Category: Uncategorized

  • Three Poems – Sébastien Bernard

    The General

    He spots a fly

    He walks across the tundra

    He plays croquet with an antelope

    Who uses his hoof

    According to my anatomy

    Those are nails, he says

    ♪ Croquet hoop! Hair

    In my soup! ♪

    He visits his brother

    Sings an opera tune

    Under the table

    He watches as the black cars go by

    He hosts a wedding

    He makes bold pronouncements

    Mimicking Bonaparte

    And bemoaning Russia and Waterloo

    As personal failures

    He praises the bold secular laws

    That legalized his bizarre habits

    He makes large gestures concerning

    His reputation in the capital

    He returns to his mother

    In utero, tutto intaglio!, he says, then

    Hand me my coat!, to his date

    And partner in revenge and theft

    We have no hope of making it out

    Of this country alive

    Out of breath

    Trying to hold the blood of his

    Nightmares, his childhood in suburban France

    In, the bullet in his belly

    Fired mistakenly

    By a checkout clerk

    Who stares at the couple empty-handed

    And lets them walk out with the wine

    Free of charge due to wonderment

    At such superb theatrics

    And like a marathon runner

    Or a rebel in a Godard movie, the General says

    Just maybe, my love

    On this grand escape—the last—

    There’ll be more chances

    To sing.

     

    Modern poetry

    Spring: a lovely time

    to quit your job. The inevitable

    is irrecoverable, but maybe there’s

    no past behind those mountains—it’s worth the trip. All event

    horizons meet somewhere spritzy

    the language of innocence makes sense. I’m not a tractor

    I don’t have euphemisms for sex.

    Tiger meat, cilantro, & applesauce for breakfast.

    Satisfy your hunger. What way your way.

    What’s the sound the Cordyceps fungus makes

    as it grows out of its host’s head? 

    “Bazing, bazing, BOOM.

    Hold me, mother.”

     

    Dedication

    I see Rowland S. Howard float

    through hell

    holding his own sun

    or mirror

    or liver

    saying he’ll be out soon, it’s just

    he was curious—

    the ‘O’ in ‘Or’

    he says, and the ‘O’ in ‘Ocean’

    or ‘Ornithology’

    are the same—

    leaving myself

    too

    Rowland S. Howard has cheated

    death, I say, counting my fingers

    or passing my fingers through my lack

    of a beard

    or smoking a pine needle—

    don’t ask me why I’m here

    it’s personal

    and you’d be surprised

    how quickly they let you in—

    the ‘O’ in ‘Cataclysm’

    and the ‘O’ in ‘Happy’

    I reply

    like a blind priest:

    are not so different

    either, at any rate

    two things

    Rowland S. Howard also holds

    as he floats in the afterlife

    of his choosing

    and I ask him how?

    he says you just

    have to keep your eyes open

    when it happens

    oh

    and be brave

    that helps

  • The Goat

    Tope Folarin’s debut novel, A Particular Kind of Black Man, is set partly in Utah and partly in Texas, and it is largely based on the author’s actual experience as the son of Nigerian immigrants. It is a coming of age story and also an immigrant narrative focusing more on the experience of the first generation American children of Nigerian parents. It is both uplifting and heartbreaking—heartbreaking in the way all immigrant narratives are heartbreaking. The father struggles to keep the family together in a small, mostly white small town in Utah after the mother begins to show signs of dementia. Her dementia, undiagnosed, could very well be related to the trauma of leaving home and having to make a life in a strange country. Eventually the mother returns to Nigeria and the father remarries. The narrator is the older son, and he grows up ignorant of both his parents Nigerian culture and popular African American culture. Most of the narrative is about his discovery of his blackness, culturally and politically, and about his search for his mother. It is uplifting in its resolution: despite all the challenges thrown his way the narrator eventually manages to find his own way, and of course because of its beautiful language—the opening section won the Caine Prize in 2013.

    Helon Habila, author of Travelers: A Novel (W.W. Norton) and professor of creative writing at George Mason University, Washington, D.C.

    Note: The following short story originally appeared in the 2016 Caine Prize Anthology. 

    Our father lifts his axe into the air and brings it down heavily onto the goat’s neck. A lush curtain of blood gushes down from the wound, muscles and tendons peeking out before tumbling into the grass. 

    As the blood rushes out, our father snaps one of its legs. And then the other. 

    The goat convulses on its side in the middle of our backyard. It is bleating in muffled terror through a gag that our father placed around its mouth just a few minutes ago. The gag is so tight that it has stretched the goat’s mouth into an evil caricature of a smile. A smile now refuted by a bleeding frown a few inches below.

    Our uncle is laughing and jumping but we are horrified. We can’t help it — we begin to cry, softly. Our father tells us to shut up. He wipes his face quickly, but not quickly enough. We have already seen his tears. “What did I tell you before?’ he screams. ‘This is supposed to be a moment of joy!”

    Yes, he told us this before, as we were planning how we would capture it. He told us that its life had been created for this purpose. He told us that God doesn’t have to provide us with any justifications for His commandments, that our only responsibility is to follow His will. We screamed and cried and refused to help him, we told him we would never do what he had asked us to do, but in the end we obeyed him, because he is our father and he is a man of God.

    Yet now we know that we have made a terrible mistake. We have done something evil. It seems as if our father realizes this as well — his eyes are red and brimming. He rubs them and turns away from us.

    The goat won’t stop dying. It is trying to wheeze the last notes of its life through its gag, but it’s choking on the long tongues of blood that are violently ejaculated from its second mouth with each ragged breath. The tongues lap at our feet. We cannot move.

    After a few minutes death finally comes. A shuddering last breath and it’s over. 

    We stand silent for a bit, trying to remind ourselves what our father said when he woke us up this morning. That by doing this we are proving our faith and our commitment to God. That everything would be easier if we thought of him as just another kid. Dad drops his axe and glares at us. Trance broken, we pull on our gloves and aprons and collect the blades and buckets from the stoop.

    Our hands will not stop shaking. We start with blades on its skin, cutting away the hair, so slowly, so carefully. Our father makes a long vertical cut from the second mouth to the anus. Something stinks, something is putrid and rotting, and then the steaming innards slide out. We bend and dump the gunk into our buckets. We go to work on the stuff in the buckets, cleaning everything; our father told us this morning that nothing can be thrown away, or none of this will work. Our father and our uncle continue working on the animal, methodically breaking it down. Our mother watches us from the window — she is saying something, no, she is screaming something but we cannot hear a single word because the window is closed.

    ***

    My brothers say I eat too much.

    Mom shakes her head as she places another pancake on my plate. “That is the last one. OK? You’ve already had five.’ She tugs at my ear. ‘All this food you are eating, I don’t know where it is going.” 

    “Five is definitely not enough for him,” says Dele.

    “Yeah, he’s like a monster or something,” says Seun.

    They are younger than me, and they’re always saying the same thing, always agreeing with each other, always double-teaming me and everyone else. In other words, they are annoying as hell.

