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  • The Goat

    Tope Folarin’s debut novel, A Particular Kind of Black Man, is set partly in Utah and partly in Texas, and it is largely based on the author’s actual experience as the son of Nigerian immigrants. It is a coming of age story and also an immigrant narrative focusing more on the experience of the first generation American children of Nigerian parents. It is both uplifting and heartbreaking—heartbreaking in the way all immigrant narratives are heartbreaking. The father struggles to keep the family together in a small, mostly white small town in Utah after the mother begins to show signs of dementia. Her dementia, undiagnosed, could very well be related to the trauma of leaving home and having to make a life in a strange country. Eventually the mother returns to Nigeria and the father remarries. The narrator is the older son, and he grows up ignorant of both his parents Nigerian culture and popular African American culture. Most of the narrative is about his discovery of his blackness, culturally and politically, and about his search for his mother. It is uplifting in its resolution: despite all the challenges thrown his way the narrator eventually manages to find his own way, and of course because of its beautiful language—the opening section won the Caine Prize in 2013.

    Helon Habila, author of Travelers: A Novel (W.W. Norton) and professor of creative writing at George Mason University, Washington, D.C.

    Note: The following short story originally appeared in the 2016 Caine Prize Anthology. 

    Our father lifts his axe into the air and brings it down heavily onto the goat’s neck. A lush curtain of blood gushes down from the wound, muscles and tendons peeking out before tumbling into the grass. 

    As the blood rushes out, our father snaps one of its legs. And then the other. 

    The goat convulses on its side in the middle of our backyard. It is bleating in muffled terror through a gag that our father placed around its mouth just a few minutes ago. The gag is so tight that it has stretched the goat’s mouth into an evil caricature of a smile. A smile now refuted by a bleeding frown a few inches below.

    Our uncle is laughing and jumping but we are horrified. We can’t help it — we begin to cry, softly. Our father tells us to shut up. He wipes his face quickly, but not quickly enough. We have already seen his tears. “What did I tell you before?’ he screams. ‘This is supposed to be a moment of joy!”

    Yes, he told us this before, as we were planning how we would capture it. He told us that its life had been created for this purpose. He told us that God doesn’t have to provide us with any justifications for His commandments, that our only responsibility is to follow His will. We screamed and cried and refused to help him, we told him we would never do what he had asked us to do, but in the end we obeyed him, because he is our father and he is a man of God.

    Yet now we know that we have made a terrible mistake. We have done something evil. It seems as if our father realizes this as well — his eyes are red and brimming. He rubs them and turns away from us.

    The goat won’t stop dying. It is trying to wheeze the last notes of its life through its gag, but it’s choking on the long tongues of blood that are violently ejaculated from its second mouth with each ragged breath. The tongues lap at our feet. We cannot move.

    After a few minutes death finally comes. A shuddering last breath and it’s over. 

    We stand silent for a bit, trying to remind ourselves what our father said when he woke us up this morning. That by doing this we are proving our faith and our commitment to God. That everything would be easier if we thought of him as just another kid. Dad drops his axe and glares at us. Trance broken, we pull on our gloves and aprons and collect the blades and buckets from the stoop.

    Our hands will not stop shaking. We start with blades on its skin, cutting away the hair, so slowly, so carefully. Our father makes a long vertical cut from the second mouth to the anus. Something stinks, something is putrid and rotting, and then the steaming innards slide out. We bend and dump the gunk into our buckets. We go to work on the stuff in the buckets, cleaning everything; our father told us this morning that nothing can be thrown away, or none of this will work. Our father and our uncle continue working on the animal, methodically breaking it down. Our mother watches us from the window — she is saying something, no, she is screaming something but we cannot hear a single word because the window is closed.

    ***

    My brothers say I eat too much.

    Mom shakes her head as she places another pancake on my plate. “That is the last one. OK? You’ve already had five.’ She tugs at my ear. ‘All this food you are eating, I don’t know where it is going.” 

    “Five is definitely not enough for him,” says Dele.

    “Yeah, he’s like a monster or something,” says Seun.

    They are younger than me, and they’re always saying the same thing, always agreeing with each other, always double-teaming me and everyone else. In other words, they are annoying as hell.

    Mom chuckles. “And so? Both of you should mind your business. No one is talking to you. Let him eat. That is what makes him happy.”

    She’s right — I love to eat. I am the family garbage disposal, a walking trashcan, and I’m still the skinniest kid in school, probably the skinniest kid in the city.

    Just a few months ago, on the stern advice of my doctor, I went on a 3,000-calorie diet before trying out for the basketball team. Dr Kolson checked my reflexes, my blood pressure, placed his cool hands on my back, asked me to cough, and did a double-take when I told him my plans.

    “Well, son,” he said, pulling his glasses down his nose. “You’re going to have to gain some weight.”

    Mom supported the idea, and Dad quietly acquiesced, so they bought me several boxes of power bars, and I gorged myself on six meals a day all summer long. I’d never been happier. At the end of the summer, I stepped on a scale and, of course, a net loss of three pounds.

    I polish off my pancake in about three seconds and join Mom at the stove. “Please,” I say. I give her my best smile. The one she can’t resist. ‘Just one more. I promise.’ This is our Saturday morning ritual. After my fifth pancake I come and see her at the stove, and she’ll make another one, and I’ll devour it, and then another, and then another. Usually I eat ten pancakes. Sometimes more.

    Mom’s wearing one of her flowing fluorescent wrappers, and she looks over at Dad as she tucks in an unravelling edge. Dad turns a page in his Bible. The sun is streaming in from the kitchen window onto the table and his tired face. He hasn’t said a word to me, to anyone this morning. A stack of pancakes sits uneaten next to his arm.

