Category: Uncategorized

  • Six Poems – Bernadette Bowen

    Six Poems – Bernadette Bowen

    WE ARE ALL SURFACES IN THE ENVIRUSMENT

    My love 
    Hangs around 
    Like mold.

    I Infiltrate 
    Your porous 
    Wood

    Sink into 
    Your 
    Remembrains.

    —-

    Don’t 
    Mind me…

    …Just evading

    Lapses to 
    Rid your 
    Infrastructure 
    Of me;

    Fortifying 
    Myself 
    —Stronger 
    Than ever 
    Inside You.

    —-

    I am the 
    Twenty-percent 
    That know 
    How to 
    Survive

    Your vinegar.

    —-

    Undetected 
    I cunningly curb 
    Your interest

    Til you’re

    Cupping at 
    The seems.

    —-

    Curve for me.

    Show me 
    How 
    Your heat

    That 
    Grows me

    Cannot 
    Contain 
    Itself there

    Inside your 
    Surfaces.

    —-

    Allow me 
    To snake 
    Through 
    your veins

    Like water;

    Weaving 
    Through 
    Your textures,

    Tainting Your 
    Would boreds,

    Inking them 
    With life.

    —-

    Isn’t it 
    All So 
    Exhilarating—

    —How Even 
    My most 
    Toxic 
    Release of 
    Spores

    beats 
    The drone 
    Of your

    Tidy 
    Polished 
    Home. 

     

    I HAVE BEEN WADING

    On the 
    Ocean of 
    Missing you 
    For So Long,

    I’m getting 
    Scurvy 
    Over here.

    —-

    I have the 
    Cabin Fever of 
    Missing you.

    —-

    The Creatures 
    Of us

    Live on in the 
    Deepest parts 
    Of my memorseas.

    Not a day 
    Goes by

    I don’t 
    Hold my breath 
    To Dive back in 
    And pull them out;

    Basking them 
    in the sun 
    Of mynd’s surface.

    —-

    Our sea monsters 
    Shine brightly when 
    Allowed in daylight.

    —-

    I’m keeping 
    The map;

    Charting course 
    To our 
    Buried treasures.

    I haven’t 
    Forgotten 
    Where 
    X marked

    Our spots———- 
    —So Many Times.

     

    BALDILOCKS BUMBLER VIRTUOSO

    Watch me 
    Blow thought 
    Bubbles into our 
    Re-space-o-ship.

    —-

    Since You Shut 
    Your Electricity off,

    The pixels of me 
    Still spend all their

    Tokens and free time 
    Grinding, Bouncing, & 
    Reflecting in Our lights.

    —-

    A play palace 
    Despised, I

    ~backstroke~in the 
    ____ball pit____Full 
    ———Of our gazes 
    ——into each other.

    —-

    Though you stopped 
    Paying admission,

    The bare moments 
    of us—-Still Dance

    |||Encased||| in their 
    <<<>>>

    <<<>>>

    [Turns out,

    This space was 
    Always 
    self-sufficient].

    The show 
    Must Go On.

     

    I’M HERE TO(O)

    Fetishize 
    The face.

    Face it,

    I do not 
    Miss 
    Any

    -But 
    Yours.

    Take off 
    That mask

    Slowly 
    For me.

    No need 
    To be Shy 
    Or coy,

    I know 
    What’s under 
    There.

    I’ve seen it 
    All 
    Before.

    Show me 
    Again

    How you 
    You.

    It’s been 
    So long

    Since 
    Anyone 
    Worth 
    Looking 
    At

    Has Looked 
    At me

    Physically,

    Viscerally,

    in My 
    Direction.

    —-

    Before our 

    Total Dark

    I mourned 
    Our sight loss

    Like 
    I had

    My childhood, 
    Dog.

    I knew 
    We 
    Were going,

    So I 
    read books

    In place 
    Of 
    Your face

    To Supplant 
    Our Deterioration.

    I Wrapped myself 
    In The Comfort 
    Of fiction,

    Between covers 
    and frayed spines.

    Shipping 
    Is delayed

    On shared 
    smirks

    In the 
    Unfor-see-me-able 
    Future.

    In this 
    Envirusment,

    We are

    Flesh and 
    [Thus,] 
    Fresh Out

    of 
    Knowing 
    Glances.

    I see now,

    There is no way 
    To Properly grieve 
    the Relishment

    of your 
    Idiosyncrasies,

    As we are,

    Relegated 

    To only 
    A Past-time.

     

    YOU WERE NOT ROUTINE DENTAL WORK

    The worst Part 
    of losing you 
    is that _________ 
    ___________ 
    _____________.

    —-

    Not some 
    Superficial filling 
    I could replace.

    You were that 
    Real enamel Deal.

    —-

    Over the years, 
    I’d developed 
    Quite the sweet 
    Tooth; taking 
    Bigger Bites than 
    I Could chew.

    —-

    I ached from 
    Your erosion 
    For Months;

    Numbing myself 
    Preemptively 
    For Your extraction.

    —-

    You Didn’t 
    leave a 
    minor cavity.

    I required 
    A full-blown 
    root canal.

    My nerves laid raw in 
    the deepest parts of 
    me from your loss.

    —-

    You were ripped 
    from my mouth 
    and placed back 
    into that of another.

    I have 
    No right 
    to be sad

    Only sad writes; 
    Gumming at 
    Our leftovers.

     

    THE BABY

    Words in 
    My brain 
    Are crying 
    Out of me.

    They say 
    It’s time 
    For them

    To be 
    Birthed 
    Out from 
    My Mental 
    Holes &

    Into the 
    —World.

    —-

    Words 
    Have no 
    Need for

    Sucking 
    Their 
    Thumbs

    To self- 
    Soothe.

    They 
    Are the 
    Food & 
    The Shit,

    & We—-Are 
    The Worms.

  • Me and Bobby Kennedy

    Me and Bobby Kennedy

    1

    I never formally met Bobby Kennedy, but I did once alter the course of his life for maybe five minutes. Since then, I have always felt a certain kinship with him. Had he only lived longer, who knows what he might have achieved.

    My relationship with him began on a beautiful fall afternoon back in 1964, less than a year after his brother, President John F. Kennedy, was assassinated. It was a few weeks before Election Day, when President Lyndon Johnson would be running for a full term, and Bobby Kennedy would be running for senator in New York State.

    I was hanging out in the storefront clubhouse of the Eleanor Roosevelt Independent Democrats on the Lower Eastside of Manhattan, trying to figure out how we could distribute piles of cartons of campaign literature. We had all kinds of neighborhood characters dropping by, sometimes giving us political advice, but rarely offering to help out.

    One of my favorites was an elderly man with a long white beard, who told us his name, but then confided that everybody called him “Uncle Sam.” I can still remember two of his sage observations.

    “You want to know what is wrong with the name of the Republican Party?” he asked, while rolling the “R” in Republican.

    “Sure.”

    “Re means against; public means the people.”

    “Great!” Carlos observed. “The Republicans are against the people!”

    Smiling at his bright pupil, Uncle Sam was ready to disclose his second observation. “Do you know what is right in the middle of the Democratic Party?”

    We all just shrugged. Uncle Sam waited, wanting to give everyone a chance to guess. And then he told us:  “The Democratic Party has a rat in it,” again rolling his r’s.

    We just shook our heads. The man was perfectly right. We invited him to join our club. As he left, he said he’d think about it. But in the meanwhile, we should consider changing the name of our club. “Eleanor Roosevelt, she is a living saint. But think of getting rid of ‘Democrats’ from your name.”

    2

    As much of a character as Uncle Sam was, he did not come close to Mrs. Clayton, who burst into our office one afternoon and demanded to know where our Robert Kennedy glossy photos were. Indeed, where were they? We all looked at each other and just shook our heads in shame.

    “Are you trying to tell me that you don’t have any?”

    We sadly agreed.

    “Can any of you please answer this simple question? How can you call yourselves a Democratic club if, just weeks away from the election, you don’t have any of Bobby’s photos?”

    Mrs. Clayton was a very nice-looking Black woman, maybe in her mid-sixties. And she seemed quite comfortable expecting answers to her questions. But I couldn’t get past wondering why on Earth she was wearing a fur coat on such a warm day.

    “What? Do I have to do everything around here? Who’s going to drive me up to Kennedy’s headquarters on 42nd Street?”

    None of us had a car. “Mrs. Clayton, if you can get some Kennedy glossy photos for us, I’ll be glad to take you up there in a cab.”

    “You’re on, young man!”

    3

    Fifteen minutes later we arrived at a large storefront that served as Kennedy’s campaign literature depot. There, I saw cartons piled eight or ten feet high along the walls and a whole bunch of people, most of whom looked very busy. I heard quite a few Boston accents among them.

    Mrs. Clayton walked in as if she owned the place, and for all I knew, maybe she did. She buttonholed a middle-aged guy with red hair and the beginnings of a potbelly, and told him that she needed a few carloads of Kennedy campaign literature for this boy’s club on the Lower Eastside.

    “Who yah with?”

    “The Eleanor Roosevelt Independent Democrats.”

    “Never heard of ‘em.”

