandmother was younger than my mother is now when she died. Her hands were younger than my mother’s. I imagine my grandmother’s young hands cupping and shaping rice into balls for her children. I imagine that her movements were fast, just like my mother’s.
“And you know why she wrapped every square inch with seaweed?” “Why?” I ask her, curious. “Her brother was a seaweed maker. Actually, our entire family was seaweed makers. It was in her blood. She loved seaweed, and she wanted to make sure we could taste the sun in every bite.” “The sun?” “How do you think they dried seaweed?”
I nod in silence and continue to mix the rice. I do not cup them in my hands like my grandmother had done because I have an onigiri mold, and using a mold saves time and effort. I scoop some rice into the mold and press it with the top piece until it becomes a nice triangle and I pop it out of the mold. I make four onigiris in total—two for each of us. I then open the freezer to take out two sheets of seaweed. I roast them directly on the flame of the stove to get rid of the freezer taste. This is my favorite part: I like watching the sheets stiffen and take on a bluish hue. The smell reminds me of home, of my aunt’s house in Japan made of ancient wood. It was built by my great-grandparents, and my grandmother had moved into it as a young woman to marry my grandfather, despite the neighborhood gossip that my grandfather’s mother was the meanest woman around. My grandmother didn’t care—she was in love and full of hope.
Much of my childhood was spent in this home, despite it not being my own. It had been passed onto my aunt, who married and had two children—my two older cousins. We’d have dinner there two, maybe even three times a week: my aunt, my uncle, my cousins, my mother, my sister, me at the table. The smell of old wood and tatami was constant and everywhere, and it would mix with the delicious aroma of my aunt’s cooking. On special occasions like New Year’s or a birthday, we would have hand-rolled sushi. A big, wooden bowl of rice mixed with vinegar as the centerpiece; two plates of sashimi on each side with tuna, salmon, salmon roe, octopus, squid, shrimp, mackerel. Sticks of cucumber on smaller plates; a bottle of soy sauce and a small tube of wasabi, which I hated back then. And of course, the seaweed cut into neat squares and stacked on top of one another like paper. Before everything was ready, before everyone was seated at the table, my aunt pulled out sheets and sheets of seaweed and roasted them on the open flame while the children played in another room. The smell found us, causing us to pause briefly to revel in the excitement of a special dinner. Life was simple like that. My sister and me in our cousins’ small bedroom playing next to their bunkbed. In the other room, a Buddhist shrine and framed photos of our grandparents and great grandparents—everyone who had lived in this house before us watching over us.
When the seaweeds are roasted, I slowly rip them in half and wrap the onigiri. I make sure that all the rice is covered. My mother is distracted by the washing and doesn’t notice what I am doing.
“Look,” I tell her when I am finished, just as I used to when I was a little girl showing her something I’d drawn with a crayon.
“Hm?” she looks up, smiling widely. Whenever she looks up at me like this, she glows like the orange sun melting into the horizon.
“Fumie-nigiri,” I tell her. Fumie was my grandmother’s name.
My mother pauses. She looks at the seaweed-covered rice balls. For a moment she looks to be on the verge of tears. But the moment is gone, and she smiles again. “Wow, you don’t know how happy your grandmother would’ve been to have an onigiri named after her.”
It’s true, I don’t know how happy she would’ve been. But the thought of being able to make my grandmother smile the way my mother smiles is enough.
This is how I will keep her alive.
-
Probably It Will Not Be Okay
Now
The alarm goes off for the second time. N reaches around J, hits the alarm, sits on the side of the bed. J hides farther under the blankets. A gray morning.
We have to get up, N says. You have to go to work. I have to pick up the dog.
Fuck work, J says into the pillows, Fuck the dog. Fuck you.
We don’t have time for that, N says.
N goes out to the kitchen, starts making coffee. There are strange sounds in the living room. N pours two mugs of coffee and carries one into the living room to see what’s making the sounds.
It’s a baby.