    “That is all for now,” she says. “Lunch is coming soon. Try to be patient.” She turns away from me.

    For a moment all I feel is anger washing through me, for a moment I am actually full, this anger is so satisfying, but then my stomach begins to growl, loudly, insistently. I place my plate in the sink, go up to my bedroom and close the door.

    ***  

    “Can I come in?” the voice says. It’s Mom.

    “Yes, Ma.”

    Mom opens the door and surveys my room. My Star Trek: The Next Generation poster on the wall, my slim bookshelf filled with my favorite fantasy novels, my unmade mattress on the floor. I am sitting next to the bookshelf, bouncing a tennis ball off the wall.

    “Can I come sit next to you?”

    “Yes, Ma.”

    Mom strides over and sits. She leans against me, and I can smell her hair. It smells earthy and brown, and I realize that I haven’t smelled her hair in years. Now a rush of memories — my small arms around her hot neck; she’s leaning close and rubbing her nose against mine; she’s tickling my neck after whispering in my ear.

    “I am sorry about earlier,” she says. “I know you are still hungry. I am already preparing lunch.”

    “It’s OK.”

    “That is actually the reason I came to see you.” She takes the ball from my hand. She tosses it into the air, catches it, tosses it again. Then she places it on the floor. She clears her throat.

    “I know this will be difficult, but you need to find a way to eat less.”

    “Ma?”

    “You need to eat less food.”

    “Why?”

    Mom pauses.

    “I cannot tell you why. But trust me that it is for your own good.”

    She stands and walks over to my bed. She sits. I can’t remember the last time she actually visited my room. Dad is usually the one who barges in, who is waking me up or lecturing me or searching around for something or another. It doesn’t feel like my room now that she’s here. It feels like we’re somewhere else, or like I’m dreaming, one of those dreams that seem so familiar and real that you almost forget to wake up.

    She looks down for a moment, and when she looks up her eyes are red, tears beading at the corners. “Please, my son,” she says. “Try to find the strength to eat less. Especially around your father. If you get too hungry, you can tell me and I will try to find something for you. But it is important that from today you find a way to be satisfied with what I feed you.” She leans toward me and grabs my hand. “This is very, very important. Can you promise me that you will at least try? Can you try for your mother?”

    She seems frantic now. I am bewildered. But I can’t stand to see my mother upset.

    “Yes, Ma. I will try.”

    “Yes, my son. Just do it for me. Just for a little bit. I love you so much.”

    She hugs me and her shoulders are shaking and I rub her back like she once rubbed mine, in those days before I could walk or talk.

    In those days before I consciously made promises I know I can never keep.

    *** 

    My father is a prophet.

    God speaks to him all the time. God told him that Mr Parker, our mailman, had cancer. One day my father told Mr Parker to go see his doctor about his colon, and a few days later Mr Parker returned with his wife, and she would not stop hugging my father, she would not stop crying, she would not stop thanking my father for saving his life.

    God told him that the Challenger would fall from the sky. I will never forget that morning, my entire family gathered around the television, the Challenger rising so beautifully into the air, my heart soaring with it, and then my father saying it is going to explode, it is going to explode, and I look back at my father, terrified that he might be right, then back at the screen, praying that he’s wrong, and then that beautiful white blip detonates and dissolves, a trail of fire in the sky, and I can’t stand to look any longer, instead I look at my father, with hatred now, because something tells me he willed this into existence.

    God told him that my uncle would be born retarded. My father has told us many times how he told his own mother that God was going to punish her because she refused to find another husband after her first husband — my grandfather — died. Because she abandoned my father and woke up in a new man’s bed every morning. When she discovered she was pregnant she remained home, and her mother came by each day and fussed over her, did anything she asked, and her sisters hugged her close and read stories to her growing stomach. For the most part my father ignored her — the few times he spoke to her he told her she would be having a boy, and that the boy’s brain would never function properly. She cursed at my father, told him to leave her alone, and then her water broke and her family rushed her to the hospital and she returned home with a beautiful boy whose eyes were too far apart, whose mouth was locked in a permanent smile.

    My father is not a prophet.

    God did not tell him that each of his businesses — including his computer business, his shoe business, his grocery store, his electronics store, his furniture store, his Nigerian clothes import-export business, his Nigerian news magazine — would fail.

    God did not tell him that Mandela would leave prison one day. Whenever we heard about South Africa on the news, heard about how the world was applying pressure to the government of South Africa to release Mandela, my father would say it will never happen, it will never happen, Mandela will die in prison. He said this on the day we saw Mandela walk out of prison, looking older than we ever could have imagined; even as Mandela raised his fist in the air my father said it will never happen. To this day my father believes that Mandela died in the Seventies, that the man who left prison that day was an imposter.

    God did not tell him that his mother would die. I’m not sure if my father ever believed she would die. One day he heard she was sick and he purchased a gold cross and prayed over it for three days. He sent the cross to her by express mail, and the following week his sister called and told him she had passed away. My father shook his head and hung up the phone and continued watching TV as if nothing had happened.

    God did not tell my father that he would struggle so much in America. My father still can’t believe that he’s so broke. He still believes that our lives aren’t real, that any day now he will wake up in a mansion with a squadron of luxury cars outside, hundreds of gold bars piled neatly under his bed.

    If you ask my father about these things he will tell you that God has never lied. Someone will step forward and say that Mandela died in prison. His mother will poke out of her grave and visit us in America. My father will be wealthier than anyone who has ever lived.

    *** 

    Dad’s sitting at the table when I get to the kitchen, almost like he’s been waiting for me.

    “I guess it’s time for your nightly cookie,” he says.