    Mom chuckles. “And so? Both of you should mind your business. No one is talking to you. Let him eat. That is what makes him happy.”

    She’s right — I love to eat. I am the family garbage disposal, a walking trashcan, and I’m still the skinniest kid in school, probably the skinniest kid in the city.

    Just a few months ago, on the stern advice of my doctor, I went on a 3,000-calorie diet before trying out for the basketball team. Dr Kolson checked my reflexes, my blood pressure, placed his cool hands on my back, asked me to cough, and did a double-take when I told him my plans.

    “Well, son,” he said, pulling his glasses down his nose. “You’re going to have to gain some weight.”

    Mom supported the idea, and Dad quietly acquiesced, so they bought me several boxes of power bars, and I gorged myself on six meals a day all summer long. I’d never been happier. At the end of the summer, I stepped on a scale and, of course, a net loss of three pounds.

    I polish off my pancake in about three seconds and join Mom at the stove. “Please,” I say. I give her my best smile. The one she can’t resist. ‘Just one more. I promise.’ This is our Saturday morning ritual. After my fifth pancake I come and see her at the stove, and she’ll make another one, and I’ll devour it, and then another, and then another. Usually I eat ten pancakes. Sometimes more.

    Mom’s wearing one of her flowing fluorescent wrappers, and she looks over at Dad as she tucks in an unravelling edge. Dad turns a page in his Bible. The sun is streaming in from the kitchen window onto the table and his tired face. He hasn’t said a word to me, to anyone this morning. A stack of pancakes sits uneaten next to his arm.

    “That is all for now,” she says. “Lunch is coming soon. Try to be patient.” She turns away from me.

    For a moment all I feel is anger washing through me, for a moment I am actually full, this anger is so satisfying, but then my stomach begins to growl, loudly, insistently. I place my plate in the sink, go up to my bedroom and close the door.

    ***  

    “Can I come in?” the voice says. It’s Mom.

    “Yes, Ma.”

    Mom opens the door and surveys my room. My Star Trek: The Next Generation poster on the wall, my slim bookshelf filled with my favorite fantasy novels, my unmade mattress on the floor. I am sitting next to the bookshelf, bouncing a tennis ball off the wall.

    “Can I come sit next to you?”

    “Yes, Ma.”

    Mom strides over and sits. She leans against me, and I can smell her hair. It smells earthy and brown, and I realize that I haven’t smelled her hair in years. Now a rush of memories — my small arms around her hot neck; she’s leaning close and rubbing her nose against mine; she’s tickling my neck after whispering in my ear.

    “I am sorry about earlier,” she says. “I know you are still hungry. I am already preparing lunch.”

    “It’s OK.”

    “That is actually the reason I came to see you.” She takes the ball from my hand. She tosses it into the air, catches it, tosses it again. Then she places it on the floor. She clears her throat.

    “I know this will be difficult, but you need to find a way to eat less.”

    “Ma?”

    “You need to eat less food.”

    “Why?”

    Mom pauses.

    “I cannot tell you why. But trust me that it is for your own good.”

    She stands and walks over to my bed. She sits. I can’t remember the last time she actually visited my room. Dad is usually the one who barges in, who is waking me up or lecturing me or searching around for something or another. It doesn’t feel like my room now that she’s here. It feels like we’re somewhere else, or like I’m dreaming, one of those dreams that seem so familiar and real that you almost forget to wake up.

    She looks down for a moment, and when she looks up her eyes are red, tears beading at the corners. “Please, my son,” she says. “Try to find the strength to eat less. Especially around your father. If you get too hungry, you can tell me and I will try to find something for you. But it is important that from today you find a way to be satisfied with what I feed you.” She leans toward me and grabs my hand. “This is very, very important. Can you promise me that you will at least try? Can you try for your mother?”

    She seems frantic now. I am bewildered. But I can’t stand to see my mother upset.

    “Yes, Ma. I will try.”

    “Yes, my son. Just do it for me. Just for a little bit. I love you so much.”

    She hugs me and her shoulders are shaking and I rub her back like she once rubbed mine, in those days before I could walk or talk.

    In those days before I consciously made promises I know I can never keep.

    *** 

    My father is a prophet.

    God speaks to him all the time. God told him that Mr Parker, our mailman, had cancer. One day my father told Mr Parker to go see his doctor about his colon, and a few days later Mr Parker returned with his wife, and she would not stop hugging my father, she would not stop crying, she would not stop thanking my father for saving his life.

    God told him that the Challenger would fall from the sky. I will never forget that morning, my entire family gathered around the television, the Challenger rising so beautifully into the air, my heart soaring with it, and then my father saying it is going to explode, it is going to explode, and I look back at my father, terrified that he might be right, then back at the screen, praying that he’s wrong, and then that beautiful white blip detonates and dissolves, a trail of fire in the sky, and I can’t stand to look any longer, instead I look at my father, with hatred now, because something tells me he willed this into existence.

    God told him that my uncle would be born retarded. My father has told us many times how he told his own mother that God was going to punish her because she refused to find another husband after her first husband — my grandfather — died. Because she abandoned my father and woke up in a new man’s bed every morning. When she discovered she was pregnant she remained home, and her mother came by each day and fussed over her, did anything she asked, and her sisters hugged her close and read stories to her growing stomach. For the most part my father ignored her — the few times he spoke to her he told her she would be having a boy, and that the boy’s brain would never function properly. She cursed at my father, told him to leave her alone, and then her water broke and her family rushed her to the hospital and she returned home with a beautiful boy whose eyes were too far apart, whose mouth was locked in a permanent smile.

    My father is not a prophet.

    God did not tell him that each of his businesses — including his computer business, his shoe business, his grocery store, his electronics store, his furniture store, his Nigerian clothes import-export business, his Nigerian news magazine — would fail.

    God did not tell him that Mandela would leave prison one day. Whenever we heard about South Africa on the news, heard about how the world was applying pressure to the government of South Africa to release Mandela, my father would say it will never happen, it will never happen, Mandela will die in prison. He said this on the day we saw Mandela walk out of prison, looking older than we ever could have imagined; even as Mandela raised his fist in the air my father said it will never happen. To this day my father believes that Mandela died in the Seventies, that the man who left prison that day was an imposter.

    God did not tell him that his mother would die. I’m not sure if my father ever believed she would die. One day he heard she was sick and he purchased a gold cross and prayed over it for three days. He sent the cross to her by express mail, and the following week his sister called and told him she had passed away. My father shook his head and hung up the phone and continued watching TV as if nothing had happened.

    God did not tell my father that he would struggle so much in America. My father still can’t believe that he’s so broke. He still believes that our lives aren’t real, that any day now he will wake up in a mansion with a squadron of luxury cars outside, hundreds of gold bars piled neatly under his bed.

    If you ask my father about these things he will tell you that God has never lied. Someone will step forward and say that Mandela died in prison. His mother will poke out of her grave and visit us in America. My father will be wealthier than anyone who has ever lived.

    *** 

    Dad’s sitting at the table when I get to the kitchen, almost like he’s been waiting for me.