A baby is strapped into a car seat in the middle of the living room. It’s watching dust particles in the air and making odd noises. N stares at the baby. The baby stares at N. Then the baby goes back to looking at the dust.
Come look at this, N says.
J stands in the doorway behind N, takes the coffee.
I thought we agreed not to have kids.
Where’d it come from?
They look at the baby. The baby looks at them. The baby cries. J passes the coffee to N and picks up the baby. The baby stops crying.
Aw, look at it. Can we keep it?
Is it house broken?
N goes back to the kitchen, sits at the table. J sits at the table, holding the baby.
Where do we report a found baby?
N shrugs. They drink coffee.
What am I supposed to do today, if they don’t believe the dog was lost?
Make it convincing. Take this baby.
We don’t have a baby registered.
They both look at the baby. The baby cries. N takes the baby from J, pushes up its sleeve, looks at its forearm.
This baby isn’t registered.
J finishes drinking coffee, gets up.
I have to get ready for work. We have to leave. Everything’s going to be fine.
J kisses N, then kisses the top of the baby’s head.
Don’t do that. It’s not ours.
It’s not anybody’s. And it showed up in our living room.
J goes into the bedroom.
You can’t be thinking about keeping it.
N follows J into the bedroom.
Really. We can’t keep it.
The baby is still crying. J is getting dressed.
It’s probably hungry. Do we have milk or something?
Just creamer.
Try giving it that.
J grabs a bag from the floor, keys off the dresser.
Look, I’m sorry, but what else are we supposed to do? It’s not registered and you’re already listed and now they found the dog. If we report it, one of us will probably disappear. Now let’s go.
N puts the baby in the car seat, grabs the dog’s papers from the counter. They get in the car and J drives to the city. J and N don’t talk. The baby cries. They reach J’s office.
We’ll figure it all out tonight.
Right.
Try not to make problems.
Right.
The car door slams and the baby stops crying. N looks at the baby. The baby cries again.
*
N tries to hold the baby like someone used to holding a baby, but the room is cold and the minor official is making N feel uncomfortable. The baby is making the minor official feel uncomfortable. The minor official doesn’t get many babies in the office. The baby is crying and hiccupping. N pats its back and bounces it up and down like N’s seen people do with babies.
I know losing a pet is painful, the minor official says, And I don’t want to make it any more painful for you. But illegally disposing of bodies is serious. It gets people listed.
I’m already listed.
The minor official grows more uncomfortable.
Yes. Well. Make sure you file the proper paperwork this time. And if you know who might have buried your dog, contact us. I just need you to identify the body.
Of course.
An orderly rolls a cart covered in a plastic sheet into the room. Under the plastic sheet is the dog. N looks at the dog. It looks worse than it did when J and N buried it last week.
Yes, N says, That’s our dog.
If you could just sign here? the minor official says.
*
N waits in line at the city exit with a baby strapped into a car seat in the front, and a dead dog wrapped in plastic in the back. The security officers look suspiciously at the car, but once they see the baby and smell the dog they wave N through.
Make sure you file that burial report correctly, one of them tells N.
Right, N says. Thanks.
If you don’t, they’ll send you to the middle of nowhere next time.
The officer is leaning against the car, one hand on the roof.
Right, N says. Thanks.
Just file it correctly, the officer says, still leaning against the car, And there’s nothing to worry about. Not like those feral cats. Always got to worry about them.
The officer laughs. N laughs.
Right, the officer says, smacking the top of the car, Have a good one.
N drives back through the gray countryside with the unregistered baby wailing in the front, and the illegally disposed dead dog smelling in the back.
*
It’s night. The baby is in blankets in a box. The dead dog is in plastic in the garage. N and J are in bed but awake.
A burial permit is expensive, J says, And the burial spot is insanely expensive.
J doesn’t say that they can’t afford it because N isn’t allowed to work now, but they both know that’s why.
You can’t pull any strings?
I used up all my favors at work, J says.
J doesn’t say, because of you. J rolls over and puts an arm around N.