    “We’re on the Lower Eastside. We’re a Reform Democratic club,” I replied.

    “Oh, we already sent a whole pile of stuff tuh the Regular Democratic club down there – the Lower Eastside Democratic Association. Why don’t you get some from them?”

    “Are you familiar with the Hatfields and the McCoys?”

    This got a big laugh out of him. “Mrs. Clayton, you can take whatever you need.”

    He called over a couple of guys to help us, and a few minutes later, Mrs. Clayton and I were sitting in the lead limousine in a caravan laden with enough Bobby Kennedy glossies and other campaign material to give out to every Democratic voter in the entire city.

    When we got to our clubhouse, Kennedy’s workers and our own people quickly filled up our entire space from floor to ceiling. When they were ready to leave, Mrs. Clayton‘s parting words to us were quite direct, “When you need something, all you’ve got to do is ask for it.” Then, she got back into the limo and rode home in style.

    4

    After Mrs. Clayton left, the rest of us started going through some of the cartons. Whatever else might be said, there surely were enough Bobby Kennedy glossy photos, many of which showed him with smiling crowds of people. But there was far too much campaign literature for us to use, even if every household got dozens of different pieces every day.

    “What are we going to do with all this shit?” asked Martha

    “Hey, I’ve got a great idea!”

    Everybody looked at me. While I was apparently the quasi-leader that day – not to mention the person who’d helped Mrs. Clayton deliver the goods – they were hoping that I was serious.

    “Let’s dump whatever we don’t want in front of our dear neighbors, the Lower Eastside Democratic Association. You know, when I was at the Kennedy headquarters, they told me that those bastards down the block froze us out of our share of not just the Bobby Kennedy glossies, but of all the rest of his literature. So wouldn’t it be poetic justice to dump what we don’t want in front of their clubhouse?”

    Thankfully, cooler heads prevailed, especially since, without a car, it would have been some job carrying all those cartons. And we might have even gotten arrested for illegal dumping.

    “OK,” I agreed. But we need to make a good faith effort to distribute as much of this as we can. I really do hate to waste anything. And also, dumping this stuff would not be fair to Mrs. Clayton.”

    So, we all went back to going through more of the cartons. After several minutes, Harry called out, “Hey, what should we do with these?”

    He read us the title of a stapled packet of printed pages: “Senator Robert Kennedy’s Address to the Mizrachi Women.”

    “Who the hell are the Mizrachi Women?” I asked. I’ve heard of Mizrachi salami.”

    “Don’t they carry that brand at Katz’s Delicatessen? Maybe that’s what they’re referring to on that big sign they have on the back wall,” suggested Carlos.

    “What sign?” asked Harry.

    Carlos was laughing so hard, he had to hold up his hand for everyone to wait till he could speak. Then he said, “Send a salami to your boy in the army.”

    Now we were all laughing.

    Finally, after we had all settled down, Martha explained that the Mizrachi Women were a Zionist group that promoted education in Israel. That certainly seemed inoffensive enough.

    I said that I was uncomfortable about distributing this twenty-page handout because it appeared to be pandering to Jews. “Look, I’m obviously a member of the tribe, but I think that while it’s fine for Kennedy to address this group, distributing it may be going a step too far.”

    “So should we just dump them?” asked Martha.

    “I have a great idea!” declared Harry. Let’s give them out to people on the street, but only if they’re obviously not Jewish.”

    “Sounds like a plan,” I agreed.

    That evening, as I locked up, I felt we had gotten a lot done, although now we had to get rid of all that shit. On my way home, I saw a middle-aged Black couple standing under a street light. Their heads were bent together, but they weren’t talking.

    Then I noticed that they were thoroughly engrossed in something they were reading. It was Bobby Kennedy’s address to the Mizrachi Women.

    5

    The chances are, you never heard of Samuel Silverman and you’re not at all familiar with the Surrogate Court of New York County, aka the court of widows and orphans. Each borough of New York City has two surrogate judges, who appoint lawyers to handle inheritance cases of families who can’t afford their own legal representation.

    So that’s a good thing, right? Not always. And certainly not in the surrogate courts of New York and many other cities. Often lawyers, in cahoots with the surrogate judges, charge very high legal fees, depriving the widows and orphans of most or all of their inheritances.

    In 1966, Senator Robert Kennedy decided to put a stop to this practice at least in the Manhattan (New York County) Surrogate Court. Looking long and hard, he finally found the right man — Samuel Silverman, a justice of the State Supreme Court.

    The patriarch of the Kennedy clan, Joseph Kennedy, had amassed a family fortune that would be equivalent to at least ten billion dollars in today’s dollars. His hands were far from clean, but he provided his sons with seemingly unlimited funding to run for high political office.

    And so in turn, Bobby Kennedy funded Justice Silverman’s campaign in the 1966 Democratic Primary for a vacant Surrogate seat. Almost no one in the entire borough of Manhattan had ever heard of Silverman, let alone had any idea of whether or not he might be a good Surrogate.

    But none of that really mattered. What did matter were Senator Robert Kennedy’s endorsement and Joseph Kennedy’s money. But Bobby certainly put his father’s money where his own mouth was. He campaigned tirelessly for Justice Silverman.

    6

    One Sunday afternoon in late May, just a few weeks before the Democratic Primary, Bobby Kennedy, accompanied by Justice Silverman, was scheduled to tour the Lower Eastside, making stops in each neighborhood. The tour would culminate in a giant rally in perhaps the busiest intersection of the entire Lower Eastside – the junction where Essex Street and Delancey Street met.

    When the caravan arrived in front of our clubhouse, there was Bobby Kennedy sitting in a huge black convertible, and sitting next to him was Justice Silverman. Both of them were smiling and waving to a lively crowd and even reached out to shake a few hands.

    The problem was that they were more than an hour behind schedule, and had been long overdue for a rally before what might be the largest crowd in Lower Eastside history. When I approached the lead limo, the driver told me to hop into the front seat.

    “We already got lost three or four times. These damn streets don’t have any numbers like they do uptown.”

    “Hey, Boston’s even worse,” I replied.

    He laughed. “You got a point there.”

    “So you want me to be your guide?”

    “Absolutely! We got one more stop to make – the Lower Eastside Democratic Association.”

    “OK, I said. They’re just down the block, but if you’re really in a hurry, I know what we can do to save some time.”

    “You’re the boss!”

    We slowed as we approached their clubhouse. They had a small crowd, and when they saw Bobby, they went wild. They were expecting about a five-minute stop so that Kennedy and Silverman could each say a few words and maybe shake a few hands.

    But I told the driver to speed up and I’d get him to Essex and Delancey in less than two minutes. When the people in the crowd realized that we weren’t stopping, some of them starting cussing and shaking their fists in the air. I looked back and saw Bobby and Justice Silverman laughing. When he caught my eye, Bobby gave me the thumbs up.

    At Essex and Delancey, the police cleared a path for our motorcade, and Bobby and Justice Silverman climbed a ladder on the back of a large flatbed truck. There was an elaborate sound system, and despite all the ambient noise, Bobby could be easily heard even blocks away as he addressed the crowd.

    I could not believe how many people were there. Traffic was completely cut off for as far as I could see, and there must have been several hundred thousand people covering every square inch of ground.

    I got out of the limo and read the label attached to the ladder. It said, “Property of Joseph Kennedy.”

    Meanwhile Bobby was teasing the crowd. Of course, he knew why so many people showed up. There was just one person they wanted to see and hear, and regretfully, that person was not Justice Silverman.

    I remember his saying, “I know that all of you have been standing out here in the hot sun waiting to meet Justice Silverman…”

    There was a vast roar of laughter. Nobody had ever heard anything that funny. They would probably remember that remark for years. I certainly did.

    It didn’t really matter what Bobby said, or what Silverman said that day. Many of those people would vote for Silverman just on Bobby’s say-so. In a few weeks, Silverman would win in in a landslide.

    7

    Two years later, the Reverend Martin Luther King and Robert Kennedy would die from assassins’ bullets.

    And now, after so many decades, I still cry whenever I hear Dion’s mournful song, “Abraham, Martin, and John.”

    Here are the last four lines:

    Anybody here seen my old friend Bobby? 
    Can you tell me where he’s gone? 
    I thought I saw him walkin’ up over the hill 
    With Abraham, Martin, and John.