    “I guess it’s time for your nightly cookie,” he says.

    Before I can deny it, or offer an excuse, Dad shakes his head. “Don’t worry, it’s fine,” he says. “Go get a couple, and get one for me as well.”

    I wonder how long he’s known. For the past year I’ve been sneaking cookies out of the kitchen every night, around midnight or so. I started doing this after I turned 16. Around then I noticed that my constant, gnawing hunger had only grown worse. It no longer mattered how much I ate during dinner; at midnight I’d wake up to my growling stomach, and I’d spend the rest of the night staring at the ceiling, waiting for the sun to rise so I could eat again. After a few nights of this I decided that I’d steal a cookie or two out of the pantry at night, after everyone was asleep. I decided to do this even though my father once told me that my hunger is a burden I will have to bear for the rest of my life. That I would prove my worthiness to God if I learned how to control it. ‘God gives each of us a weakness so that we have a chance to draw closer to Him,’ he told me. I must have been nine or ten. “Your weakness is your hunger. If you can learn to overcome it, you will be proving to God that your devotion to him is more important than your greatest temptation. And He will reward you greatly.”

    For many years afterward I repeated these words to myself at night, like it was my mantra, like it was a prayer, as my stomach knotted up and consumed itself. For a while these words were enough. But then I turned 16 and my hunger was threatening to become the most important part of me. I decided to do something about it. Just one or two cookies each night. Consumed quietly in the comfort of my bed.

    Even after what Mom told me a few days ago I can’t stop. I can’t.

    Now I go to the cupboard and pull three chocolate-chip cookies from the package on the top shelf. I pass one to Dad and sit across from him. He shoves it into his mouth. “Come on, eat up,” he says.

    I wonder if this is a test. Maybe he wants to see if I’ll actually eat the cookies in front of him. If I will sin in his presence. I sit silently while he munches. When he finishes he asks me to pass him another one. “And finish that one in your hand,” he says. “I promise I won’t bite you.”

    I slip the cookie into my mouth and eat it. It doesn’t taste as good as it does when I’m by myself. After I’ve finished it I wait for that surge of relief to pulse through me but it never comes.

    My father rises and walks to the window.

    “God has never led me astray,” he says. “Never. Not once. Even when I think he’s wrong. Even when I doubt His power and wisdom, He proves me wrong. But this thing that God has asked me to do now — it is too much.”

    He’s facing the window, so I can’t tell if he’s serious or not.

    “Dad, I don’t think I heard you.”

    “Yes you did.”

    God asking too much? I don’t know what to say. This can’t be my father. My father who prays at least ten times a day. My father who insists that we attend church four times a week. My father who once banned us from watching anything but Christian television for a year. My father who instantly decided to marry my mother after she recited the first chapter of Psalms from memory during their first date. My father who fasts for days at a time, sometimes weeks, because, he says, God told him to.

    I’ve never seen my father this unsure of himself before.

    What has God asked him to do?

    My father remains where he is. I don’t say a word.

    I shrug. “Well, you’ve always told me to trust God, no matter what.”

    Dad turns from the window and smiles at me. Then he returns to the table.

    “Did I ever tell you that you were a miracle baby?” he says.

    “No.”

    “Ah. I guess I was waiting until you were a man. I might as well tell you now.” He nods and closes his eyes. “When your mother was about five months pregnant we went to the hospital for a routine check-up. The moment the doctor placed the stethoscope on her stomach I could tell that something was wrong. The doctor turned on some machines and attached some wires to your mother and called some other doctors in. She didn’t answer any of our questions. About half an hour later she told us that your heart had stopped beating.”

    My father pauses. He licks a finger and presses it to the table. When he lifts it I can see that a few crumbs are attached. He slips the finger into his mouth and continues.

    “Before your mother became pregnant with you she’d had five miscarriages. She had never carried a child for more than three months. When you got to four months I knew that you were meant to live. That you were our blessing. So when the doctor told me that your heart had stopped beating I smiled at her and told her that I respected her opinion, but that I answered to a higher power. Then I grabbed your mother’s hand and we went to the car and I began to drive. We drove for about an hour, and then the car broke down. Your mother asked me where we were going. I ignored her. I got out of the car and fixed it and started driving again. Your mother started screaming at me, telling me that she wanted to go back home, that she needed some time to mourn. I told her that no one would be mourning anything. I continued to drive. By the time the car broke down again she had fallen asleep. I fixed the car once more and continued driving. Four hours later we arrived at the church where I was saved. I woke up your mother and we walked out of the car, and I knocked on the door until the pastor opened it. When he saw my face he knew what was happening.”

    My father is smiling now, and I feel like something is expanding inside me.

    “I thought the prayer would take hours and hours, but my pastor just laid his hands on her stomach and prayed for only a few minutes. And then he looked at me and said it was done. And though I have often doubted God’s ability to do the impossible at the moment I knew that you had been healed.” My father shakes his head. “The pastor told me that you were the key to the success of this family. That you would serve a special purpose in our lives. And I believed him. I knew you would.”

    My father rises, wipes his face with the back of his hand.

    “So whatever happens, always remember that you are here for a reason. Your purpose was preordained.” My father leans forward and kisses my forehead. He has never done this before. Then he turns and walks up the stairs.

    After a few moments I shut off the light and go to my room and slip under the covers.

    My stomach is silent. I feel full, so so full.

    *** 

    Before last week I’d never heard Mom and Dad scream at each other. Before last week, whenever they were upset with each other, they’d exchange a look and disappear into their room for an hour or so, and when they emerged they’d smile at each other and the rest of us with their entire bodies. Last week, though, Mom said something to Dad, or maybe Dad said something to Mom, and they stomped off to their room and slammed the door and screamed at each other in Yoruba for almost two hours. After they finished they left their room separately, first Dad, then Mom. They ignored each other for the rest of the day.

    This happened again the next day. And the next.

    Now all they do is fight. Anywhere. Everywhere. They slam plates and slam doors and slam each other with their words. Dele says they are arguing about God. Seun says they are arguing about life and death. I’m not sure what they’re arguing about — my Yoruba is OK, I guess, but for some reason Dele and Seun have always understood Yoruba better than me, even though they are younger, even though we were all born in the States. All I know for sure is that Mom is feeding me less and less. Last Saturday she prepared only four pancakes for me. There are no more cookies in the cupboard. Mom says I can’t snack between meals any more.

    I’ve never been this hungry in my life.

    Two nights ago Mom came into my room and sat on my bed. I know it was her because I opened my eyes just a little when she walked in. She stroked my hair and kept stroking it. She said a prayer over me — I could not hear her words. Then she whispered something in my ear, like she used to when I was little. She said I will always be with you.

    *** 

    Dad says: “Go. Chase them.” 

    My brothers and I stand, dumb, glancing at one another, and Dad says “Go on.”

    Uncle is laughing and clapping his hands. Dad’s expression does not change. I don’t think I’ve ever seen him so serious before.