    Before I can deny it, or offer an excuse, Dad shakes his head. “Don’t worry, it’s fine,” he says. “Go get a couple, and get one for me as well.”

    I wonder how long he’s known. For the past year I’ve been sneaking cookies out of the kitchen every night, around midnight or so. I started doing this after I turned 16. Around then I noticed that my constant, gnawing hunger had only grown worse. It no longer mattered how much I ate during dinner; at midnight I’d wake up to my growling stomach, and I’d spend the rest of the night staring at the ceiling, waiting for the sun to rise so I could eat again. After a few nights of this I decided that I’d steal a cookie or two out of the pantry at night, after everyone was asleep. I decided to do this even though my father once told me that my hunger is a burden I will have to bear for the rest of my life. That I would prove my worthiness to God if I learned how to control it. ‘God gives each of us a weakness so that we have a chance to draw closer to Him,’ he told me. I must have been nine or ten. “Your weakness is your hunger. If you can learn to overcome it, you will be proving to God that your devotion to him is more important than your greatest temptation. And He will reward you greatly.”

    For many years afterward I repeated these words to myself at night, like it was my mantra, like it was a prayer, as my stomach knotted up and consumed itself. For a while these words were enough. But then I turned 16 and my hunger was threatening to become the most important part of me. I decided to do something about it. Just one or two cookies each night. Consumed quietly in the comfort of my bed.

    Even after what Mom told me a few days ago I can’t stop. I can’t.

    Now I go to the cupboard and pull three chocolate-chip cookies from the package on the top shelf. I pass one to Dad and sit across from him. He shoves it into his mouth. “Come on, eat up,” he says.

    I wonder if this is a test. Maybe he wants to see if I’ll actually eat the cookies in front of him. If I will sin in his presence. I sit silently while he munches. When he finishes he asks me to pass him another one. “And finish that one in your hand,” he says. “I promise I won’t bite you.”

    I slip the cookie into my mouth and eat it. It doesn’t taste as good as it does when I’m by myself. After I’ve finished it I wait for that surge of relief to pulse through me but it never comes.

    My father rises and walks to the window.

    “God has never led me astray,” he says. “Never. Not once. Even when I think he’s wrong. Even when I doubt His power and wisdom, He proves me wrong. But this thing that God has asked me to do now — it is too much.”

    He’s facing the window, so I can’t tell if he’s serious or not.

    “Dad, I don’t think I heard you.”

    “Yes you did.”

    God asking too much? I don’t know what to say. This can’t be my father. My father who prays at least ten times a day. My father who insists that we attend church four times a week. My father who once banned us from watching anything but Christian television for a year. My father who instantly decided to marry my mother after she recited the first chapter of Psalms from memory during their first date. My father who fasts for days at a time, sometimes weeks, because, he says, God told him to.

    I’ve never seen my father this unsure of himself before.

    What has God asked him to do?

    My father remains where he is. I don’t say a word.

    I shrug. “Well, you’ve always told me to trust God, no matter what.”

    Dad turns from the window and smiles at me. Then he returns to the table.

    “Did I ever tell you that you were a miracle baby?” he says.

    “No.”

    “Ah. I guess I was waiting until you were a man. I might as well tell you now.” He nods and closes his eyes. “When your mother was about five months pregnant we went to the hospital for a routine check-up. The moment the doctor placed the stethoscope on her stomach I could tell that something was wrong. The doctor turned on some machines and attached some wires to your mother and called some other doctors in. She didn’t answer any of our questions. About half an hour later she told us that your heart had stopped beating.”

    My father pauses. He licks a finger and presses it to the table. When he lifts it I can see that a few crumbs are attached. He slips the finger into his mouth and continues.

    “Before your mother became pregnant with you she’d had five miscarriages. She had never carried a child for more than three months. When you got to four months I knew that you were meant to live. That you were our blessing. So when the doctor told me that your heart had stopped beating I smiled at her and told her that I respected her opinion, but that I answered to a higher power. Then I grabbed your mother’s hand and we went to the car and I began to drive. We drove for about an hour, and then the car broke down. Your mother asked me where we were going. I ignored her. I got out of the car and fixed it and started driving again. Your mother started screaming at me, telling me that she wanted to go back home, that she needed some time to mourn. I told her that no one would be mourning anything. I continued to drive. By the time the car broke down again she had fallen asleep. I fixed the car once more and continued driving. Four hours later we arrived at the church where I was saved. I woke up your mother and we walked out of the car, and I knocked on the door until the pastor opened it. When he saw my face he knew what was happening.”

    My father is smiling now, and I feel like something is expanding inside me.

    “I thought the prayer would take hours and hours, but my pastor just laid his hands on her stomach and prayed for only a few minutes. And then he looked at me and said it was done. And though I have often doubted God’s ability to do the impossible at the moment I knew that you had been healed.” My father shakes his head. “The pastor told me that you were the key to the success of this family. That you would serve a special purpose in our lives. And I believed him. I knew you would.”

    My father rises, wipes his face with the back of his hand.

    “So whatever happens, always remember that you are here for a reason. Your purpose was preordained.” My father leans forward and kisses my forehead. He has never done this before. Then he turns and walks up the stairs.

    After a few moments I shut off the light and go to my room and slip under the covers.

    My stomach is silent. I feel full, so so full.

    *** 

    Before last week I’d never heard Mom and Dad scream at each other. Before last week, whenever they were upset with each other, they’d exchange a look and disappear into their room for an hour or so, and when they emerged they’d smile at each other and the rest of us with their entire bodies. Last week, though, Mom said something to Dad, or maybe Dad said something to Mom, and they stomped off to their room and slammed the door and screamed at each other in Yoruba for almost two hours. After they finished they left their room separately, first Dad, then Mom. They ignored each other for the rest of the day.