But I was looking at burial permits, and I think we could forge one pretty easily.
They’ve flagged the file. They’ll be waiting for it.
Yeah, but they won’t check at the place itself. Not for a dog.
What will we do with it, though? It didn’t work last time.
The baby grunts in its fake crib. They’re silent.
How do you think they found it?
I don’t know, N says. The same way they found me. The same way they’ll find this baby.
The baby cries.
*
It’s late evening. J is driving. N is in the passenger seat fooling with the radio. The baby is in the backseat. The dog is wrapped in plastic and tied to concrete blocks in the trunk. They’ve been driving for a long time and the smell of the dog is seeping through the trunk and into the car. The baby won’t stop crying. They stop at the checkpoint. A security officer walks to their car.
Evening, J says, and passes over the forged burial certificate.
N tries to look like someone on a family outing to bury a dead dog. The security officer looks at the paper, hands it back to J, asks something. J can’t hear because the baby is crying. The guard shrugs and waves them through. They pull away from the booth and N turns up the radio. They pass a mansion with a giraffe in the floodlit front yard eating the topiary. They reach a picnic spot by the river. J and N look at each other. The baby stops crying.
I need a fucking cigarette.
They climb out of the car. The baby cries.
Christ, J says, and lights a cigarette.
J passes the cigarette to N, unstraps the baby from the car seat, takes back the cigarette, tries to rub the baby’s back with the same arm that is holding the baby. N lights a cigarette. J sits with the baby at a picnic table shaped like a stegosaurus while N gets the car seat out of the car. They leave the baby in the car seat on a slide that is a brachiosaurus tail while they get the dead dog out of the trunk. Something drips out of the plastic wrapping. They drop it on the ground and finish their cigarettes. Clouds cover the moon then scuttle off, hiding and showing the wide-eyed faces of wooden pterodactyls and velociraptors.
Let’s check out this river.
They walk down to the river, leaving the baby in its car seat on the slide. They walk along the bank until they find a place that looks suitable. They can hear the baby making almost crying noises, so J goes back to the playground and carries the car seat down to a log at the edge of the water. N and J go back to the car and pick up the dog again. It’s too hard to carry the dog and the concrete blocks at the same time, so they untie the concrete blocks and carry just the dog to the river, then N goes back for the concrete blocks. They tie the concrete blocks back onto the dog, and wrap more rope around the plastic and the blocks just to make sure. Then J wraps duct tape around the whole thing, too.
Its ear is sticking out.
J tapes the ear to the plastic with more duct tape. The baby watches. J and N pick up the dog and fling it out into the river. Their throw is bad, and the dog lands close to shore. One of the concrete blocks sticks out of the water.
Fuck, J says, and lights another cigarette.
They share the cigarette.
Water’s fucking cold.
Fuck.
They finish the cigarette, then take off their shoes and socks and roll up their pant legs. The baby watches them. They wade out to where the dog is sticking out of the river. It’s hard to pick it up because there’s a current. J slips and they both fall and lose their grip on the dog. It sinks. N helps J stand up and they look at the spot where the dog disappeared.
Stay this time! J shouts.
They wade back to shore. The baby is still watching them. N lights a third cigarette.
Don’t smoke, N tells the baby, It’s bad for you.
*
It’s morning. J is at work. N finishes feeding the baby, opens a beer, and tries to figure out what they should do next. A long time passes. N drinks more beer, then calls J. Instead of J’s voicemail, there’s a pre-recorded message:
The line you have reached is no longer in service, please check the number and dial again.
Fuck, N says.
The baby laughs. N turns on the laptop and tries to connect to the internet but their network is unavailable.
Fuck, N says again, and opens another beer.
When J gets home, the baby’s sock is hanging out of its mouth and it’s crawling under the coffee table after a beer can and N is sitting on the couch drinking beer and watching porn using an illegal internet connection. J picks up the baby and closes N’s laptop.
Look, J says, but isn’t sure what to say next.