  • Poetry Holiday Grab Bag NYC

    Poetry Holiday Grab Bag NYC

    NYC Holiday TaxiNew York City Poems

    By Francesca Marais
     
    Shortchanged 5th Ave Blues
     
    his hands stroke the warm brass
    as his fingers orchestrate a sultry
    numbah
    the dehydrated leaves now Halloween orange
    begin to confetti from the trees
    next door Central Park playing piper
    to the stoopers moochers
    MET and museum enthused
     
    while their arms whip for their phones
    his lips purse into harmonies that could
    put a snake to bed
     
    the stoopers crowd the staircase
    and passersby confetti change
    over a hat
     
    his posture adjusts in an
    I-will-not-be-reduced-to-a-dollar
     
    New York at his feet
    unexpectant and lifted, his crowd’s
    mouths speak a quiet breeze
    they envision a viral uncovering of
    new-found-New-York-jazz-man
    his image doubled in vivo and
    Insta-televised on the latest iPhone
    zooming in from the top staircase
    the musician now a 45 degree bend
     
    dipping into his well of history
    he kneels into a crescendo
    the cameras, magnets gravitate
    the musician towards them and
    the shot is reeled in
     
    our jazz man’s pursed hum frowns
    even though the melodies
    sing a joy from his youth and of
    deep love for his woman his family
    his city
    the hat
     
    begs to be seized and another
    phone captures the blistering   
    synthesized tunes
    we envision a 10k following
    discovering uncovered ground
    jazz a new beat only found
    in the city where
    everyone comes to eat
     
    his back turns and we lose
    the portrait but his pain is there
    his clasping fingers pressing

    into it with another sound and

    his eyes hover over his
    shortchanged hat
     
     A warm bowl of kitchari to teach you to sit still
     
    Dieting is the second highest
    contribution to consumerism.
    Go figure…
    but unlike the rest of the
    21 day programs and elimination of
    this, that, and try a keto diet,
    fast intermittently, give up eating
    while-you’re-at-it diets, fads.
    This is a lifestyle, humbling me
    with its rice and grains
    ingraining memories of the warming
    meals grandmothers’ hands made,
    waking a sleeping me by crowing cock
    somewhere on some farm
    far away from these concrete slabs.
     
    The slow rush to greet the hidden sun
    behind haze over the Hudson, united me
    to my thoughts of hunger
    for something deeper
    a meal nor my tastebuds couldn’t
    distinguish – cheese,
    honey, chocolate, not even gum,
    no.
    Not even wine crossed my mind
    as I moved slowly
    in the race to transform
    my mind and body.
     
    Given up on the demon and
    angel trumpeting in my ears
    as I chugged a beer or shut the alarm
    or ate a cookie after a bowl of
    salad.
     
    I gave thanks for the bowl
    of kitchari more deeply,
    in wonderment.
    I obsessed with the floating
    notes of a jubilant spice market.
     
    Hail melted
    down my cheeks as
    my nose caught a whiff of the warm
    bowl of kitchari.
    I heard the angel speak to the
    demon asking when I’d grab
    for a slab or a pint.
    My hands fidgeted with anything
    they could find to quieten the noise,
    and I laughed alone outside myself
    recognizing the fixation for more
    movement in and around me.
     
    Beside myself with wet face and
    stuffed mouth; I thought
    mad or suffering withdrawals
    was I, but
    just realised all the
    channels were turned on
    with the volume maximized.
     
    born again.
     
    Times Square
    Beams on the empty streets
    I don’t even recognize
    The echoing of the sparse yellow cab
    In the distance, honking
    Barren sidewalks where
    I walk down directionless,
    No one around to shuffle past,
    Bumping in to remind me
    That time waits for no one in this city
    Where everyone comes to eat.
     
    How long has it been since
    your birds were able to sing? Since
    The fish jumped out of the East River
    To come up for air? Since your skies
    Weren’t shadowed by the remnants of
    Congested roads on the Holland-Tunnel
    Or Washington Bridge, trying to make it
    To work on time or back home for dinner?
     
    Since I didn’t need to scream
    in conversation to my friend next to
    Me on the subway? Like you, Manhattan
    With your surging energy,
    I survived on Laughing Man coffee to
    Fuel me from my day job
    To my effervescent East Village –
    Williamsburg parades, only
    Sleeping to sober its memory
     
    Like you Manhattan, I thrived in the
    Spaces foreign minds like mine connected
    Overlooking the New York skyline at a
    Limited pop-up happy hour venue,
    Recalling the names of the ten
    New faces while swimming in the
    Tiki themed cocktail menu I’ve consumed
     
    I need the noise to drive me so I don’t have to find what ignites me And potentially fail at it without even having tried
     
    I need the noise to drive me so I don’t need to face that I came Here without purpose
    And you’ve worn me out
     
    I need the noise to drive me so I don’t feel lonely
     
    Is that how you feel? Now that all the Peters
    Who called you home, have left now?
     
    You are free from entertaining a story
    Your trees can now breathe.
     
    Burnt stub
     
    “Talana,”
    That was the name of our team
    And I was maybe six or seven,
    Bending over to tighten the laces
    On my “takkies.”
    Butterflies cocooned in my insides
    As my head cocked on
    My marks.
    My crouch reversed into a stance and
    Like a precursor to victory
    I recognized you –
    Round eyeglasses, wide toothy smile.
    Your eyes beamed through the lenses
    As my shuffle galloped
    Your arms outstretched in
    Praise and pride
    Like a bet won on an unassuming
    Thoroughbred to make first place
    – I dove
    Into your embrace.
    Putting down the trophy
    Quickly,
    You lit a cigarette between
    Your fingers, pursed your lips and
    Drew, gazing out the left eye
    While I attempted to move
    A life sized white knight into the
    Black hole space now laced
    With traces of smoke you
    Left behind from
    your box of Champions.
     
    House = school team names used for student body participation in sports, etc. in South Africa
    Takkies = local term for sneakers, trainers, running shoes
     
     
    Wanderlust.
     
    A hint of adventure
    Remedies her cooling heart;
    A lioness watching its prey
    She makes no mistake
    In her advance
    And lands
    Right
    Where
    She
    Mus
    ter
     
     
    Still a 1980 American Citizen Dream
     
    Thank you, America, for teaching me
    About a dream and the extents
    That I will go to achieve it
    Finer things and fickle
    To my heart’s deepest desire
    To roam the deserted parts of the globe
    Away from humdrum in the machine
    You gave new meaning to sex and longevity
    And harmonized notions of romance, modern romance
    A silk film on screen I wear in the sweltering summer heat of the west
    And inner cities you’ve reared
    The colour of my skin giving me new meaning
    The identity I already thought was confusing melted deeper
    Into the pot of your vague appropriations
    Friendships old renewed after decades
    Learning progress through due process
    Without it you WILL NOT SUCCEED
    An undying gambit
    A gamble on a dream
    But most of all
    My mother who shook her own world
    To make it here
    Battling institution and reverse racism
    Support by the hour for your dollar
    Scrubs on since 1980
    That brought her all the way here
    And still she won’t do it
    But maybe one day she will
    But begs why you’ve been so
    Harsh and fang baring
    To someone who’s supported your dream
    Since before I was born

     

    New York City Poems

    By Tom Pennacchini

    A Bay Wolf in the Apartment of Eagles

    Come the dawning 
    Regardless of mood 
    I like 
    To take some moments 
    To 
    cut 
    the 
    Rug 
    in the morn light of my room

    dip 
    move 
    vibe and shimmy 
    I do the spasmodic 
    To the 
    Radio

    Amusing me self 
    And digging 
    The reflection of my Moves as 
    Silhouetted 
    in the Van Gogh prints 
    On my walls

    Oh yeah 
    I Got It 
    A Rock’n’roll kid 
    from 
    Get to Gone

    It’s my 
    Days 
    Dawn

    and

    Regardless of mood 
    This is my private morning 
    Clarion Call 
    and my 
    Free Flying 
    Fuck It All 
      
    Lone Folkie

    There is a squat/stout duffer in a windbreaker and a Mets cap on the outskirts of the park  
    playing a rickety 5 string and hoot ‘in and holler’ in. 

    I have no idea what he is singing.   
    There is no discernible melody.   
    Every now and then he stops/ freezes/ puts his forefinger in the air  
    to take some sort of measure  
    before plunging back into his flailing guitar.   
    After another stuttering burst he will stop/  
    then let loose with an elongated cry to the sky/   
    punk operatic/ style 

    nobody seems to stop/and listen/he does not have a container for contributions and probably would not get much trade/ 
    he is playing/for his own/self/and that is / enough   
    It’s/utterly senseless/ wholly out of key.   
    Beyond the realm of anything/  
    resembling cohesive musicality  
    /rambunctiously obtuse 

    yet imbued with an innocence that casts proficient excellence into a pallid light.  

    His songs/ performance/ like life/ a messy and inconclusive/ thing/

    You can have/ your polished practice and Carnegie aspirations/  
    and make of that an evening/ with class 
    but I like the way this codger lets her rip/   
    this ragged chanteur/  
    airs it out/ no class/ no talent/ but lotsa / style

    Shine on

    Shine on oh perishing republic of dreams 
    oh community of outcasts 
    Art in the essence with no need 
    for product or commodity 
    Convivial souls rabid rebels minds afire 
    Provincetown dunes Christmas Eve 
    Greenwich Village the 20’s to the 50’s 
    Innocent fervent glass of beer cafeteria a quarter 
    Shine on oh perishing republic of dreams!

    Winged Ones

    Bustling old fella dashing biddly bop by dressed to the nines 
    with briefcase stuffed under his arm equipped with fixed maniacal grin jabbering to himself while confirming his expressions 
    to an equally jazzed and jaunty westie he calls Ralph trailing exuberantly behind 
    lets me know 
    that there are actually still some living beings out there 
    to learn from

    Narcissus Stereo

    Whenever I am in a roomful of actors (christ don’t ask) I am buffeted and overwhelmed by waves of nausea 
    for some truly baffling reason they identify as artists but never discuss art 
    they do however love to dither on politics and dish presidents oh and 
    movies natch but Rembrandt or Brueghel nahhhh

    They are ostensibly interpreters of script but never discuss literature excepting Shakespeare which they have been dutifully schooled upon 
    (what the fuck – – art and …  school?)

    shame can be a necessity (we’re people after all)

    where’s the sense of it?