    This happened again the next day. And the next.

    Now all they do is fight. Anywhere. Everywhere. They slam plates and slam doors and slam each other with their words. Dele says they are arguing about God. Seun says they are arguing about life and death. I’m not sure what they’re arguing about — my Yoruba is OK, I guess, but for some reason Dele and Seun have always understood Yoruba better than me, even though they are younger, even though we were all born in the States. All I know for sure is that Mom is feeding me less and less. Last Saturday she prepared only four pancakes for me. There are no more cookies in the cupboard. Mom says I can’t snack between meals any more.

    I’ve never been this hungry in my life.

    Two nights ago Mom came into my room and sat on my bed. I know it was her because I opened my eyes just a little when she walked in. She stroked my hair and kept stroking it. She said a prayer over me — I could not hear her words. Then she whispered something in my ear, like she used to when I was little. She said I will always be with you.

    *** 

    Dad says: “Go. Chase them.” 

    My brothers and I stand, dumb, glancing at one another, and Dad says “Go on.”

    Uncle is laughing and clapping his hands. Dad’s expression does not change. I don’t think I’ve ever seen him so serious before.

    “This is what my brothers and I did when we were your age. Your grandfather made us earn our food. All of you have been too spoiled by America. You can just go to the store and buy bread. You can just go to a machine and buy candy. That is why you don’t value your food. It is not your fault. There is just too much here.”

    And when he says ‘here’ he lifts his hands, indicating — I guess — the sky, the grass, the farm, the sun, the goats. Uncle nods solemnly, as if he’s just heard someone deliver an acceptance speech for the Nobel, even though we’ve all heard this speech about a million times. Every three or four months Dad drives us to some random farm somewhere, and he gives the same speech before asking us to milk some cows or feed some hens or pluck a few fat red apples from a tree. We’ve never had to chase any animals, though. Dele and Seun immediately assume a runner’s stance but I don’t move. I have my maturity to defend after all; I’m too old to be chasing a bunch of little dirty-ass goats. I stare at the ground, but I know that Dad is losing patience, charm exhausted, giving me his better-do-it-or-I-will-embarrass-you-in-public look. Which, considering where we are, is kind of ironic. My father isn’t into irony. I lean forward and place my hands on the ground, like Carl Lewis.

    I want to be mad at Dad but now I’m thinking about goat meat, how soft it is, how delicious. Saliva floods my mouth. Maybe if I catch a goat Dad will allow me to eat more than my usual share tonight.

    “More like it,” Dad says. “So here are the rules: This isn’t just about the chasing. The first to catch a goat and tackle it to the ground wins.”

    “Wins what?” I ask. I’m thinking about goat stew. I wipe my mouth.

    Dad says, mysteriously: “You’ll see.”

    He lifts his head slightly: “ON YOUR MARKS!”

    I sense my brothers at the edges of my peripheral vision, just far enough out so that I can’t really see them, but I can feel them lurking, waiting for an opportunity to burst onto my field of sight.

    “GET SET!”

    The goats start rustling; maybe they notice the tension in our legs.

    “GO!!!”

    The goats immediately scatter; we chase them all over the field, probably looking quite goatish ourselves, while Dad and Uncle yell directions at us. The goats are quick, cutting from one direction to another in an instant, kicking the air with their hind legs when they sense that we are close. 

    Dad says USE YOUR BRAINS, NOT YOUR LEGS! and I examine my surroundings for the first time. There’s a large chain-link fence bordering the field, and the goats — only three of them — are basically running from one end to the other, and sometimes through us as if we’re in the way. I focus on the goat directly in front of me. It has mottled black-and-grey fur, and is shooting shit pellets at me with every step. I stop to catch my breath and Dad says NO STOPPING so I jog while trying to formulate a plan. I figure if I can somehow chase the goat into the fence, angle it in a certain direction, I can pounce just as it’s about to turn. I experiment with this approach, I run hard at the goat and try to force it towards the fence, but the goat catches on to my plan after a few seconds, and now it will only run parallel to the fence. Dad yells NICE TRY, SON.

    Another plan. I slow down, almost to a walk, and try to lull the goat into thinking I’m tired. The damn goat figures out what I’m doing before I can start sprinting again, though, and runs even faster.

    GETTING TIRED? Dad asks, and Uncle begins to laugh once more. 

    I drop all the intellectual pretense and began running full-throttle at the goat in front of me. The goat looks back and for the first time I see fear in its eyes. I keep running, imagining the ground as a massive trampoline, trying to leap forward with each step. I gain on the goat and keep going and keep going. Just as I’m about to jump on the goat and tackle it to the ground I look back and notice that Dad is chasing me. I laugh, enjoying the surprise, executing sharp cuts in the dirt, turning suddenly to the left when Dad tries to cut me off, threatening him constantly with my high back kick. I look back again and see my father breathing hard, wheezing, and I laugh louder, run faster, I’m gaining strength, the goats are my friends now. I feel the wind resisting my face and arms, but the running is glorious. I hear someone grunt and look back again; Uncle’s chasing me too, I laugh harder while evading, dodging, cutting, wondering why is he using his arms like that? So awkward, so ungainly, almost as if he’s never run before, for the two seconds I see him running he has already pushed himself to the edge of exhaustion.