    “This is what my brothers and I did when we were your age. Your grandfather made us earn our food. All of you have been too spoiled by America. You can just go to the store and buy bread. You can just go to a machine and buy candy. That is why you don’t value your food. It is not your fault. There is just too much here.”

    And when he says ‘here’ he lifts his hands, indicating — I guess — the sky, the grass, the farm, the sun, the goats. Uncle nods solemnly, as if he’s just heard someone deliver an acceptance speech for the Nobel, even though we’ve all heard this speech about a million times. Every three or four months Dad drives us to some random farm somewhere, and he gives the same speech before asking us to milk some cows or feed some hens or pluck a few fat red apples from a tree. We’ve never had to chase any animals, though. Dele and Seun immediately assume a runner’s stance but I don’t move. I have my maturity to defend after all; I’m too old to be chasing a bunch of little dirty-ass goats. I stare at the ground, but I know that Dad is losing patience, charm exhausted, giving me his better-do-it-or-I-will-embarrass-you-in-public look. Which, considering where we are, is kind of ironic. My father isn’t into irony. I lean forward and place my hands on the ground, like Carl Lewis.

    I want to be mad at Dad but now I’m thinking about goat meat, how soft it is, how delicious. Saliva floods my mouth. Maybe if I catch a goat Dad will allow me to eat more than my usual share tonight.

    “More like it,” Dad says. “So here are the rules: This isn’t just about the chasing. The first to catch a goat and tackle it to the ground wins.”

    “Wins what?” I ask. I’m thinking about goat stew. I wipe my mouth.

    Dad says, mysteriously: “You’ll see.”

    He lifts his head slightly: “ON YOUR MARKS!”

    I sense my brothers at the edges of my peripheral vision, just far enough out so that I can’t really see them, but I can feel them lurking, waiting for an opportunity to burst onto my field of sight.

    “GET SET!”

    The goats start rustling; maybe they notice the tension in our legs.

    “GO!!!”

    The goats immediately scatter; we chase them all over the field, probably looking quite goatish ourselves, while Dad and Uncle yell directions at us. The goats are quick, cutting from one direction to another in an instant, kicking the air with their hind legs when they sense that we are close. 

    Dad says USE YOUR BRAINS, NOT YOUR LEGS! and I examine my surroundings for the first time. There’s a large chain-link fence bordering the field, and the goats — only three of them — are basically running from one end to the other, and sometimes through us as if we’re in the way. I focus on the goat directly in front of me. It has mottled black-and-grey fur, and is shooting shit pellets at me with every step. I stop to catch my breath and Dad says NO STOPPING so I jog while trying to formulate a plan. I figure if I can somehow chase the goat into the fence, angle it in a certain direction, I can pounce just as it’s about to turn. I experiment with this approach, I run hard at the goat and try to force it towards the fence, but the goat catches on to my plan after a few seconds, and now it will only run parallel to the fence. Dad yells NICE TRY, SON.

    Another plan. I slow down, almost to a walk, and try to lull the goat into thinking I’m tired. The damn goat figures out what I’m doing before I can start sprinting again, though, and runs even faster.

    GETTING TIRED? Dad asks, and Uncle begins to laugh once more. 

    I drop all the intellectual pretense and began running full-throttle at the goat in front of me. The goat looks back and for the first time I see fear in its eyes. I keep running, imagining the ground as a massive trampoline, trying to leap forward with each step. I gain on the goat and keep going and keep going. Just as I’m about to jump on the goat and tackle it to the ground I look back and notice that Dad is chasing me. I laugh, enjoying the surprise, executing sharp cuts in the dirt, turning suddenly to the left when Dad tries to cut me off, threatening him constantly with my high back kick. I look back again and see my father breathing hard, wheezing, and I laugh louder, run faster, I’m gaining strength, the goats are my friends now. I feel the wind resisting my face and arms, but the running is glorious. I hear someone grunt and look back again; Uncle’s chasing me too, I laugh harder while evading, dodging, cutting, wondering why is he using his arms like that? So awkward, so ungainly, almost as if he’s never run before, for the two seconds I see him running he has already pushed himself to the edge of exhaustion.

    I dodge again. Uncle and Dad try to work together, they try to trap me in a corner, and when they’re about to jump I bolt between them, galloping triumphantly away, sticking my tongue out at them, I run, run, run. Dad and Uncle finally stop, they’re grabbing their knees and panting at the ground, and I stop too, pointing and laughing, jumping up and down with excitement, and someone kicks me hard in the small of my back. The air is evacuating my lungs as I collapse, and someone punches me in the ribs and slams my head into the ground. I feel my arms and legs being tied together and I hear Seun yelling I GOT HIM! I GOT HIM! Dad says GOOD JOB, SON, I’M PROUD OF YOU and lifts me into the air. Someone punches me hard in my kidney. I don’t know what’s happening I thought this was a game I’ve never been so scared in my life. Fists coming at me from every direction, someone spitting on my face, stabbing me with sharp metal. I GOT HIM, I GOT HIM, says Seun and I feel myself being lowered, hands violating every part of my body, and they swing me one, two, three times and throw me into the trunk of the station wagon. 

    *** 

    Dad ignores me as I lie bleeding on the grass. Everything hurts. I want to apologize for whatever I did wrong, to promise I’ll never sin again, but there is a gag in my mouth. I start to scream but my father ignores me. Seun and Dele are standing far away from me. They look terrified. Almost as terrified as I feel. Where’s Mom? I try to scream her name. My father looks up at the sky. He keeps saying the same thing: ARE YOU SURE? ARE YOU SURE? ARE YOU SURE? ARE YOU SURE? ARE YOU SURE? Then he looks off to the side, wildly, like he is expecting someone to show up. No one does. My father is crying, his shoulders are heaving, he lifts his axe into the air and I close my eyes.

    Reprinted with permission of the author.

  • Three Poems – SK Smith

    Three Poems – SK Smith

    Recipe for Pesto
     
    A jury of peonies hanging
    above my daughter’s head weep
    their petals
    kiss her back
    and neck
     
    I crouch beside her, pulling
    strands of hair behind her ear, and whisper
    Come inside
     
    She follows me to the kitchen
     
    Pignolis are nothing more than dried tears
    the Genoan woman had told me
     
    I open the coarse, brown sack and guide
    my daughter’s hand inside to cup
    a handful
    of dried tears
    to dry her own
     
    We gather—never stopping
    to measure our handfuls
    pour them into a shallow, marble bowl
    and grind them
    with an old, brass doorknob
    under the heel of our hands
    between our fingers
     
    We drizzle oil
    until the bowl becomes slick
    our hands sliding across one another’s
    like the carp in the Japanese Tea Garden
     
    Only for a moment
    do we stop
    to pull apart the cloves
    of garlic that have nestled themselves together
    into a harmless wasp nest
    peel away the papery skin
    skin the texture of my grandmother’s
    and mash the meat
    of the cloves until our eyes
    once again are teary and burn
     
    Beside my daughter I place
    a pungent, young spray of basil
    delicate in its scent of ocean
    and sweat
    And she pulverizes
    its leaves
    and I grate
    sheep’s milk cheese
    over her hands
    and into the bowl
    a fine powder
    that dries both
    whey and tears
     