At what? This shitty house? Your disconnected phone? Our disconnected internet? The fucking baby?
J doesn’t know what to say to that.
Shit.
Yeah.
We have to leave, don’t we?
Yeah.
J looks around the shitty living room with holes in the floor and mildew on the ceiling and the empty dog bed in the corner. J finishes N’s beer.
It’d help if we could get a fake registration for the baby.
We can, N says.
*
They leave the baby in the car. They leave the car in the darkest place that seems like a safe place to leave a baby. They skulk through back streets to the side door of the office where N worked before being listed.
You’re sure H is working tonight?
Yes, N says, which is sort of a lie. Help me climb onto the dumpster.
J helps N climb onto the dumpster. N looks in the window.
Shit.
A cat climbs out of the dumpster and rubs against J’s legs, purring.
What’s up?
The cat hisses and scratches J’s leg.
Shit, J says, and jumps.
N knocks on the window. The cat meows. Another cat joins it.
H is in there, N says, But not moving.
Sleeping?
I don’t know. Do you have a screwdriver?
Hang on.
J finds something that can work and passes it to N. N pries the bars away from the window, unlatches the frame, slides into the room. J waits outside, watching the cats. The cats watch J. Two more cats climb out of the dumpster.
Fuck off, J tells the cats, but the cats don’t do anything. They sit in a semi-circle around J’s feet. N’s face reappears in the window.
Can you climb up here on your own?
You can’t just open the door?
It reads thumbprints.
Can’t H open it?
Um.
N disappears, reappears in the window a few minutes later.
Yeah, stand by the door.
J stands by the door. The cats stand by the door. There’s the sound of something being dragged on the other side of the door, then the door unlocks, opens. J slips inside. Cats slip inside. J trips over a body.
Get up. I have to make H close the door.
J gets up quickly. The body is soft but cold and not comfortable to lie on.
Give me a hand with the arm?
J helps N push H’s dead thumb against the thumb pad. The door locks. N sets H’s body down against the wall and rifles through H’s pockets.
What are you looking for?
A key card. Otherwise we need H’s thumb to get anywhere. Why are there cats in here?
They followed me in.
Do we have a knife?
Why?
I don’t want to carry H through the whole building. We only need a thumbprint.
No.
Would you rather carry a cadaver?
N opens a drawer next to a microwave by the sink.
Think this will work?
N holds up a steak knife.
You’re crazy.
Yes.
N starts sawing off H’s thumb. It takes a long time to saw the thumb off with a steak knife, but they manage. N washes the thumb off in the sink, then puts it into a plastic bag from the drawer under the microwave.
What if someone comes?
No one is going to come. H is the only one on the night shift.
J follows N out into the hallway and through a couple of high security doors — using H’s thumb to open them — and into the cubicle where N used to work. N sits at a computer, punches in information, and the printer spits out some pages. N takes the pages.
We can go.
That’s it?
That’s all I did last time.
It didn’t work that well last time.
Yea, so I’m sure it will work at least that well this time.
They go back through the high security doors and the hallways and into the security room. One of the cats is curled up on H’s back. Two are licking up the blood at the stump on the side of H’s right hand. Another is chewing on H’s ear.
I guess we don’t have to worry about anyone wondering what happened to H’s right thumb, N says.
Fuck, J says.
They use H’s right thumb to exit the building.
*
Their old apartment sits empty on the edge of the city. No one changed the locks after they were relocated, so it’s easy to get inside. J feeds the baby rice cereal and the baby smears it into its hair. N takes things out of a large bag and places them on the kitchen counter.
How long do you think we have?
N takes a bottle of rubbing alcohol and another of whiskey out of the bag.
At least today. Probably tonight. Maybe tomorrow.
N lays a packet of razor blades and a roll of gauze next to the rubbing alcohol.
It depends what their reason is: the dog, the baby, the forgery. You haven’t done anything else have you?
Not yet. You?
I’ve been the model citizen since you were listed.