    I dodge again. Uncle and Dad try to work together, they try to trap me in a corner, and when they’re about to jump I bolt between them, galloping triumphantly away, sticking my tongue out at them, I run, run, run. Dad and Uncle finally stop, they’re grabbing their knees and panting at the ground, and I stop too, pointing and laughing, jumping up and down with excitement, and someone kicks me hard in the small of my back. The air is evacuating my lungs as I collapse, and someone punches me in the ribs and slams my head into the ground. I feel my arms and legs being tied together and I hear Seun yelling I GOT HIM! I GOT HIM! Dad says GOOD JOB, SON, I’M PROUD OF YOU and lifts me into the air. Someone punches me hard in my kidney. I don’t know what’s happening I thought this was a game I’ve never been so scared in my life. Fists coming at me from every direction, someone spitting on my face, stabbing me with sharp metal. I GOT HIM, I GOT HIM, says Seun and I feel myself being lowered, hands violating every part of my body, and they swing me one, two, three times and throw me into the trunk of the station wagon. 

    *** 

    Dad ignores me as I lie bleeding on the grass. Everything hurts. I want to apologize for whatever I did wrong, to promise I’ll never sin again, but there is a gag in my mouth. I start to scream but my father ignores me. Seun and Dele are standing far away from me. They look terrified. Almost as terrified as I feel. Where’s Mom? I try to scream her name. My father looks up at the sky. He keeps saying the same thing: ARE YOU SURE? ARE YOU SURE? ARE YOU SURE? ARE YOU SURE? ARE YOU SURE? Then he looks off to the side, wildly, like he is expecting someone to show up. No one does. My father is crying, his shoulders are heaving, he lifts his axe into the air and I close my eyes.

    Reprinted with permission of the author.

  • Three Poems – SK Smith

    Three Poems – SK Smith

    Recipe for Pesto
     
    A jury of peonies hanging
    above my daughter’s head weep
    their petals
    kiss her back
    and neck
     
    I crouch beside her, pulling
    strands of hair behind her ear, and whisper
    Come inside
     
    She follows me to the kitchen
     
    Pignolis are nothing more than dried tears
    the Genoan woman had told me
     
    I open the coarse, brown sack and guide
    my daughter’s hand inside to cup
    a handful
    of dried tears
    to dry her own
     
    We gather—never stopping
    to measure our handfuls
    pour them into a shallow, marble bowl
    and grind them
    with an old, brass doorknob
    under the heel of our hands
    between our fingers
     
    We drizzle oil
    until the bowl becomes slick
    our hands sliding across one another’s
    like the carp in the Japanese Tea Garden
     
    Only for a moment
    do we stop
    to pull apart the cloves
    of garlic that have nestled themselves together
    into a harmless wasp nest
    peel away the papery skin
    skin the texture of my grandmother’s
    and mash the meat
    of the cloves until our eyes
    once again are teary and burn
     
    Beside my daughter I place
    a pungent, young spray of basil
    delicate in its scent of ocean
    and sweat
    And she pulverizes
    its leaves
    and I grate
    sheep’s milk cheese
    over her hands
    and into the bowl
    a fine powder
    that dries both
    whey and tears
     
    Bare feet
     
    that stomp beneath heavy, grape stained skirts
    of the blessed Virgin in plaster
    of Paris, bruising the serpent’s head
     
    scraped and scabby from shoeless bike rides
    broken off at the ankle, now ghosts
    on display in countless museums
     
    soaking in a tub of Epsom salts
    unveiled beyond the mortician’s sheets,
    flaunting a stainless steel wedding ring
     
                            –
     
    are what I want you to fit in your mouth:
     
    to feel their irregularities
    to jar the very roots of your teeth
     
    remember the summer you were chasing
    across the backyard and felt a frog burst
    between your toes; life a celebration
    in fountains of sweat and skin, dew and blood
     
    recall the old woman from our dusky
    walks, hunched on a pickle bucket—fishing
    we stared, stared, but never could see through
    water lapping against her cool, brown calves
     
    aren’t exactly what you think I should see
     
                            –
    hidden inside wool blankets and drawers
    dig holes that uproot the foundations
    of sandcastles, hermit crabs, and conch shells
     
    gently scratch the inside of your thighs
    nuzzling to find the source of your warmth—
    pull me inside as you turn away
     
    resting upon each other, in dance
    sometimes an imprint on earths and moons
    side by side, as couples forever
     
    are what you shut your eyes against—ashamed:
     
    I know that yours smell of warm, stale beer
    That they taste of cinnamon and rust
    Take mine; taste them.  They are ours to share.
     
    Hide and Seek
     
    Holly berry bushes                
    sheltering the porch— 
    and I? 
    I’ve been waiting for you 
    to find me here. 
     
    Hiding in the branches, 
    trying not to breathe, 
    I sit— 
    hoping you will see me 
    and take my hand. 
     
  • Maybe Ricki

    Maybe Ricki

    You think Ricki is a narc. Then again, you think she isn’t. You don’t know because every decision you’ve ever made has sucked, right from the time you dropped like a brick from Alice’s womb. You remember her vaguely, from before they took her–long dark hair and tracked arms.

    Ricki sits across the Parkside Lounge from you, almost every night. She sells you little pills of joy. She says she’s small time. She’s a marriage counselor by day, but, you know, she tells you, with that little turn of her head and almost shy smile, that a girl’s got to make ends meet. I’m not gettin’ any younger.  Manhattan costs, she says.

    She doesn’t live in a squat like you do on Attorney Street.

    You think she can’t be a narc. What cop would go undercover as a marriage counselor? No. She tells you she’s been divorced five times, so she knows what she’s talking about.

    Long ago, you told her you were married once and she laughed. Not “ha ha,” but a who-the-fuck-would-marry-you laugh. She made a joke to veil her surprise. Maybe trying to hide that she just doesn’t believe it, along with all the other shit you spill.