    Bare feet
     
    that stomp beneath heavy, grape stained skirts
    of the blessed Virgin in plaster
    of Paris, bruising the serpent’s head
     
    scraped and scabby from shoeless bike rides
    broken off at the ankle, now ghosts
    on display in countless museums
     
    soaking in a tub of Epsom salts
    unveiled beyond the mortician’s sheets,
    flaunting a stainless steel wedding ring
     
                            –
     
    are what I want you to fit in your mouth:
     
    to feel their irregularities
    to jar the very roots of your teeth
     
    remember the summer you were chasing
    across the backyard and felt a frog burst
    between your toes; life a celebration
    in fountains of sweat and skin, dew and blood
     
    recall the old woman from our dusky
    walks, hunched on a pickle bucket—fishing
    we stared, stared, but never could see through
    water lapping against her cool, brown calves
     
    aren’t exactly what you think I should see
     
                            –
    hidden inside wool blankets and drawers
    dig holes that uproot the foundations
    of sandcastles, hermit crabs, and conch shells
     
    gently scratch the inside of your thighs
    nuzzling to find the source of your warmth—
    pull me inside as you turn away
     
    resting upon each other, in dance
    sometimes an imprint on earths and moons
    side by side, as couples forever
     
    are what you shut your eyes against—ashamed:
     
    I know that yours smell of warm, stale beer
    That they taste of cinnamon and rust
    Take mine; taste them.  They are ours to share.
     
    Hide and Seek
     
    Holly berry bushes                
    sheltering the porch— 
    and I? 
    I’ve been waiting for you 
    to find me here. 
     
    Hiding in the branches, 
    trying not to breathe, 
    I sit— 
    hoping you will see me 
    and take my hand. 
     
  • The Last Mirror

     
    The last mirror was put on trial. The last mirror was accused 
    of inciting vanity, of lacking originality, of encouraging vice, 
    of being nothing more than a parrot or an echo. 
     
    The last mirror’s defense was that Echo had shown devotion
    to the man she loved, and that parrots love their pirates.
    The last mirror insisted that vanity, like greed, can be good,
     
    because really, every man should love himself. The last mirror 
    argued that vice is a lot of fun every now and then,
    and that imitation can also be a form of love,
     
    why even Freud, that old master, could not distinguish between
    the desire to possess and the desire to be. The last mirror
    lost the case. As you may have guessed, it was a show trial.
     
    The judge said that love is not a defense, and even ejected
    the viewer who laughed when the prosecutor
    asked the mirror in a froth of rage and anger
     
    “What’s love got to do with it?” entirely unaware of the song 
    by the same name. The judge ordered the last mirror
    shattered into a hundred thousand pieces on the courtroom floor.
     
    When the bailiff had shattered the last mirror, 
    each one of the pieces proclaimed that now
    it was the last mirror, however small the piece might have been.
     
    The judge held the prisoners 
    in contempt 
    and called every piece a liar.
     
     from Hold Me Tight (Red Hen 2020; first published in Plume Magazine)
  • Three Poems – John Grey

     
    Stone Free
     
    Another poem.
    Another assault, insult.
    A questioning.
    A brutal honesty.
    An exposé.
    Luckily, there’s no more stonings.
    No crowds with rocks
    hurling them pell-mell at
    blasphemers, adulterers,
    thieves and homosexuals.
    And poets, of course.
    No one suffers the
    stone from a neighbor,
    a sharp projectile
    pelted by an old friend.
    There’s law-courts now,
    or haughty whispers
    or letters to the editor
    or clowns on talk radio.
    These days, being condemned
    lacks for immediacy,
    for clear manifestation
    of “okay then,
    tell me how you really feel.”
    How it must have been
    in the old days,
    the mob in all their vengeful glory,
    the victim battered and broken,
    reeling from bloody humiliation,
    dropping down dead in the town square.
    Now, only those without sin
    get to cast the first stone.
    I’m here.
    They’re out there somewhere.
    But nothing draws them
    to this spot.
     
     
    Hello Stranger
     
    Oh crap! This is not me.
    Wake up and I swear I’m somebody else
    this morning.
    I shake the woman next to me.
    Excuse me. Who am I?
    She goes right on sleeping.
    So it’s up to the mirror.
    Hands, arms, legs, and
    those mussed up curls of hair.
    Am I Harpo?
    No, I can speak. Words come out
    of a stranger’s mouth.
    So maybe that’s who I am.
    The guy who talks to himself.
    The woman is stirring now.
    I’ll use her for a reference work.
    But what if I’m not listed.
    A man has to be somewhere
    so I’d better make like I belong.
    This is actually a great opportunity to invent myself.
    What can I be? Romantic?
    Have to clean the teeth first.
    Cultured? Better comb the hair.
    I always wanted to be as rich
    as Croesus but what if I can’t afford it.
    “Hi,” she says.
    Not surprised to see me here, that’s something.
    She even grants me a partial hug
    as she skims by.
    I’m familiar. I can build on that.
    Maybe I’m familiar with a flair
    for making coffee.
    Or familiar with a great desire
    to read the newspaper.
    Or familiar with that usual tease of,
    “I dreamed about you last night.”
    I’m familiar enough, at least,
    to follow her down the stairs.
    “I’m dreading this funeral,” she sighs.
    Whose funeral? Can’t be mine.
    She’s staring right at me, aching for comfort.
    Attractive woman. And Sylvia-Plath-like sensitive
    So that’s what I’ll be…just for her sake… alive.
     
     
    In Bed With a Real Person
     
    I lie beside you nights,
    imagine some rousing choruses
    of your bad singing
    and the time you stumbled
    and spilled my birthday cake.
     
    I look at you in sleep
    and can only think of
    the pairs of shoes in your closets,
    flats and heels,
    sneakers and dress.
     
    I hold your soft hand
    but set off staccato bursts
    of snoring,
    and a restlessness
    that doesn’t quite wake you.
     
    I hear you moan
    credit card numbers in a dream
    but I don’t know
    who you’re speaking to,
    what you’re buying,
    how much it will cost.
     
    As you turn away from me,
    you’re like a small-boned pole revolving,
    a balloon that can’t quite soar
    and now settles on the grass.
     
    And then I remember that romantic soul
    who said she loved me three times a day
    but only had to leave the once
    to give lie to all previous words.
     
    As I stroke your back
    I feel the luck of a sort
    that comes from knocking down cans
    with balls
    at carnivals.
     
    I shout like a winner
    in the canal of your ear.
  • The Ponte Vecchio Story

    On my 40th birthday, a year ago my phone flashed with a notification. ‘Your long ago first love commented on your photo.’ “Very glad the Roma didn’t drop you and/or your dad caught you off that bridge back before this pic even occurred.” (He uses the right nomenclature, Roma and not the insensitive slang of gypsies.) And I’m flattered.