They laugh, because that’s a lie. N takes tweezers and plastic gloves from the bag and puts on a pair of the gloves.
Ready?
Wait.
J opens the whiskey bottle, drinks. N drinks.
Ready?
J takes another drink, grimaces, and puts the baby in its car seat. J and N sit cross-legged on the floor. N pulls up J’s shirtsleeve and rubs alcohol along J’s forearm. It doesn’t take N long to cut out the small piece of plastic with J’s registration on it. It’s something N’s done before. J sits still and holds a gauze pad in place while N washes off the tweezers and razor blade. J isn’t as experienced at cutting out N’s registration, and N winces and swears.
What do we do with them now?
I don’t know.
They drink whiskey and look at the registration chips.
We could break them.
We could leave them here.
Frame them and hang them on the wall.
Throw them in the river with the dog.
Don’t disrespect the dog.
They laugh and so does the baby. They both reach for the whiskey bottle at the same time, laugh again, and kiss. The baby stops laughing and cries.
Fucking baby.
N breaks into a neighbor’s internet and finds hypnotic music videos for the baby to watch. Then, when the baby is sleeping, J and N drink the rest of the whiskey and watch porn and fool around a little and fall asleep.
*
N wakes up looking at the baby’s face while it hits N on the head.
What? N says.
The baby drools on N’s face.
You’re disgusting.
N reaches for a shirt. It’s J’s shirt, but N puts it on anyway. The baby smears snot across its cheek.
Wake up J. The baby is filthy and we have to leave.
My arm hurts.
I know. My head hurts.
I know.
The baby crawls around the living room and tries to eat pieces of the carpet while N and J get dressed. Then N climbs down into the alley and J hands out the baby, then climbs out the window and they walk to the car.
Do you want to drive?
J pulls out a pack of cigarettes.
Light?
N lights J’s cigarette. J inhales, exhales.
Thank god.
N lights a cigarette.
Where’s the baby going?
Under the car.
They watch the baby lick the back tire. N puts the baby in the car seat and finishes the cigarette. They get into the car and leave.
Before
It’s N’s birthday and H and the rest of the security department from work are throwing a party. N isn’t thrilled about it but it’s easy to get allowances for birthday parties. H and the rest of the security department from work are not N’s favorite people, and when N gets drunk N says things that shouldn’t be said. The bar here is great and N wants to get drunk and leave with a stranger. People keep showing up, friends of friends and friends of those friends. N decides the party needs to end soon. One of the friends of a friend’s friend is J. N checks out J from across the table. J sees, and smiles, and N acts like it was a mistake. N decides the party needs to end with N bringing J home. H stands up and proposes a toast, and then every other member of the security department stands up and makes a toast and while everyone is toasting, N slips off to the bathroom. Walking out of the bathroom, N runs into J.
Hurry and get back. The wait staff is going to bring you cake and sing, J says.
Fuck.
Want to get out of here?
Fuck yes.
They sneak out of the restaurant and drink in an alley after curfew, hiding from the patrols, and then finish getting drunk at N’s place. By the end of the night, J knows everything the security department can’t know, and by the end of the year they’ve bought a dog on the black market and more or less moved in together and are talking about registering as a couple. N doesn’t really hang out with the security department anymore, which bothers H a little, but is probably safer.
*
There’s still a hint of a chlorine smell despite the layers of dirt and piles of leaves and trash. There aren’t many trees in the city, but there seem to be leaves everywhere.
Last time I was here, I startled up a whole colony of cats.
Are they still here?
Probably. But they live in the rooms off to the side, so we’re okay in here.
N leads the way down the short ladder into the empty pool. The sun is weak, so the light that usually filters through the high, broken windows isn’t there and the pool doesn’t have any of its usual mystery. It’s just an empty pool filling with debris.
As long as you promise we’re not about to get attacked by cats, J says, taking N’s hand. They walk slowly along one of the long black lines on the pool’s bottom. J counts out the feet as they walk into the deep end.