    Put In Place Out of Place 
      
    I have been shut down occasionally vis a vis my mutterances on the street corner and while attempting movement on the frenetic city sidewalks  
    I like to do it in order to sort of clear a path and in order  
    to facilitate and free up navigation-  
    at times I’ll say “I gotta do a little bit a that swivel and swerve” – or as I zig and zag out a maneuver – ” just the slip n slide” whilst moving and weaving thru the throngs 
    Other times I’ll emit a bit of a shriek  

    Or 

    Announce constructive critiques regarding their aptitude for city walking like  
    “Another dolt – doing the diagonal “!  – admonishing the herd – “I am begging for mercy “!  “Good heavens – cease and disperse the cluster “! 
    Their compass clearly needing alignment (my god do they drive like this?) – 
    Must make sure that shit is correct!  I am trying to move freely goddamnit! 
    “I gotta circumnavigate stone agony”! …  “Becomes imperative “!! 
    Perhaps I’ll be clogged by a stroller 
    “Nightmare in perpetuity “! 
    A Yammerer on the phone AND a stroller- 
    “You know they’re out to torture”!!

    Then there are the odd times in which I need to be schooled – 
    One time I was loudly griping about a construction obstruction (it is all over and everywhere) and a yob kinda bloke said ” its NY – Stop complaining”…  
    I readily complied. 
    Another time I was wading through a crowd announcing, “I know my babies ain’t shy” whereof a charming lass turned to me and demurred “How do you know I’m not shy?”  
    I fluttered – gurgled some kind of non-sequitur before feathering and loping off. 
    Well perhaps I’m not a confrontational sort but there you have it 
    just trying…trying to move along.

    New York City Poems

    By Mary Durocher
     

    Chelsea Hotel #2 

    A sparrow perches on the subway platform at 36th Ave. I’m alone and waiting for the W train. I can’t keep track of each fallen sparrow. Leonard Cohen wrote that, not you. Wait, no, it’s, I can’t keep track of each fallen robin. The song is about Janis Joplin. In an interview Cohen said he regretted revealing that Joplin was his muse. Mostly because of the song’s reference to her giving him head on the hotel bed. I think being a dead robin is worse.  

    The sparrow darts off into November’s bleak sky. I can’t keep track of each fallen sparrow. I watch its silhouette shrink and I remember the crows that circled Mt. Haystack’s peak when we went in June. I was Joplin and you were Cohen. I teased you by loudly labeling the crows as an omen. You stared in awe at their formation. I was always too expressive, with my feather boa and unruly locks. You were always too silent, consumed by your meditations.  

    I don’t know why I envision this. You and I were not notorious lovers. A piss-scented subway platform is not the peak of a mountain. Riding the W train is not being with you. A sparrow is not a robin. Neither of these birds are Janis Joplin.  

    Naivety 

    The seer of the Lower East Side 
    sways on a corner, 
     
    crying to New York’s 
    electric eternity.  
     
    Her mascara drips  
    and cakes into her skin, 
     
    black stockings snagged,  
    her party dress swirls 
    in the rotten breeze. 
     
    Swarms of men, 
    fresh from their glass houses, 
    pass her unholy pulpit, 
     
    breath hot and sharp 
    their taunts burst at her feet. 
     
    She and I are not similar. 
     
    I am an adolescent, 
    a blurred outline. 
     
    She is ablaze and immune, 
    a myth with a chipped tooth. 
     
    When the visionary sees me 
    she grabs my hands.  
     
    Angelic, angelic, angelic.  
     
    I yank away.  
     
    I reject her now. 
    I reject her still. 
     
    Her shadow is following me 
    down Orchard Street.  
     
    It darts across 
    walls,
     

    wounded in fury

    at my inability to see.

  • Six Poems – Tobi Alfier

    Before the Scattering
     
    We knew that soon we’d split apart
    like the lumber we shattered and carried
    up the dunes to our private place,
    the sound of the ocean just over the ridge,
    breeze turning to wind with the lowering sun
    and our thoughts turning inward to remember.
     
    This day’s brilliance will become the very history
    of light. This evening’s laughter the very history
    of probably never again. Fireshadows mottle
    our faces. And the unseen tide rises and falls.
     
    Out come the thick sweaters even with the fire’s heat.
    We reminisce. We kiss. We dance.
    The lovers and the never-to-be lovers—all the same
    on this last night. Some of us will sleep here
    spooned close to the embers, the Constellations
    of Sadness and Joy whispering to us in the dark.
     
    Some of us will be on our way—a train to catch
    or other reason to avoid the morning glow
    of tears we all shed in the dark. Supposedly grown,
    we are like children listening for the ice cream cart
    of Dreamsicles and next steps. But this night we will
    always recall, no matter what happens tomorrow.
     
     
    The End of Winter
     
    We see the back of him as we watch the water.
    He’s hunched over a splintered picnic table
    oddly angled into a slow hill down to the road.
    He wears the uniform of all retired local fishermen:
    well-worn denim jacket over hand-knit sweater,
    black watch cap pulled down over his ears. A ruddy,
    windblown profile. We see a pencil clutched
    in one hand, the other arm holds a notebook down
    to keep it from gusting to the sea.
     
    He writes his observations just as we do,
    pays no attention to us or anyone else, not even
    his wife hollering for him to bring in wood—
    but gulls hunting low-slung fiddler crabs, a ferry
    rounding a far-off point and heading toward
    the harbor to disembark city day-timers aching
    to quiet their minds for just a short minute,
    stocks of beer for the pubs, full creels and provisions
    for hotel restaurants…that he notes.
     
    This beloved island. Where hours slip slow like seabirds
    and the shore is mainly quiet. A few collectors
    of beach glass, and always the sad silhouette
    of one person who knew their embrace was forever—
    they won’t be returning to the mainland
    with the last ferry, not today, not tomorrow.
    We see their hurts where a truth is buried in every scar,
    the silence of their pain like a feather,
    falling from a wing.
     
     
    Offshore
     
    The sea tells its story in more than myths and shipwrecks,
    it is mothers and sons, sons and lovers, lovers and husbands
    as well as all things living or dying, or dead—
    the thick kelp forest hides meteorites from heaven
    and much sea life, some we can’t even describe
    because we have no words for it, all preserved
    in the salt of witness, stories passed down
    from generations, changed very little as they go.
     
    I catch her often on beaches that thread the coast,
    always gazing seaward, lowering her head to light a smoke
    even in damp winds, her collar drawn up against the cold.
    The day is already etching away in shadows—
    she has not found what she searches for, only gulls
    crying up and down the flattened water. They carry
    no answers. I’m fearful of approaching her to ask
    what she seeks. She won’t find it tonight, I’m sure.
     
    Flying clouds muscle in on the gulls, change stars
    into scraps of constellations. The sky over the sea
    turns tungsten-gray to blue-black. Late workers on break
    congregate in the beach parking to pass a flask.
    It’s time for the woman to move on to her next lookout.
    I don’t know where she’s going or how she’ll get there.
    May her ghosts find their sea legs and bring her peace
    before the next morning breaks—my unspoken wish for her.
     
     
    Calendar Girl – April
     
    Spring is a fading map of winter.
    As the sun strips ice from fields,
     
    she exhales. It’s time to put down
    her hair, put on her bracelets,
     
    and spin and spin and spin
    on the new lawn carpeting up
    spiky between her toes,
    and smelling like a world reborn.
     
    It’s all about the boots and music,
    Saturday night dances springing up
     
    from here to across the border,
    honky tonks, jukeboxes and radios all night,
     
    a wealth of warmth falling on bare shoulders
    all day. A balmy breeze. A hardblue sky.
     
    Sundress stained with the beginnings of flowers
    and luminous fragments of joy touch everyone.
     
    She drinks in the colors, pure and sweet,
    packs away the winter beiges and grays,
     
    digs out her sandals, follows the sounds
    of water over river stones, the rush of wings.
     
     
    Calendar Girl – May
     
    Aunt May settled herself down on a few acres
    four hours and lightyears away from her family.
     
    She woke each morning through spring’s open windows,
    fingers twirling through her fine gray hair, listening
     
    for the music deep inside while looking at the orchards
    that had come to be both savior and friend.
     
    Peaches and apricots on her tongue like her husband,
    blessed be, and her companions—never introduced
     
    as anyone’s uncle and fooling no one,
    they’d last as long as a spare hair on a pillowcase
     
    before it went into the wash. Aunt May was our real aunt.
    We knew she’d grown up rough, only guessed the stories
     
    from the awkward silences between grown-ups
    if we marched in for some attention. We never got to hear
     
    the good stuff—surrounded by a thick musk of secrets
    like lovers in by-the-hour motel rooms. Not one word.
     