    Everyone who knows me remembers this story. How could you not? You were held over a bridge when you were a child. It’s a remarkable story, but since I survived it, it’s become just that. A great story.

    The story goes like this. It’s better if my father tells it.

    “I wanted to paint the Ponte Vecchio and Karen wanted to look for a doll for you and do some shopping so I got us all set up on the bridge across from the Ponte Vecchio. I had put my camera down and had my paint all set up and you had your paints. And it was a bit cold, so you were wearing a red hooded sweatshirt. And we were happy and it was a gorgeous sunny day. When all of a sudden a group of gypsies came up and grabbed Augie and held her over the bridge, and said, ‘Bambino or wallet.’ And I had just cashed all our travelers checks that morning, so I had all our cash and Karen was shopping.”

    “I said I’m a painter, I don’t have any money. I’m a broke painter.”

    “Luckily I had all my change in my pockets and I just took out all the change and gave it to them. And I didn’t know what any of that was worth, I kept my change in my right pocket and my knife in my left. So I just gave it to her, there were three women and two men, all dressed in unusual clothing. I’ll never forget it. When just then a tour bus pulled up and a crowd of people got off the bus, so they all looked at each other and said, ‘let’s get out of here,’ so the guy who was holding you dropped you and I reached over and grabbed you by the hood of your red sweatshirt, and pulled you back in.”

    “I sat Augie down by the bridge and she looked at me and said, ‘Dad, we’ve been robbed!’”

    My father the hero. Me being completely unfazed by this experience. Thinking it was cool. I don’t remember being held over a bridge (if indeed I was) I remember the aftermath of it being exciting. The image in my mind that develops if I seek the depths of memory appears as if a daguerreotype with the edges blurred like a modern day vignette.

    Even as a mother I can’t imagine being in the place of my father it’s too horrifying but also the story for me is my father the hero so even envisioning myself in his place means that I would be the hero too. That’s what the story is.

    And I know that it gives me some caché as an artist, as a writer. Though I’m not totally sure why. Things have happened to me. I have a story to tell.

    My father will say, “I was getting ready to go swimming.”

    I don’t remember being afraid, perhaps I didn’t understand what was going on till it was over. I don’t remember thinking much of anything about it except that we had been robbed by gypsies!

    Gypsies were exotic, mystical, magical. They conjured images of long skirts and paisley patterned headscarves. A bit like witches, with otherworldly powers. My girlfriends and I dressed up as gypsies when we were eleven, our last gasp of a kids halloween, of trick or treating by ourselves and actually genuinely asking for candy.

    The gypsy was the black and white Oz disguised with a crystal ball, a caravan.

    Years later, there will be live gypsies in the form of fourteen year old girls with long skirts pickpocketing the metros of Paris. They will pretend to find a ring on the ground and ask if it’s yours distracting you while the other friend steals your things. But we don’t call them gypsies even though they’re still wearing the stereotypical long skirts.

    My friend Amo was so affected by this story of the gypsies. It became a cocktail party story that he’d ask me to recount often. He had a way of making me feel like I was the only person in the room when he’d say,

    “Have you heard the Baby Aug Gypsy story?”

    Or “Gypsies grabbed a baby Aug from her parents arms and held her over a bridge until they paid to get her back. Sort of one of the best Aug stories there is.”

    At twelve, he might’ve been a boy I’d have an eternal crush on who would seem eternally out of my league, and later my best friend would date him and he would be eternally off limits, except for an opportune Dylan concert years later in New York, we would never go beyond that kiss. But it’s the gypsy story that made us become friends. And thirty-eight years later from the day I told it to him, he’s still telling it.

    This story of the gypsies on the Ponte Vecchio would weave into my own history repeatedly. Not only in my father’s telling but also my own. But it was my unabashedness in telling the story in 7th grade that earned me these cool points from this boy, that never forgot the story. 

    We are in our first period history class with Richard, our stout red-haired teacher who speaks with an impassioned British accent and loves rugby. Later he will teach us the rules of the game and we will watch some matches on a small television set strapped to a cart and wheeled in for exactly that purpose. But not today. That will come in Spring for fun. As a reward for our school year. Today it is Fall, school has just begun. We are just all getting to know each other. We are all new. Just quite twelve in 1992. The classroom is small with individual desks attached to plastic chairs facing the chalkboard.

    It is Shelley, who will soon become known as the smartest girl in the school, who uses the word.

    “Gyped.”

    Is she talking about a book?

    Doubling down this might have been her sentence.

    “The Jews gyped the Romans.”

    The connotation is cheated, deceived, thieved, stole, lied. 

    Our teacher stops the class. “Do you know where that word comes from?”

    No one raises their hand. No one says a word.

    Shelley gets flustered.

    “We don’t use that word because it is derogatory to the gypsies to the people of Romania. To the Roms.”

    “Because it connotes that they are thieves.”

    I raise my hand, “But I was actually robbed by gypsies when I was four.”

    Looking back thirty years later it’s very impressive that our teacher stopped the class to explain that gyped was a bad word. And that not all gypsies are thieves. We all remembered this lesson, why we should never use this word. And aside from this essay, I never have.

  • Three Poems by Ace Boggess

    Three Poems by Ace Boggess

    News, Not Unexpected

    Romantic partners don’t like each other. Not really.
    Not in the I-want-to-be-trapped-inside-with-you-

    for-months kind of way. They prefer a comfortable companion
    & to be left alone for hours to work, plan, fantasize,

    or roll the bones in an alley. News from China:
    once the virus unclenched its fist, divorce rates spiked,

    according to the internet, as reliable as marriage.
    We’ll see it here: sad guitars removed from basements;

    undergarments packed for a trip to elsewise.
    Home is where the hate is. The spider dangling in a corner,

    legs continuously knitting, draws ire from the dog, awake
    because the mistress lounges, wondering What was I thinking?

    about her husband playing games on his phone,
    forgetting to press mute so the house sounds

    like a pinball machine’s insides—a circle Dante
    never thought of, lucky he lost his love early,

    then traipsed through hell in search of her
    rather than learn they both were there already.

    Second Day, Post-Lockdown

    Staying home as much as I can.
    A sequel coming: Return
    of the Virus, Revenge
    of the Virus, The Virus Strikes Back.

    Yesterday was Star Wars Day,
    so you get the joke.

    Could as easily have said
    The Virus II—the Virus Lives,
    The Virus—a New Beginning, or
    The Virus Takes Manhattan.

    Watching a lot of bad movies
    lately, & worrying
    about family, friends, possible hexes
    placed by their religions
    or inability to sit still for long.

    Worrying over my life, too,
    fears of having wasted it.

    I’d like to step out
    of basement shadows &
    romance the body, anybody’s
    body, if only I had antibodies.

    For now, I’m staying in,
    shouting into emptiness,
    Love me! The virus does,
    waits to embrace me in Virus—
    the Final Nightmare; Virus III—
    Season of the Witch.

    Repairs

    Tell me one broken thing
    repaired with tenderness
    instead of force.

    Wounded hawk? Restraints.
    Beloved pet? The needle waits.