Four feet. Six feet. Eight feet. Ten feet. Twelve feet.
They look at the edge of the pool above them, at the bottom of the diving board. N lies down on the grimy pool bottom and pretends to backstroke.
I don’t actually know how to backstroke.
J laughs and sits on N.
No horseplay.
They make out in the deep end of the pool under twelve feet of evaporated water. A cat stands on a diving block and watches them, but leaves them alone. They laugh at their own gasps magnified by the empty room.
*
The room is dark, small and overly warm. There aren’t that many people, but it is crowded. It isn’t clear what the meetings are about, but they’re anti-government, which gets N excited and J finds that sexy. Every fifteen minutes or so N looks at J and J looks interested in what’s being said until N looks away. From the way everyone in the room eventually pairs off and slips away, it seems the only thing the meetings accomplish is getting everyone excited to have sex with everyone else. One night everyone gets so inspired that they don’t even bother to leave, just have sex in piles of people in the windowless room.
*
They are doing what they do most nights: skulking around the streets until after curfew then going to N’s place. They walk through the dark streets, sharing a flask and smoking. A patrol is heading up the street and they hide behind a statue of a raccoon. J pulls N close by the belt loops so they are both covered in the raccoon’s shadow but also so they can kiss. They stay hidden in the shadow long after the patrol passes, until a tailless rat or a guinea pig skitters out of the shadows and into the storm drain by their feet. It’s followed by a cat. There’s scuffling, a screech, and then the rat or guinea pig climbs out of the storm drain, shakes off, and scuttles back into the shadows. N kicks a glass bottle against a wall, grabs J’s hand and they run. They run until they are panting and sweaty. The night feels colder now.
Almost there, N says.
J laughs because N’s place is only a few blocks away from where they started, and they wandered pretty far. They get into the building the back way, just in case the alarms were fixed. They sneak past the giant anteater chained to the dumpster, climb up the fire escape and push open the fire door that never fully closes. There are leaves and empty cans in the hallway, and it’s hard to walk quietly but they try to be silent until they reach N’s door. The apartment feels even smaller than the last time they were there.
When’s your lease up?
Two months, N says, searching through the cupboards for something to eat.
J sits on the couch and watches.
We should register for cohabitation and you can just move in with me officially.
Or, N says, coming over to the couch with some stale crackers and a half empty bottle of wine, We can register as a couple and apply for a new place together.
J is surprised and tries to hide the surprise but fails.
You didn’t think I’d want that, did you?
It doesn’t seem like your style.
Well, N uncorks the bottle and offers it to J, It is. Now.
J drinks the old wine and eats a stale cracker and can’t stop smiling.
You know what else we should do? We should get a dog.
We should totally get a dog!
*
Once, when I was younger, N says, I stared down a patrol. They sent me to a program that was supposed to make me want to join the patrol, but instead it made me think it was stupid.
Once, when I was younger, J says, A patrol drove right past me and didn’t even see me. After that, I started staying out too late.
Once, I was trapped in an alley by feral cats. I sat and stared them down until a porcupine distracted them and I escaped. Then I stopped being afraid of cats.
Once, I skipped community class for the entire quarter and no one noticed. Then I stopped caring about community.
Once, I protested the protests. A morale officer saw me and forced me into the youth brigade. I never went to another protest.
Once, I lied about my registration number for a year on all my forms. I’d gotten some numbers mixed up. But it didn’t matter, and now I lie on purpose.
I always lie about my registration number, N says.
*
The warehouse is empty. Industrial metal platforms reach the high ceiling. The aisles are wide enough for a patrol to drive down. Their voices reverberate off the rusting beams. Pallets are tumbled across the floor, stacked on the platforms. A forklift lies on its side in the middle of an aisle. N climbs on top of it, balancing on one of the tines.
Don’t fall.
Will you catch me if I do?
You’d knock me over if I tried.
Would you at least cushion my fall?