    When you whisper, “You’re a fucking narc,” she gets mad for a sec. Even just an accusation like that sinks business. But then she doesn’t take you seriously. You are smaller than small time to her, lower than a rounding error to even her piss ass commerce.

    Tuesday night you go to Ricki because you need what Ricki has. She’s cheap, she’s easy and she’s around. And she’s not a narc.

     She’s dealt you for three months and never busted or nicked you.  You haven’t been feeling well for months.  The stomach likes less and less what you shove down into it. You hardly sleep. You can’t even shit right. Even the lowest fucking rat has no problems shitting. But you do.

     Ricki tells you to lay off the pills for a while. They’re gonna kill you, she says. I like to keep my customers, she laughs.

    That increases your paranoia. Why would a dealer tell a customer that you should stop buying?  What the fuck is that you ask yourself.  Now you think she’s a narc again. She’s afraid of killing you by accident, you figure she figures. That would get out and ruin her chances of a promotion, right?

            But you can’t trust yourself. You haven’t had a useable thought beyond how to get the money you need each day for your little ride and not get caught, because most times you steal for it. Sometimes you help Jimmy out with club security. But the owners don’t want customers to see your knuckled face while they wait at the velvet ropes, so you’re the man in reserve, inside the club’s doors. Never out front.  But you are good at that. That is the one thing you excel at.

    Yesterday, you took that kid’s skateboard. You notice it says Destructo on it and you think that’s funny because that was your nickname for the couple odd years you wasted in high school.

    So you clothes-line the rich kid while he’s wheeling fast with his stupid wool cap pulled down over his head, even though it is 80 degrees out. He goes flying into the low iron railing circling a tree in Tompkins Square Park. A red jet stream explodes from his nose like it couldn’t wait to leave his body.

    His friends are such faggots that they go to him instead of going after you like they should. But you know that. Absolutely know. You only run half a block before you see they aren’t coming for you. You figure the board is worth $200 new and you get $20 for it from Leo. You think that’s a good deal.

    At the Parkside you give your money to Ricki. She looks at you with pity. Right there you’d like to break her face, but you don’t have another dealer you trust so that’s out. For now. You walk back to the bathroom and drink some water and down the happiness. All four of ‘em.

    When you come out your nerves are better. You see Ricki for what she is. Just a little bit less of a fuck up than you. Not a narc. As you pass, she says only heroin addicts are worse at breaking their habit than speed freaks.

    You don’t care. You mouth the words, “Fuck you,” in her direction.

    You still have…what is it called? Amphetamine…psychosis? she says and downs her rum and coke.

    They nab you for heating glass in a parking lot near on Norfolk St. You think sitting between cars on the ground would hide you, but the smoke gives you away to the attendant. When you are fiending you get anxious and hallucinate. People who are talking to you sound as if they are yelling at the top of their lungs. Passing trucks sound like a TNT blast. You see a lot of things out of the corner of your eyes that are not there when you look straight at them. But you see them.

    You got sprung for telling the DA what he wanted, even though you knew the dealer you snitch would eventually get to you. And you lie for the DA anyway. You need out. You’re tired of being bitched by the bulls and the cons.

    Haitian Gerard is out on bail now, you hear, so you stay away from his turf.

    You remember you came into the bar once with a blue hospital bracelet on your wrist, fresh out of Riker’s infirmary. You tell Ricki you don’t have that psychosis thing even though that’s what the Riker’s nurse warned you about, shaking his head, knowing you were a lost cause.

    You want to kill Ricki but you don’t want to lose your source without a new one to replace her.

    You go to your seat at the bar, the far end away from the door.  Lazlo, the bartender kid, lets you sit there and nurse a Bud all night. You know he feels sorry for you, but you don’t care. He’s in college. So fucking what.

    Then, out of the corner of your eye, you see the Haitian come in and the bar lights go out.  Gerard is coming for you. You duck quickly behind the bar and roll under the wash stand. There’s just enough room. People are yelling.  A bang. Just one. People scream.

    The lights go back on and Ricki is on the ground with one little black hole right in her forehead. But big enough. A thick, shiny rivulet of blood seeps from it, rolls along the top of her right eyebrow over her ear and mixes with the sawdust on the ancient parquet floor.  People run out the door dialing 911 on their cell phones.

    You pull yourself out from under the washstand and the grease from it slicks your t-shirt. You feel the shit on your back.

    You head for the door. Wait. Ricki’s purse is laying on the ground, a beautiful nugget.  You rifle it and score some pills and rock. You run away, but wait, was that reflection that blinked at you for a moment from inside the bag a gold badge?  Maybe Ricki was a narc after all? Or maybe she wasn’t small time enough. This is the Haitian’s turf.  Fuck, you think, now you have to find a new dealer, far away from here.

  • Poem

    “What’s good?” from the other side.

    Great news: I’m alive and well in living color… just not in the way that you are used to… and for that I’m sorry.

    Did you get my message? The one left near the body I chose to leave behind?

    It’s been lonely… and I might not be there now… but I’m always with you.

  • Six Poems – Bernadette Bowen

    Six Poems – Bernadette Bowen

    WE ARE ALL SURFACES IN THE ENVIRUSMENT

    My love 
    Hangs around 
    Like mold.

    I Infiltrate 
    Your porous 
    Wood

    Sink into 
    Your 
    Remembrains.

    —-

    Don’t 
    Mind me…

    …Just evading

    Lapses to 
    Rid your 
    Infrastructure 
    Of me;

    Fortifying 
    Myself 
    —Stronger 
    Than ever 
    Inside You.

    —-

    I am the 
    Twenty-percent 
    That know 
    How to 
    Survive

    Your vinegar.