    We loved Aunt May and she loved us. We hugged
    her tight when we could. At the end, when the storm broke
     
    and sunlight fell wild over everything in life and in dream,
    she was our wildflower who opened private and alone.
     
     
    Road Trip
     
    We watch a young girl skip down to the water’s edge
    as we stroll the shore, warming in the mid-morning sun.
     
    Georgia—her parents had taken a road trip cross-country
    and that’s where she was born—rubs her 34-week belly
     
    as we talk about names. Our hope’s as full as a harvest moon
    shining in a small window. Georgia had always wanted April,
     
    May, June or July but it’s coming up on August now,
    and we’d opted for surprise. So much to discuss
     
    in this privacy with a short shelf life and many loved ones
    with opinions. The sweet scent of cut grass rolls over us
     
    from an upwind field and I kiss her hands. Her summery dress
    slips down one shoulder in that way it does. Gets me every time.
     
    Forget the walk, it’s time for wine. And juice. And the list:
    no relatives still living, no first loves, second loves, any loves.
     
    We go to the harbor, look at names stenciled on hard-working
    trawlers. The light leans into afternoon. Georgia leans into me.
     
    She draws her finger across my lifeline as we both see the right choice,
    the early breeze blesses it as favorable as a soft kiss.
  • Mister Brother

    Mister Brother

    Mister Brother is shaving for a date. Mister Brother likes getting ready and he likes having had sex. Everything in between is just business.
          “Hey, Twohey,” he says. “Better take it easy on the sheets tonight, Mom’s out of bleach.”
          “Twohey (that’s you if you’re ready to wear the skin for a while) says, “Shut up, you moron.”
          “Ow,” Mister Brother says, expertly stroking his jaw with Schick steel. Don’t call me a moron, you know how upset it gets me.”
          Mister Brother, seventeen years old, looks dressed even when he’s naked. His flesh has a serenely unsurprised quality not common in the male nude since the last of the classical Greek sculptors cut his last torso. Mom and Dad, modest people, terrorized people, are always begging Mister Brother to put something on.
         “Shut up,” you tell. Him. “Just shut up.”
         You, Twohey, I’m sorry to say, are plump and pink as a birthday cake. You are never naked.
         “Twohey, m’dear,” Mister Brother says “haven’t you got any pressing business, ahem, elsewhere?”
         You say, “You bet I do.”
         And yet you stay where you are, perched on the edge of the bathtub, watching Mister Brother, naked as a gladiator, prepare himself for Saturday night. You can’t seem to imagine being anywhere else.
         Mister Brother rinses off, inspects his face for specks of stubble. He selects an after-shave from the lineup. To break the scented silence, you offer a wolf whistle.
         “Mister Brother says, “Honestly, if you don’t let up on me, I’m going to start crying. I’m going to just fall apart, and won’t that make you happy?”
         Mister Brother is a wicked mimic. When you tease him, he tends to answer in your mother’s voice, but he performs only her hysterical aspect. He omits her undercurrent of bitter, muscular competence.
         You laugh. For a moment your mother, not you, is the fool of the house. Mister Brother smiles into the mirror. You watch as he plucks a stray eyebrow hair from the bridge of his nose. Later, as the future starts springing its surprises, and you find yourself acquainted with a drag queen or two, you will note that they do not extend to their toilets quite the level of ecstatic care practiced by Mister Brother before the medicine cabinet mirror.
         “Hey honey, come on now; don’t cry. I didn’t mean it,” you say, in an attempt at your father’s stately and mortified manner. Imitation is not, unfortunately, the area in which your main talents lie, and you sound more like Daffy Duck than you do like a rueful middle-aged tax attorney. You try to hold the moment by laughing. You do not mean your laughter to sound high-pitched or whinnying.
         Mister Brother plucks another hair, rapt as a neurosurgeon. He says, “Twohey, man.” He says nothing more. You understand. Work on that laugh, okay?
         Where are you going?” you ask, hoping to be loved for your selfless interest in the lives of others.
         “O-U-T” he says. “Into the night. Don’t wait up.”
       “You going out with Sandy?”
       “I am, in fact.”
       “Sandy’s a skank.”
       Mister Brother preens, undeterred. “And, what’ve you got lined up for tonight, buddy?” he says. “A little Bonanza, a little self-abuse?
       “Shut up,” you say. He is, as usual, dead right, and you’re starting to panic. How is it possible that the phrase, “lonely, plump and petulant” could apply to you? There is another you, lean and knowing, desired, and he’s right here, under your skin. All you need is a little help getting him out into the world.
       “So, Twohey,” Mister Brother says. “How would you feel about shedding your light someplace else for a while? A man needs his privacy, dig?”
       “Sayonara,” you say, but you can’t quite make yourself leave the bathroom. Here, right here, in this small chamber of tile and mirror, with three swan decals floating serenely over the bathtub, is all you hope to know about love and ardor, the whole machinery of the future. Everything else is just your house.
         “Twohey, brave little chap, I’m serious, capish? Run along, now. On to further adventures.”
         You nod, and remain. Mister Brother has created a wad of shifting muscles between his shoulder blades. The ropes of his triceps are big enough to throw shadows onto his skin.
         You decide to deliver a line devised some time ago, and held in reserve. You say, “Why do you bother with Sandy? Why don’t you just date yourself? You know you’ll put out, and you can save the price of a movie.”
         Mister Brother looks at your reflected face in the mirror. He says, “Out faggot.” Now he is imitating no one but himself.
         You would prefer to be unaffected by such a cheap shot. It would help if it wasn’t true. Given that it is true, you would prefer to have something more in the way of a haughty, crushing response. You would prefer not to be standing here, fat in the fluorescent light, with hippopotamus tears suddenly streaming down your face.
         “Christ,” Mister Brother says. “Will you just fucking get out of here? Please?”
         You will. In another moment, you will. But, even now, impaled as you are, you can’t quite remove yourself from the presence of your brother’s stern and certain beauty.
         What can the world possibly do but ruin him? Mister Brother, at seventeen, can have anything he wants, and sees nothing extraordinary about that fact. So, what can the world do but marry him (to Carla, not Sandy), find him a job, arrange constellations over his head just the way he likes them and then slowly start shutting down the power? It’s one of the oldest stories. There’s the beautiful wife who refuses, obdurately, mysteriously, to be as happy as she’d like to be. There’s the baby, then another, then (oops, hey, she must be putting pinholes in my condoms) a third. There’s the corporate job (money’s no joke anymore, not with three kids at home) where charm counts for less and less and where Ossie Ringwald, who played cornet in the high school band, joins the firm three years after Mister Brother does and takes less than two years to become his boss.
         All that is waiting, and you and Mister Brother probably know it, somehow, here on this spring night in Pasadena, where the scents of honeysuckle and chaparral are extinguished by Mister Brother’s Aramis and Right Guard, and where the souped-up cars of Mister Brother’s friends and rivals leave rubber behind on the street. Why else would you love and despise each other so ardently, you who have nothing but blood in common? Looking at that present from this present, it seems possible that you both sense somewhere, beneath the level of language, that some thirty years later he, full of Scotch, pecked bloody from his flock of sorrows, will suffer a spasm of tears and then fall asleep on your sofa with his head on your lap.
         That night is now. Here you are, forty-five years old, showing Mister Brother around the new hilltop house you’ve bought. As Mister Brother walks the premises, Scotch in hand, appreciating this detail or that, you feel suddenly embarrassed by the house. It’s too grand. No, it’s grand in the wrong way. It’s cheesy, Gatsbyesque. The sofa is so . . . faggot Baroque. How had you failed to notice? What made you choose white suede? It had seemed like a brave, reckless disregard of the threat of stains. At his moment, though, it seems possible––it does not seem impossible––that men don’t stay around because they can’t imagine sitting with you, night after night, on a sofa like this. Maybe that’s why you’re still alone.
       Tonight you sit on the sofa with Mister Brother, who lays his head in your lap. You tell him lots of people go through bad spells in their marriages. You tell him things at work will turn around after the election. Although you still call him by that name, this man is not, strictly speaking, Mister Brother at all. This is a forty-eight-year-old nattily dressed semi-bald guy with a chain around his neck. This is a tax attorney. Here he is and here you are, speaking softly and consolingly as the more powerful constellations begin to show themselves outside your sliding glass doors. 
         And here you are at fourteen, in this suburban bathroom. You stand another moment with Mister Brother, livid, ashamed, sniveling, and then you finally force yourself to perform the singular act that should, all along, have been so simple. You leave him alone.
       “So long, asshole,” you say weepily as you exit. “And, fuck you too.”
       If he thought more of you, he’d lash out. He wouldn’t continue plucking his eyebrows in the mirror.
       You go and lie on your bed, running your fingers over the stylish houndstooth blanket you insisted on; worried, as always, about the stains it covers. You hear Mister Brother downstairs flirting with Mom, shadowboxing with Dad. You hear his Mustang fire up in the driveway. You lie on your bed in the room that will become a guest room, a junk room, a home office, and then the bedroom of a stranger’s child. You plan to lose weight and get handsome. You plan to earn in the high five figures before you turn forty. You plan to be somebody other people need to know. These plans will largely, astonishingly, come true.
         As Mister Brother roars away, radio blasting, you plan a future in which he respects and admires you. You plan to see him humbled, weeping, penitent. You plan to look pityingly down at him from your own pinnacle of strength and love. These plans will not come true. When the time arrives, reparations will be negotiated between a handsome, lonely man and a much older-looking guy in Dockers and a Bill Blass jacket; an exhausted family man who’s had a few too many Scotches. Mister Brother won’t come at all. Mister Brother is too fast. Mister Brother is too cool. Mister Brother is off to further adventures, and in his place he’s sent a husband and father for you to hold as the city sparkles beyond the blue brightness of your pool and cars pass by on the street below, leaving snatches of music behind.