J laughs, lights a cigarette. Something moves in the shadows. N jumps down from the forklift, falls against J. J drops the lit cigarette and it rolls across the concrete leaving a trail of sparks. They fuck next to the forklift, until J’s head hits the metal guard bars.
Do you think you have a concussion?
I think I have a fucking headache.
How many fingers am I holding up?
How many fingers am I holding up? J asks, and holds up a middle finger.
*
They are on their way to meet a black market contact and pick out a dog. N is excited. J is excited and also nervous.
Second thoughts?
No, I’ve just never purchased anything on the black market before.
It’s easy. And you don’t get in much trouble if you’re caught.
How much trouble is not much trouble?
I don’t know. I don’t know anyone that’s gotten caught.
That isn’t comforting. We should wait. What if I did a terrible job on the papers?
You didn’t. And we’re already here.
Soon they’re looking at rows of dogs in kennels and J doesn’t care if they get caught because there is no way they are leaving without one. A few days later they will both wonder if getting a dog was really a good idea but for now they are both certain it is the best possible idea of all time.
They’re fucking adorable, J says.
They’re beyond fucking adorable, N says.
*
The day is almost cold and sunless but not quite. There’s a light rain. J hands N the bottle of whatever they’re drinking. They’re at the zoo. J stops at the bear enclosure and leans against the rail, staring into the dim, overgrown cage. The bars are rusty. Something is creaking in the wind, a cage door maybe.
There, in the corner, J says, and points to the pile of rotting fur and bones.
How long do you think it took to die?
J takes back the bottle, takes a sip.
Six days.
You’re just making that up.
Yeah. Weren’t there two? Do you think one ate the other?
Probably, N says and lights a cigarette. Where’s the dog?
J points down the path towards the prairie dog pen. The dog is worrying at something in the ground. N calls the dog, but the dog never responds to being called. J whistles, and the dog looks at them like it’s thinking about listening, then goes back to whatever dead thing it’s found. They leave it and keep walking. There’s water in a shallow pool in the tiger pit, with bottles and trash floating in it. Bones are scattered around the pit, but it’s hard to know if they are tiger bones or the bones of whatever made the mistake of wandering into the pit.
I heard someone say there was a human skull in there.
I heard that, too.
Suicide, probably.
It’s growing dark, patrol lights cutting through the sky. N pulls J inside the shell of an old snack bar and they fuck against the freezers that smell like mold. The lights flash through holes in the roof and along the ground outside and over the scummy tiger pool and fade. The dog scratches at things in the corner until it gets bored, then jumps on them and licks their faces and they laugh and push it away. It’s awkward, the way sex is always awkward.
Once the patrol has passed they climb into the mountain lion pen and lie in the mouth of the fake rock cave and pretend the sparks in the distance are shooting stars. They share a cigarette, then a second. They don’t talk. The rain is falling a little harder now, and the dog scrambles up and down the fake hillside and then stands over them, panting, and shakes water on them. Someone is fooling around on the old playground, blowing in tubing that makes animal sounds. For a moment, it sounds like there’s still a living coyote roaming the artificial grasslands.
-

My Secret
I’m suddenly
one of those people
who goes out
to dinner alone.
The wind around
the Chelsea Piers
is warm tonight.
A dog on 10th Avenue
barks so loud
I can feel it,
clawing at
some part of me
refusing people
but okay with trees.
There are still so many
things I wouldn’t mind
forgetting. Like the mail
key I keep losing
or the plant
I almost bought
but knew I’d kill.
Everyone I love
is disappointed in me.
I don’t text or call
or ever make real plans.
I’m so sorry everybody!
I am truly trying
to run into you
so casually
and overdressed,
there’d be no shame
in our admitting
we are animals
and need each other.
No shame in how we’re
only terrible at life.
Especially because
(speaking for me)
I am sadder than
I look but happier
than all the dead.
And if you’ve seen
how small we are
in NASA’s photos,
it’s impossible to
think our happiness
is that important.
To order red
and not want
all of you to come
because it is.