    —-

    Undetected 
    I cunningly curb 
    Your interest

    Til you’re

    Cupping at 
    The seems.

    —-

    Curve for me.

    Show me 
    How 
    Your heat

    That 
    Grows me

    Cannot 
    Contain 
    Itself there

    Inside your 
    Surfaces.

    —-

    Allow me 
    To snake 
    Through 
    your veins

    Like water;

    Weaving 
    Through 
    Your textures,

    Tainting Your 
    Would boreds,

    Inking them 
    With life.

    —-

    Isn’t it 
    All So 
    Exhilarating—

    —How Even 
    My most 
    Toxic 
    Release of 
    Spores

    beats 
    The drone 
    Of your

    Tidy 
    Polished 
    Home. 

     

    I HAVE BEEN WADING

    On the 
    Ocean of 
    Missing you 
    For So Long,

    I’m getting 
    Scurvy 
    Over here.

    —-

    I have the 
    Cabin Fever of 
    Missing you.

    —-

    The Creatures 
    Of us

    Live on in the 
    Deepest parts 
    Of my memorseas.

    Not a day 
    Goes by

    I don’t 
    Hold my breath 
    To Dive back in 
    And pull them out;

    Basking them 
    in the sun 
    Of mynd’s surface.

    —-

    Our sea monsters 
    Shine brightly when 
    Allowed in daylight.

    —-

    I’m keeping 
    The map;

    Charting course 
    To our 
    Buried treasures.

    I haven’t 
    Forgotten 
    Where 
    X marked

    Our spots———- 
    —So Many Times.

     

    BALDILOCKS BUMBLER VIRTUOSO

    Watch me 
    Blow thought 
    Bubbles into our 
    Re-space-o-ship.

    —-

    Since You Shut 
    Your Electricity off,

    The pixels of me 
    Still spend all their

    Tokens and free time 
    Grinding, Bouncing, & 
    Reflecting in Our lights.

    —-

    A play palace 
    Despised, I

    ~backstroke~in the 
    ____ball pit____Full 
    ———Of our gazes 
    ——into each other.

    —-

    Though you stopped 
    Paying admission,

    The bare moments 
    of us—-Still Dance

    |||Encased||| in their 
    <<<>>>

    <<<>>>

    [Turns out,

    This space was 
    Always 
    self-sufficient].

    The show 
    Must Go On.

     

    I’M HERE TO(O)

    Fetishize 
    The face.

    Face it,

    I do not 
    Miss 
    Any

    -But 
    Yours.

    Take off 
    That mask

    Slowly 
    For me.

    No need 
    To be Shy 
    Or coy,

    I know 
    What’s under 
    There.

    I’ve seen it 
    All 
    Before.

    Show me 
    Again

    How you 
    You.

    It’s been 
    So long

    Since 
    Anyone 
    Worth 
    Looking 
    At

    Has Looked 
    At me

    Physically,

    Viscerally,

    in My 
    Direction.

    —-

    Before our 

    Total Dark

    I mourned 
    Our sight loss

    Like 
    I had

    My childhood, 
    Dog.

    I knew 
    We 
    Were going,

    So I 
    read books

    In place 
    Of 
    Your face

    To Supplant 
    Our Deterioration.

    I Wrapped myself 
    In The Comfort 
    Of fiction,

    Between covers 
    and frayed spines.

    Shipping 
    Is delayed

    On shared 
    smirks

    In the 
    Unfor-see-me-able 
    Future.

    In this 
    Envirusment,

    We are

    Flesh and 
    [Thus,] 
    Fresh Out

    of 
    Knowing 
    Glances.

    I see now,

    There is no way 
    To Properly grieve 
    the Relishment

    of your 
    Idiosyncrasies,

    As we are,

    Relegated 

    To only 
    A Past-time.

     

    YOU WERE NOT ROUTINE DENTAL WORK

    The worst Part 
    of losing you 
    is that _________ 
    ___________ 
    _____________.

    —-

    Not some 
    Superficial filling 
    I could replace.

    You were that 
    Real enamel Deal.

    —-

    Over the years, 
    I’d developed 
    Quite the sweet 
    Tooth; taking 
    Bigger Bites than 
    I Could chew.

    —-

    I ached from 
    Your erosion 
    For Months;

    Numbing myself 
    Preemptively 
    For Your extraction.

    —-

    You Didn’t 
    leave a 
    minor cavity.

    I required 
    A full-blown 
    root canal.

    My nerves laid raw in 
    the deepest parts of 
    me from your loss.

    —-

    You were ripped 
    from my mouth 
    and placed back 
    into that of another.

    I have 
    No right 
    to be sad

    Only sad writes; 
    Gumming at 
    Our leftovers.

     

    THE BABY

    Words in 
    My brain 
    Are crying 
    Out of me.

    They say 
    It’s time 
    For them

    To be 
    Birthed 
    Out from 
    My Mental 
    Holes &

    Into the 
    —World.

    —-

    Words 
    Have no 
    Need for

    Sucking 
    Their 
    Thumbs

    To self- 
    Soothe.

    They 
    Are the 
    Food & 
    The Shit,

    & We—-Are 
    The Worms.

  • Me and Bobby Kennedy

    Me and Bobby Kennedy

    1

    I never formally met Bobby Kennedy, but I did once alter the course of his life for maybe five minutes. Since then, I have always felt a certain kinship with him. Had he only lived longer, who knows what he might have achieved.

    My relationship with him began on a beautiful fall afternoon back in 1964, less than a year after his brother, President John F. Kennedy, was assassinated. It was a few weeks before Election Day, when President Lyndon Johnson would be running for a full term, and Bobby Kennedy would be running for senator in New York State.