     

    “Copyright@1998 by Michael Cunningham. Originally published in DoubleTake Magazine, Fall 1998. All rights reserved. Reprinted by permission of Brandt and Hochman, Literary Agents, Inc.

  • Poetry Potpourri

    Poetry Potpourri

    St. Paul's stained glass windowThree Poems

    By Timothy Resau
     
    Rendezvous at St. Paul’s
     
    Rendezvous outside St Paul’s stained-glass windows—
    lips locked—
    breathing crowded
    with floating radiation—
    Why say more when
    Jesus is behind the wall,
    selling knives to Lord Byron,
    as Ms. Lamb squints
    blue eyes at a rag-muffin hillbilly
    riding a pony down the asphalt hill?
    A real woman in these lost-n-found arms.
    And in the backyard
    America’s cooking its dreams:
    plastic poets dreaming
    in bowling alleys—
    neighbors selling
    lies painted Catholic.
    The radio plays broken Mozart,
    & babies are found in junkyards—
    An aroma of gasoline drifts
    thru the air—
    & acne is real!
    A tattoo of love
    is on her face forever—
    The kiss of life from
    the high poet, selling paperback
    books for a fin—
    Glitter & gold
    summer & cold—
    yes, I’ll be old!                       
     
    Acid Love
     
    Broken love ride—
    love wreck-wired—
    the outcomes always the same—
    unreality-a cold chill – iced!
    The anguished heart
    throbbing, throbbing,
    pumping, purple
    cold fear — alone.
    The design itself — wrecked.
    A high of love — lost.
    Love constellation—
    stellar vibrations—
    a child’s pleading eyes—
    A young black man on corner,
    waxing mustache, saying:
    I’ll never come down from this—
    like a bird frozen in eternal flight.
    Everyone’s a delusion,
    trying to be real—
     
    The experience is all….
     
     Nobody Thinks I’m Human   
     
    The full moon hid across my face—
    my shadow missing in the pale light,
    & they kept saying that they wouldn’t
    have missed it for the world.
     
    Things you never forget—
    like the murder of love.
    The pain of each death–
    the fear
    the hate
    the waiting. 

     

    Two Poems

    By Scott Renzoni                                         

     

    Red Hair, Blue Jacket

     
    The blue of her jacket was primary.
    You wouldn’t’ve called it
    anything other than blue.
     
    Not cerulean or indigo or delft,
    and with no modifiers
    like baby or powder, sky or navy.
     
    That hair, though!
    Cascading over the collar…
     
    An autumn sunset over Walden Pond.
    The embers of humanity’s first fire.
    The way the sky sometimes looks
    at dawn when you wake up
    next to a new lover.
     
    I’m sure she doesn’t think of it that way
    in the mornings, before coffee,
    as she drags her comb
    through fire
    and runs her fingers
    through flame.
     
    A Refrigerator in Paterson
     
    His wife must have been beside herself.
    Not one plum left for breakfast,
    and that maddeningly casual note:
    “this is just to say”,
    despite having been told, probably repeatedly,
    they were intended for the morning table.
     
    And that report about how sweet
    and how cold they were—
    insult to injury, making the
    “forgive me”
    as hollow as the bowl with its gnawed pits.
     
    Perhaps there had been other notes,
    making excuses for why
    the dog wasn’t walked,
    the garbage not removed,
    the car not washed,
    or the Sunday paper left on the step
    to soak through in an afternoon rain.
     
    Or perhaps it was the only one,                                 
    scratched on a scrap
    in the middle of the night,
    knowing that no note
    and no apology could ever fully explain
    how sometimes even plums
    are too beautiful to be left alone.
  • Six Poems – Jared Beloff

    Six Poems – Jared Beloff

    Firstborn of the Dead

                            after Pablo Neruda’s “United Fruit Company”
     
    The sky vanished like a scroll
    rolling itself up, and every mountain
    and island was removed from its place – Revelation, 6:14
     
    When the sky vanished, it was
    all foreseen on the earth, parceled out,
    maps marked in oil: ExxonMobil, Gazprom
    British Petroleum, pipelines carving latitude,
    dominion over the earth.
     
    Along shifting coastlines, flies helixed over ships
    forging new routes, past islands of dying trees
    submerged dunes, silt ruddy with blood and bleached coral
    like treasure or a burial of tombs, homes sinking like rotten teeth
    on the floodplain: a woman walks within boarded houses,
    seven Xs across seven sealed doors,
    the river’s flood thrashing beyond the levies.
     
    Meanwhile, an eye of fire ruptured in the Gulf
    a wall of flame replacing the sky in the West:
    meanwhile, the Fruit Companies sprayed suntan lotion
    on withered fruit, leaned on their worn bodies, first generations
    picking cherries in the dark, children cutting melons in the dark,
    their restless bodies rooted to the fields like windswept stalks—
    and lo, they brought greatness and freedom and comfort
    for the lowest prices packaged in plastic and cellophane,
    their juices glimmering under the skin in the market’s fluorescent light.
     
     
    The Ship of Theseus
     
    The ship they held in harbor
    became a relic, a memorial
    for honor or battle, remembered
    a man whose name trembles
    at the tooth’s edge, trying to hold
    a sound they could not keep:
    Each rotten board a tree
    each tree a root returning.
     
    What is recognizable
    is never certain: the way
    a leaf breathes in light
    or a wave will curl its undoing
    back against the boards.
    Each root a tendril tunneling
    to find its proper ground.
     
    Our taste buds change,
    every seven years they shed
    old favorites, find joy in new flavor:
    tang of blood, sweat’s brine
    raising new questions:
    How do we forgive the time
    taken to forget ourselves?
     
    A forest burns across continents,
    a glacier calves cities of ice
    which only just remember
    they were once the ocean.
    How long do we have
    before we forget what we
    have replaced: each nail
    and tooth, the splinter’s weeping?
     
     
    Watching Time Lapse Videos with My Daughter
     
    The world pirouettes on a screen
    several suns leap over a shadowed city
    cirrus clouds meet then scatter across stage,
    a moon waggles in the wings. We don’t blink,
    pupils widening like sinkholes.
     
    At this speed we are tail light thin,
    reduced to ribbons and flares along the freeway,
    raw scars of flame, a curtain of smoke swelling
    to cover the wind’s tapestry, pinions folded over loose threads,
    replacing the sky.
     
    Her curiosity breaks our momentum:
    When will we die? In our hands a forest glows,
    the heave of Queen Anne’s lace, a stand of sunflowers
    stem their way through soil, stretch to their zenith,
    turn their heads down as if to watch, as if to pray,
    looking back over the earth they had left,
    unable to remember the cause of their leaving.
     
     
    Tomorrow is Never
                after Kay Sage, 1955
     
    There is no sky
    only the haze we drape over ourselves.
    We swell in our scaffolding, towers
    reflecting each pleated thought.
     
    There is no tide
    only oil pluming across water.
    we slick and dissipate, drifting
    in the sun’s overzealous spin.
     
    There is no earth
    only soot and the animals retreating; a doe
    lays back down into the press of summer straw
    wary of the ark we never built.
     
    Don’t look back
    for the dappled green, the startled bloom
    of spring, hooked as we are—
    Tomorrow is never.
     
    Revolution
     
    reset the gene that lies dormant,
    let your hand retract, reach away.
    crawl with withered legs, belly gripping
    back over the mess of leaves,
    and trailing bodies to what we once were:
    remember this sound? the spinning world,
    blood’s hammer and drum, the ocean’s wash,
    a withdrawal in your ear—turn back,
    feel the slither and fin, shaking, resurgent.
    let it rise up, teeming, primordial:
    your lips curling around the call
    naming what’s undiscovered
     
    Ekphrasis
     
    I will not describe the grapes
    which are not grapes
    nor the fish whose chest is cut open
    which is my father.
     
    I will not play with color nor light,
    nor the arrangement of objects
    which are harsher, more clean
    than the sky outside.
     
    I will not draw upon shadows
    nor trace each drooping petal
    nor find meaning in a paring knife
    which wobbles like a brush stroke.
     