    Ceramic vase by glue or gold?
    What brutality we show
    piecing together shards.

  • The Spaces Between

    The Spaces Between

    I show my house the pictures of you
    ask it if it remembers when you lived closer
    when you were a frequent guest. I feel the ache and the strain
    of a house trying to uproot itself, as if
    it were some great, lazy dog trying to find the will to move
    twitching its tail in a futile attempt
    to attract attention to itself.
     
    I, too, wish I could find some way to reach you
    that doesn’t require the enormous effort it takes to get to the airport
    or make plans that involve weeks and weeks of my life in advance.
    These are fragile excuses, ones
    I don’t dare speak aloud. Instead, I tell the house
     
    you’ll be back someday
    to sit on my couch and fill these empty rooms
    with your stories and your laughter
    and it will be so wonderful that it will be as if
    you’d never left.
     
  • Three Sonnets – Wayne Koestenbaum

     

    [o razor in]

    o razor in the bathtub, how you
         reify me—
         shampoo, too,
    a species of Prometheus, promotes
         bubble déjà vu.
    loving my imaginary son, and fain in
         verse to tell.
    “you lack vocal chops,” he said, as if I were
         a Mies van der Rohe
         outhouse, a Big Mac
         chiming its grease bell.

     

    Barbara Stanwyck is the Coit Tower on the hill
         of my discontent.
    Slough of Despond is the coffee shop where I
         dine with Alan Ladd
    gaslighting me into marriage, my hair
         a Stockard Channing 
         (Grease) rooster-comb.
    I dreamt you fixed a dead lamp just
         by touching it.

     

    Hudson river, your blue contains umber
         and lead:  slate
         Siegfried suicide-muck.
    let’s conjugate Adorno:  adorno, adorni, adorna,
         andorniamo… I stole
         moral turpitude from you, padre.
    “your pubes are a godsend,” I DM-ed him—
         “Star of David suspended 
         in chest forest”—wanting
         praise to land in his solar plexus.

     

    quoth judge:  “your objection to daily spontaneous
         art-making habits
         is overruled.”
    crispbread’s smooth soft underside, like arm’s
         inner skin, privatized,
         unsexed:  haptic
         regression’s mine.
    her death ratifies my smallness—negligibility
         of my unanswered
         earthly envelope.

     

    [the color yellow’s]

    the color yellow’s importunate tendency to pose
         stamen-rhetorical
         questions:  my eye
         omits the verboten “o.”
    dreamt crafty Mildred Dunnock-esque French citoyenne stole
         Sontag manuscript
         (Genet essay draft)
         from my music stand when
         I shut my eyes to take
         a picture of Sontag-scrawl:
    fingerpainted André Masson ligatures.  citoyenne hid the manuscript
         in her aqua housedress:  then
         she threatened to run me over
         with her Baby Jane Peugot.
    at Singing Sands beach I dared her rage-car to slay me:
         I reached into her housedress
         to retrieve the Notre-Dame-
         des-Fleurs
    Sontag-script
         revealing rare expression-
         ist prelude to a style later
         hardening into Volcano.

     

    dreamt artist-baby despite speech impediment employed periodic
         sentences when interpreting
         mother-murals refusing
         to encircle and contain.
    I hugged the artist-body into feral submission.  malted milk
         crumbs coated baby-skin
         like Yayoi Kusama dots.
    dreamt Joan Didion draped her YSL gold-purple jacket over a couch’s
         arm near my exhi-
         bitionism:  no lunch for me,
         and a dead mouse in the pantry.
    snubbed my cousin at café:  Botox-smoothed brother-leer in Rambler
         wayback discovered doppel-
         gänger’s career-gangrene—
         my debut, too, a debacle.

     

    what if my butt produced peanut butter, edible
         economic miracle,
         nutritional nirvana,
         supernal natural resource?
    think of the coverage in Scientific American!  in The
         Wall Street Journal
    !
    his cousin instantly exited life by falling
         off a ladder:
         heart attack pre-
         ceded and in-
         stigated the plunge.

     

    moved by Moffo/Corelli Carmen and vague scent of marijuana
         by sere sidewalk’s
         soiled snowbank.
    never gave proper credit to her “Seguidilla,” only now
         reckoning its late majesty.
    seek non-toxic paint thinner, if non-toxicity exists:  suspicious
         tingle on tongue 
         augurs termination?

     

    [seen, discarded in]

    seen, discarded in stairwell:  Corning Ware casserole
         cover—glass, forever
         severed from the squat
         vessel it was meant
         to sumount.
    toward you, glass lid, I feel no pointed grief—
         but I acknowledge
         your isolation, urn
         for pot roast fragments rewarmed.
    dreamt I witnessed Julie Andrews prove again
         (on Broadway or in
         samizdat screen-test
         out-takes) her mettle—
         a knowledge staggered
    (it arrived in timed phases):  my responsibility for proving
         what I’d witnessed
         lay at a 45-degree
         angle to her competence’s
         Agnes Martin arroyo-horizontality.

     

    a line breached:  a Cherbourg pinnacle, oneiric yet actual
         (woke to discover
         Michel Legrand had died).
    dream punctuation is too complex a topic to broach today.
    that lonely aggrieved persecuted feeling when you post a photo
         you consider aesthetic/
         ethereal and it is deemed
         to violate community
         standards—verdict im-
         possible to appeal or reverse.
    man, clutching flattened cardboard box, shouting
         “laissez passer,” voice
         hoarse, ravaged, then
         “take it easy, guys”:
         bilingual tragi-
         commotion, like dream

     

    last night of early Callas Santuzza, voice cutting
         into stage flats, arc-
         light Voi lo sapete 
    a reinterpreted virginity enclosed by rhombus-stain.
    dreamt my mother-in-law criticized my dishwashing
         technique:  I in-
         insufficiently valued
         her faux-netsuke
         tea set.  my father,

     

    telephoning her beach-cottage, used my childhood
         bedroom’s princess-phone:
         Channel 36 “The Perfect
         36” Bardot-fest poor
         reception UHF Sacramento
    porn-hub of Reagan governor manse, my juvie
         nudie-addiction a rebuke
         Situationist-esque to fossil fuel’s
    stranglehold on Volk-libido.  time to read Wilhelm Reich?
         time to multiply passerby
         orgasms?  stroke-utopia
         Timothy Leary animism,
         visionary jolt via taint?

     

  • The Ties That Bind Us

    Her mother placed a bottle of water on the table. Her blonde hair was tied in a ponytail and her fingernails were freshly polished. Rebecca had come over to talk to her parents, but as usual, her mother was hogging the spotlight.

    “Did you hear?” her mother asked. “Another one. They’re just going around attacking Jews on the streets now. It’s disgusting. Don’t you think it’s horrible, Rebecca? Something needs to be done. You know, I was speaking with Lena at the supermarket earlier and she’s not even sure she feels comfortable sending her kids to Hebrew school anymore. Can you imagine? Not even our kids are safe.”

    Rebecca’s father shook his head. He had always been a man of few words. Forty years as a successful litigator had taught him the power of being silent.

    Rebecca reached for the glass water bottle. It was a four-decade-old family treasure. Before that, it had sat in a thrift shop. Her mother still called it a ‘find’ and swore it was worth something. She liked to believe all her ‘finds’ had a story. “It’s a piece of history,” her mother used to say. “And now, so are we.”

    “I told your father he should start wearing a cap instead of a kippah,” her mother said. “But I’m not sure that’s right. It’s not like he could go to work in a baseball cap. Plus, we shouldn’t be hiding. What do you think, Rebecca? Have you spoken to your friends, are they wearing ball caps instead of kippah’s?”

    Rebecca brought her cup to her mouth. She didn’t have anyone to ask about the kippah / ball cap dilemma. Rebecca hadn’t been religiously observant in years.

    “I came to say something, Mom” Rebecca said. 

    “Oh right,” her mother replied. “You did say that when you asked to come over. You’re always so official—you know you could always just stop by. I actually just heard from Sandra that her married children come over all the time.”

    Rebecca’s father placed a hand on her mother’s wrist. She fell silent. 

    “What is it?” he asked.

    Rebecca felt nervous. She loved her parents and they had raised her well. Rebecca never had to worry about being taken care of. But her parents were tough, and Rebecca didn’t know how they would take her news.

    “I’m engaged to Allen,” Rebecca said. “We’re getting married.” 

    Her mother froze. “No, you are not.”

    “I am,” Rebecca answered. She kept her voice even. Rebecca knew her mother wouldn’t be happy, she had been prepared for this. But Rebecca was twenty-seven years old; she didn’t need to listen to her mother anymore.

    “There are stabbings, Rebecca,” her mother said. “You aren’t marrying that man.”

    “It’s terrible,” Rebecca answered. “But that man is Allen, and he has nothing to do with it.”

    “He’s one of them,” her mother whispered.

    Rebecca stopped. She reminded herself that she had expected this.

    “One of them, Mom?” she asked.

    “They are trying to kill us, Rebecca. You are either a Jew or you are one of them.”

    Rebecca could feel herself begin to lose control.

    “What is that supposed to mean?” she asked. “You have a profile for Jew haters?”

    Her mother’s eyes locked with hers, “don’t be so naïve, Becky. You can spot them from a mile away.”

    Rebecca groaned, “I don’t even want to understand what you’re insinuating.”

    Her mother leaned back in her seat and turned towards her father. For as long as Rebecca could remember, he had always been their mediator.

    “Have you thought this through?” he asked. His tone was even, but Rebecca could tell he was having a hard time. She wanted to cry. Rebecca wanted to run and hug her father, the way she used to as a child.

    “I have,” Rebecca answered.

    “Is he going to convert?” her mother asked. “What will you do with your children, will you raise them Jewish? Is he religious? What if he wants to raise his children in his religion? What is he, Christian? I will not have Christian grandchildren, Rebecca. I mean honestly, what is the plan?”

    “I don’t know yet,” Rebecca said. “We only just decided to get married.”

    Her mother folded her arms over her chest and began to tap her fingers. Her brown eyebrows pulled together. “How could this happen? I spent my entire life watching over you, I didn’t even send you to public school. Do you know how much private school tuition costs these days?”

    Rebecca’s lips fell into a pout. “This isn’t something that just happened, Mom. I fell in love.”

    Rebecca had started dating Allen three years ago. She had been a young intern fresh out of med school and he had been the only doctor not to yell at her. For the first four months, Allen claimed he was too old for her. But Rebecca spent every shift they shared trying to convince him that wasn’t true.

    Rebecca thought back to when she told her parents about Allen. Her mother cried like she had announced she was dying. It took her seven months before she spoke to Rebecca again—she still hadn’t met Allen.

    “Relationships are built off way more than just love, Rebecca,” her mother said. “Dad and I wouldn’t have made it a year if we hadn’t wanted the same things.”

    “But Allen and I do want the same things,” Rebecca insisted. “We both want to be doctors and have children and think that politicians are good for nothing other than their own egos.”

    Her mother shook her head. “You can’t do this, I won’t allow it.”

    Rebecca’s body tensed. Her mother didn’t have the right to ‘not allow it.’ Rebecca was an adult! 

    “I’m not asking,” Rebecca said. “I’m telling. I was hoping you would be happy for me.”

    “Be happy for you?” her mother asked. “I can’t even believe you! I mean, what do you think would happen if there was another holocaust? You really think he wouldn’t sell you out. You know, with all the anti-Semitism lately, this is really something you should be thinking about. Allen isn’t Jewish, why would he sign up for this voluntarily?”

    “I cannot believe you are asking me that,” Rebecca said.

    “Why?” her mother asked. “Don’t you think he would protect you?”

    Rebecca blinked back tears. She never felt so attacked before.

    “Yes Mom,” she whispered. “I think he would protect me.”

    Rebecca’s throat felt thick. Allen loved her. He loved her as much as she loved him—more than anything. Allen didn’t care that Rebecca was Jewish and he would never let her die because of it. She had chosen a simple man. Their first date was made up of two-dollar snacks from the hospital vending machines. Rebecca was ready to start her life and she wanted to do it with Allen.

    “Becky, you need to understand,” her mother said. “You’re my daughter.”

    Her mother reached her hand across the table and Rebecca stared at her open palm.

    “Then let me live my life,” Rebecca answered. “Support me.”

    Her mother closed her palm and pulled her hand back to her side.

    “Enough with the pity party Rebecca, it’s really not becoming of you. You know, we’ve always supported you. God knows how many ballet recitals we sat through over the years. But what you’re asking is for us turn our backs on every belief we have raised you with. We can’t just look the other way on this.”

    Rebecca started to cry. She felt torn between herself and her parents.

    “We want you to be happy,” her father said. The sound of his voice brought comfort to Rebecca; he had always been her safe place. “But we are your parents, not your friends.”

    Rebecca watched her father. He was crying and it terrified her. The only other time Rebecca had seen him cry was after his mother had passed away.

    “If you want to be with Allen, then you should be with Allen,” he said. “But you cannot ask us to be okay with it.”

    Rebecca stared at her father. He sounded harsh, nothing like his usual self. She struggled to breathe. She didn’t understand why her parents were so angry. They had left the Ultra-Orthodox world years ago. Her mother had gotten to calling her old friends ‘fanatics’ and making fun of anyone who still believed full time Torah learning was an education. To this day, her mother refused to put on a skirt.

    “You call them crazy, Mom,” Rebecca said. Her voice cracked.

    Her mother looked over at her, wiping away her own tears. “I only say that because I’m one of them.”

    Rebecca watched her father push away from the table. His hands were shaking. “I love you,” he told her. Rebecca held her breath, waiting for more.

    Her father lifted himself up from his chair, his eyes avoiding Rebecca’s.

    “Joe?” her mother asked.

    Rebecca watched her father. He turned his back towards her and slumped forwards. Slowly, he walked away. The room stood in painful silence as the truth settled. The ties were broken.