    Do not approach the window
    that wrings itself in reflection
    against empty wine bottles.
    There is no view, only your looking.
  • Mona Lisa’s Third Eye: Twenty-five Haiku

    talk is cheap

    but even at that

    the dinosaurs have no cash

    *

    in Coco Chanel’s apartment

    a giant meteor

    and a puff of smoke

    *

    drifting toward sleep —

    dark perfume

    falling off a cliff

    *

    he rises

    at night to write down

    strange chords

    *

    even before

    he could walk, his crib

    floated on water

    *

    diamond —

    a gathering

    of windows

    *

    falling rain

    reveals the mirrors

    hid in clouds 

    *

    a treatment

    for claustrophobia — to swallow

    elixir of mirrors

    *

    toward my back door

    slow as a glacier

    a graveyard flows

    *

    a tiny uncharted island —

    a place

    to hide from Egypt

    *

    mummy cloth

    in a few centuries

    I’ll unwrap myself

    *

    to prepare

    for the Sack of Rome —

    tea and toast

    *

    guns grow limp

    unable to get hard

    they die out

    *

    changing tastes –

    once-famous paintings

    are melting

    *

    behind Mona Lisa’s

    third eye a temple of glass

    still under construction

    *

    wet or dry

    the stones are happy

    to be a cathedral

    *

    inside a marble head

    there is no memory

    of Ancient Rome

    *

    in Kansas City

    in a house of glass

    a banker consults an astrologer

    *

    reaching up

    Gertrude Stein catches

    a bird in any sky

    *

    Gertrude Stein is laughing

    a ball is falling to pieces

    who fly away

    *

    just when I almost

    saw the wind’s face

    it changed

    *

    in Antarctica

    researchers hallucinate

    in fields of snow

    *

    like the Great Pyramid

    there are many snowflakes

    I’ll never see falling

    *

    in Gertrude Stein

    patterns emerge

    as fish in flight

    *

    it’s too beautiful –

    I cannot finish

    the novel

  • Portfolio: Four Paintings

    Portfolio: Four Paintings

    Piano Lesson (2019)

    Soir Bleu (2019)

    Big Band (2019)

    Howl (2020)

  • That Which is Bright Rises Twice

    The 2 doctors have determined that I’m 24 years old. (By my teeth, among other things. Making me feel like a horse. A mare.) & that I’ve had at least one miscarriage.

                   Probably more than one: according to the mother figure of the team, Dr. Rachel Krotkin. The father figure is Dr. George Gamble Jr.. A junior who is pushing 50. I can’t understand why anybody wants to stay a son that long. Unless his father is a king.

                   For the time being the 2 doctors have become my home base. My frame of reference. They could be my parents, if they were married. To each other. If they had been nonprofessionally attracted to each other some 25 years ago. & were claiming me as their lost daughter. Which they’re not.

                   (Professionally they’re not attracted to each other. They treat each other with condescending politeness.

                   Both married outsiders. & are the parents of other daughters. That are neither lost nor found. Dr. Junior’s desk is dominated by a set of silver-framed gap-toothed high school twins, & Dr. Krotkin is divorced, with an unphotographed daughter in college.

                   Leaving me free to be anybody’s daughter. Sister. An orphan. A wife. A lover. Anything I want to be. Without a past, life, has almost unlimited possibilities.)

                   Apparently my miscarriage or miscarriages was or were induced. Fortunately: for my teeth. (Again.) A maturing pregnancy, culminating in childbirth    especially one without early & continued medical surveillance    would most likely have left me with a mouth full of cavities. I have a calcium deficiency as it is.  

     

    My mind trips to a long low room

    choked in phlegmy white light.

    A host of young men in gleaming white

    jackets swarms after an old man’s bald-

    gleaming head.

    He leads them to a long low cot between

    2 window slits.

    He lifts a sheet off a long thin body,

    sapped by long bluish-black hair.

    He lifts the hair, revealing the dark

    cavity of a skull emptied of its brain.

    & a thin necklace of small pale-blue

    beads at the base of a long thin neck.

    The old doctor’s fingers travel down the

    thin long body. Pause at the heart    the

    lungs    the spleen    the liver. Wait for a 

    student to determine the cause of death:

     

                   Both doctors politely agree that I would not have subjected myself to early & continued medical surveillance    availed myself of: was the term used by Dr. G.G.jr.; not even for the sake of a new life    to judge by my overall physical condition. I obviously didn’t take very good care of myself.

                   Perhaps I’m a doctor’s daughter. Worse: a doctors’ daughter. (Smiles. Smiles. Politely smiled acknowledgement: by Dr. Gramble.) & rebelled against my parents’ concern with health. Which I considered deadly. (Smiles: Dr. Krotkin has beautiful teeth.) A drag. Perhaps running myself down had felt like a form of freedom to me. The preparation for my eventual escape into amnesia.

     

    My mind is driving down an endless highway.

    There is a white string running along the

    road ahead of me. Sometimes it runs straight,

    sometimes in curves. Sometimes on the left,

    sometimes on the right.

    I wonder nervously if the string is attached

    to a stick of dynamite. If the road is under 

    construction, & I missed the detour sign. I

    seem to be the only car.

    I feel relieved when I see a trailer. With 

    a red & white band: WIDE LOAD stretched across

    the back. I can’t pass. I wave to the woman

    who is sitting crosslegged on the trailer roof.

    She waves back with a wine bottle. She

    is singing: Sweet Wide Load…to the tune 

    of: Caroline Rice.

    She is Ariadne on Naxos, drinking herself

    to death after Theseus dropped her off.

    She is still holding on to the thread, with

    the other hand.

     

                   It doesn’t look as though I’d been too poor to be healthy. I had $2,200 — in my coat pocket when I walked into the police station. I wasn’t carrying a purse.

                   They’re still guessing where the money came from. If it was my own. Which I had saved, & drawn out. To go away. To buy a car, perhaps, to go away in.

                   It turns out that I don’t know how to drive. They tested me. They both think it unlikely that I would not have retained a mechanical skill. They both think my body would remember the necessary gestures, even if my mind has taken leave of my past. (I do remember how to ride a bicycle. Also how to swim.)

                   They both deduced that I lived in a big city, where one doesn’t need a car to get around. I’m likely from New York.

                   Dr. Gamble tried to make me into a cashier, a bookkeeper, etc., on my way to the bank. Who was attacked, but not robbed. Perhaps partially robbed; perhaps I’d had more money in my coat pocket, at the outset. Something/someone had interrupted my attackers. Who had, however, robbed me of my memory.

                   Perhaps I stole the money. My co-workers’ hard-earned weekly pay. & so shocked myself in the act that I forgot everything about the dishonest bookkeeper I had become, & my conscience programmed me to turn myself in. Continuing to function on its own, like the legs of beheaded thieves, running around the execution block.

    I have a sudden flash vision:

    The chalk-white back of a chicken, standing

    stone-still in the middle of a highway in

    the middle of the night.

    Cars are swerving around it on either side.

    I cannot see the chicken’s head. It must be

    hanging forward, all the way to the ground.

    Perhaps its neck is broken. Perhaps it

    broke its neck when it tried to fly off the truck

    that was carrying poultry to a city market.

    In the middle of a summer.

     

                   The vision was associated with heat. My skin felt wrapped in a stinging cheesecloth of sweat.

                   Both doctors made a note of it. They haven’t decided whether I actually saw such a chicken at one point    perhaps a crucial point    in my life, & my memory is trying to come back. (The association with heat points to memory: in Dr. Krotkin’s opinion.) Or whether I imagined it.

                   The various reports of recent robberies which the police checked out don’t fit my story. & I did singularly poorly when Dr. Gamble tested my business aptitudes. I seem to have no relationship to figures. To adding machines. To the price of butter.

                   My hands show no trace of a manual occupation. I don’t seem to know how to cook. I type: with 2 fingers.

                   Only that I used to bite my nails. (I’ve stopped.)

                   Perhaps I’m still in college. & the money was meant for my tuition. Dr. Krotkin is sending photographs & descriptions of me to every college in America.

                   It is both doctors’ educated guess that I’m American-born. Upper middle class: to judge by my way of speaking. From New York. Or Boston. Perhaps from a larger city in California. (Although most Californians know how to drive.) Definitely not from the South.

                   My ethnic background is most likely central European: to judge by my bone structure. &    once again    by my teeth

                   My mother was mostly likely born in Central Europe, anyway between Danzig & Grenoble. Probably after the first world war    between 1920 & 1930    & raised on skimmed milk and rutabagas. Which produced the calcium deficiency which she passed onto me.

                   Dr. Gamble (jr.) would like to include Ireland. My mother might very well have been    might well still be    Irish.

                   On the other hand, I might have been born in Europe myself. & the after-effects of the second world war cumulated with those of the first, in my teeth.

                   I may have been born in a concentration camp, toward the very end of the war. Perhaps a surprisingly resilient 28, rather than a neglected 24.

                   Which Dr. Gamble (jr.) doubts: I don’t look Jewish.

                   I would, if he knew I was: is Dr. Krotkin’s coolly smiled opinion.

                   Perhaps my American-born, definitely upper middle class    probably intellectual    parents failed to give me the proper attention. For whatever selfishness of their own. I probably come from a broken home.

    I have a flash vision:

    Long black hair hanging out to dry from a

    French window, above a garden of weeds.

    In the weed lie the weather-flattened

    bodies of 3 one-day-old kittens.

    They have been lying in the weeds for a long

    time. A month or more. They look as flat as

    cardboard cut-outs.

    The face under the hair is round & white.

    It is watching a German shepherd that has 

    jumped over the wall into the garden. & has

    picked up one of the cardboard kittens. &

    is shaking it from side to side, like a

    slipper. With laughing teeth.

     

                   It turns out that I speak fluent idiomatic Spanish. With a Latin-American inflection.

                   They’ve been testing me on a number of languages. So far, I seem to know Spanish, Portuguese, & French. But no Italian. Also Dutch; but no German.

                   Dr. G.G. jr. suggests that I went to school in those different countries, as a little girl. Perhaps I’m a diplomat’s daughter.

                   Dr. Krotkin has a different suggestion: My knowledge of languages is psychic. I don’t really know any of the languages they tested me in    except upper middle class American English    but am able to pull them out of the collective subconscious under test conditions.

                   Perhaps I’m a medium. Who suspended her personal consciousness once too  long    once too often    while going into a trance. & came out with no recollection of myself.

                   Then how does she explain the fact that I neither read nor speak nor write nor understand Italian? Or German?

                   By the fact that the manifestations of mediums are as subject to the law of hit or miss as the diagnoses of doctors.

                   I’m beginning to like Dr. Rachel Krotkin. At least she isn’t pompous.

                   I wonder how the unphotographed daughter feels about her irreverently smiling doctor-mother. Perhaps she is going to college mainly to be away from her mother. Perhaps most girls think that they would rather have most other girls’ mothers.

                   But not most other girls’ fathers. The gap-toothed high school twins open wide for no one but their daddy.

                   Who is beginning to direct his professional irritation with Krotkin’s beautiful teeth against my defenseless past: Perhaps I’m an escaped mental patient…

                   Who was kidnapped by one of my divorced upper middle class intellectual diplomat parents. Who felt guilty about my being institutionalized. Or refused to admit that any daughter of his or hers could be anything but the sanest; professional opinions to the contrary notwithstanding. & sneaked me out of the institution, to take me home. & now feels embarrassed about having lost me somehow somewhere along the way.

                   Too embarrassed to notify the Missing Persons’ Bureau.

                   Perhaps he or she is glad to be rid of me.

     

                   My tested reflexes & reactions appear to be those of a “normal” approximately 24-year-old “female.” Who has, however, lost her memory. & presents a somewhat baffling mixture of knowledge and ignorance.

                   The Missing Persons’ Bureau was called immediately. While I was still at the police station. None of the missing “females” on record fits my description. None of the missing “females” on record fits my description. They’re either too young, or too old, or too fat, or too tall.

                   The closest, so far, is the missing 21-year-old granddaughter of an ancient woman from Staten Island who refuses to go home until she has had a look at me.

    She raised the girl, apparently, to permit her own daughter to pursue a career. Or to remarry. The missing girl’s mother has not appeared so far.

    Dr. Gamble would like to allow the ancient woman to take a look at me. Even though the photographs she brought with her

    a stack of baby pictures; most of them against a garden background

    a sequence of classroom photos of an increasingly plump schoolgirl from 7 through 10; of a fat girl of 12, hiding in her hair

    a family reunion of 3 generations of seated women under last year’s Christmas tree: the lost overweight granddaughter wedged between a slim wan-eyed mother & a bone-sculptured grandmother

    have nothing whatsoever in common with the photographs they’ve been taking of me. Which the old woman has seen.

                   The lost granddaughter is a plump sullen girl of 21    still a virgin    with a thick black braid halfway down her back. I’m a skinny short-haired blonde (of 24?) with a wide & ready smile. (& I’ve had at least one miscarriage.)

    Nonetheless Dr. Gamble favors a confrontation. He feels sorry for the ancient woman. Who is blaming her lack of vigilance for what happened.

    She is convinced that I am her granddaughter. (Who has my height apparently: 5’5”.)

    That someone abducted me. & altered my appearance. Better to hide me from her. & that I managed to get away from my captor with what he had left me of my once very good mind.

    (& with $2,200.—in my coat pocket?)

    & ran to the police for protection.

    She is sure that she will recognize me the instant she sees me face to face. By certain subtle traits that cannot be altered. Certain little gestures & facial expressions that don’t show on a photograph.

                   Dr. Krotkin does not favor a confrontation. At least not just yet. She fears that it will depress me. Unnecessarily, since I’m obviously not the missing granddaughter from Staten Island. The coincidence of height    an average height of 5’5”    hardly constitutes sufficient evidence. Her daughter measures 5’5”, too.

                   Dr. Krotkin also feels sorry for the ancient woman. But would hesitate to risk delaying my recovery for the sake of compassion. She will resist becoming sentimental about grandmothers. She believes in equal rights for the young.

    She has been known to side with her daughter against herself, on occasion. When her daughter was still in her teens.

                   Dr. Gamble has difficulty conceiving of a parent-child relationship that furnishes occasions for taking sides. He would hesitate to deprive his twins of the loving authority all children need. & crave. A father’s warm firm hand, to point their noses in the right direction.

                   He senses a lack of loving paternal authority in my upbringing. Perhaps I’ve been raised by a “modern” mother. Who prided herself on her tolerance. Which was the modern euphemism for permissiveness, more often than not. The justification for lack of interest.

                   Perhaps my uninterested, selfishly tolerant modern mother had boarded me in a convent. Where authority was predominantly female. Where the father-figure wore a skirt.

                   Unless she ha turned me over to her own mother… If I had been raised by my grandmother… the ancient woman from Staten Island… 

                   I felt dizzy all of a sudden. I thought I was going to pass out. Every coil in my brain seemed to be pulled in a different direction.

    Dr. Krotkin made me sit down. & fed me a protein wafer.

    Dr. Gamble produced a liverwurst sandwich & a glass of milk fro ma small icebox behind a glass partition.

    They watched me eat. Decidedly, I didn’t take very good care of myself.

    …Because someone else had ceased to care, perhaps?

                   Perhaps the money in my coat pocket was a parting gift. Severance pay, from a fatigued lover    the father of my (last) induced miscarriage    who wanted to be free of me. Like another one before him. another one before that one, perhaps.

    Experience    which was, after all, based on remembering    had taught me what to expect. & made me apprehensive. More vulnerable. My mind refused to accept another rejection.

    Or rather: my mind, too, rejected me. It rejected the 24 years during which I had grown into what I was: REJECTABLE. & my calcium deficiency    aided by an empty stomach    supplied the chemical way out.

    Dr. Krotkin thinks that my amnesia is most likely the result of starvation. The cumulation of years of emotional malnutrition. To which I later added not-eating.

                   Out of adolescent laziness, at first. Until I discovered that not-eating induced a certain state    of trance    into which I could escape. From situations that were not to my liking. Which I lacked the strength to handle in a healthier, more constructive fashion.

                   My loss of memory was my most radical attempt at escape. It was not unlike a suicide attempt. Which was why she would prefer not to expose me to the ancient woman. At least not for a while. In case the ancient woman managed to turn herself into the grandmother who had raised me. Who had painstakingly depressed my impressionable years.

                   Dr. Krotkin did not approve of throwing a survivor back into the environment from which the escape had been attempted.

                   & Dr. Gamble did not approve of sending a poor old woman home to Staten Island to sit in front of a blind television, imagining gorier & gorier details about the abduction

        rape/murder; Frankenstein surgery    of a missing granddaughter, if the granddaughter had perhaps been found.

                   Dr. Krotkin finally, shruggingly, agreed to a compromise: They would let the old woman have a look at me through one of the glass doors to the hall.

                   I stood on the office side, & the old woman stood on the hall side of the glass. She peered at me for a long time. From different angles. With & without her glasses. Coming up very close. Stepping back again, as from a painting. Sniffing at me with her eyes, through the glass.

                   I gave her a wide smile, & she shook her head, & turned away.

    I felt relieved. Even through the glass the sight of her had made me feel heavy. Morose. Unwilling to assume the duty of being alive.

                   Which was made up of an orderly sequence of derivative duties: Such as breathing. Brushing one’s teeth; one’s hair. Cleaning one’s body. Feeding it. Exercising it. Giving it sufficient rest. Never overexerting it, be it in work or in play. Least of all in play. In order to keep it in good functioning order. In order to go on breathing brushing cleaning feeding, etc., in order to etc. . A dutiful virtuous circle that beckoned me to be its center.

    She had made the whole day look shabby.

                   I said I felt sorry for the old woman. & I meant it. Her back had looked defeated, when she turned away. I almost felt like knocking on the glass to call her back. To let her make me into the granddaughter she is looking for.

    Whom she might reject, when she learned about the miscarriage(s): Dr. Krotkin laid an arm around my shoulders. She would have permitted no such thing…

     

    They took my fingerprints, at the police station. I didn’t seem to be on record. I’m neither wanted. Nor a naturalized American citizen. Nor a civil servant.

    The policeman who turned my fingers    one by one    in the black ink commented on my bitten fingernails: Why would a nice-looking chick…

                   Later, Dr. Krotkin commented on my toenails. Which also looked bitten. She made me sit on the floor, & bring one foot up to my face. She laughed when I hooked both heels behind my neck. She asked if I wanted a book to read. I looked so comfortable in that position.