    I was hanging out in the storefront clubhouse of the Eleanor Roosevelt Independent Democrats on the Lower Eastside of Manhattan, trying to figure out how we could distribute piles of cartons of campaign literature. We had all kinds of neighborhood characters dropping by, sometimes giving us political advice, but rarely offering to help out.

    One of my favorites was an elderly man with a long white beard, who told us his name, but then confided that everybody called him “Uncle Sam.” I can still remember two of his sage observations.

    “You want to know what is wrong with the name of the Republican Party?” he asked, while rolling the “R” in Republican.

    “Sure.”

    “Re means against; public means the people.”

    “Great!” Carlos observed. “The Republicans are against the people!”

    Smiling at his bright pupil, Uncle Sam was ready to disclose his second observation. “Do you know what is right in the middle of the Democratic Party?”

    We all just shrugged. Uncle Sam waited, wanting to give everyone a chance to guess. And then he told us:  “The Democratic Party has a rat in it,” again rolling his r’s.

    We just shook our heads. The man was perfectly right. We invited him to join our club. As he left, he said he’d think about it. But in the meanwhile, we should consider changing the name of our club. “Eleanor Roosevelt, she is a living saint. But think of getting rid of ‘Democrats’ from your name.”

    2

    As much of a character as Uncle Sam was, he did not come close to Mrs. Clayton, who burst into our office one afternoon and demanded to know where our Robert Kennedy glossy photos were. Indeed, where were they? We all looked at each other and just shook our heads in shame.

    “Are you trying to tell me that you don’t have any?”

    We sadly agreed.

    “Can any of you please answer this simple question? How can you call yourselves a Democratic club if, just weeks away from the election, you don’t have any of Bobby’s photos?”

    Mrs. Clayton was a very nice-looking Black woman, maybe in her mid-sixties. And she seemed quite comfortable expecting answers to her questions. But I couldn’t get past wondering why on Earth she was wearing a fur coat on such a warm day.

    “What? Do I have to do everything around here? Who’s going to drive me up to Kennedy’s headquarters on 42nd Street?”

    None of us had a car. “Mrs. Clayton, if you can get some Kennedy glossy photos for us, I’ll be glad to take you up there in a cab.”

    “You’re on, young man!”

    3

    Fifteen minutes later we arrived at a large storefront that served as Kennedy’s campaign literature depot. There, I saw cartons piled eight or ten feet high along the walls and a whole bunch of people, most of whom looked very busy. I heard quite a few Boston accents among them.

    Mrs. Clayton walked in as if she owned the place, and for all I knew, maybe she did. She buttonholed a middle-aged guy with red hair and the beginnings of a potbelly, and told him that she needed a few carloads of Kennedy campaign literature for this boy’s club on the Lower Eastside.

    “Who yah with?”

    “The Eleanor Roosevelt Independent Democrats.”

    “Never heard of ‘em.”

    “We’re on the Lower Eastside. We’re a Reform Democratic club,” I replied.

    “Oh, we already sent a whole pile of stuff tuh the Regular Democratic club down there – the Lower Eastside Democratic Association. Why don’t you get some from them?”

    “Are you familiar with the Hatfields and the McCoys?”

    This got a big laugh out of him. “Mrs. Clayton, you can take whatever you need.”

    He called over a couple of guys to help us, and a few minutes later, Mrs. Clayton and I were sitting in the lead limousine in a caravan laden with enough Bobby Kennedy glossies and other campaign material to give out to every Democratic voter in the entire city.

    When we got to our clubhouse, Kennedy’s workers and our own people quickly filled up our entire space from floor to ceiling. When they were ready to leave, Mrs. Clayton‘s parting words to us were quite direct, “When you need something, all you’ve got to do is ask for it.” Then, she got back into the limo and rode home in style.

    4

    After Mrs. Clayton left, the rest of us started going through some of the cartons. Whatever else might be said, there surely were enough Bobby Kennedy glossy photos, many of which showed him with smiling crowds of people. But there was far too much campaign literature for us to use, even if every household got dozens of different pieces every day.

    “What are we going to do with all this shit?” asked Martha

    “Hey, I’ve got a great idea!”

    Everybody looked at me. While I was apparently the quasi-leader that day – not to mention the person who’d helped Mrs. Clayton deliver the goods – they were hoping that I was serious.

    “Let’s dump whatever we don’t want in front of our dear neighbors, the Lower Eastside Democratic Association. You know, when I was at the Kennedy headquarters, they told me that those bastards down the block froze us out of our share of not just the Bobby Kennedy glossies, but of all the rest of his literature. So wouldn’t it be poetic justice to dump what we don’t want in front of their clubhouse?”

    Thankfully, cooler heads prevailed, especially since, without a car, it would have been some job carrying all those cartons. And we might have even gotten arrested for illegal dumping.

    “OK,” I agreed. But we need to make a good faith effort to distribute as much of this as we can. I really do hate to waste anything. And also, dumping this stuff would not be fair to Mrs. Clayton.”

    So, we all went back to going through more of the cartons. After several minutes, Harry called out, “Hey, what should we do with these?”

    He read us the title of a stapled packet of printed pages: “Senator Robert Kennedy’s Address to the Mizrachi Women.”

    “Who the hell are the Mizrachi Women?” I asked. I’ve heard of Mizrachi salami.”

    “Don’t they carry that brand at Katz’s Delicatessen? Maybe that’s what they’re referring to on that big sign they have on the back wall,” suggested Carlos.

    “What sign?” asked Harry.

    Carlos was laughing so hard, he had to hold up his hand for everyone to wait till he could speak. Then he said, “Send a salami to your boy in the army.”

    Now we were all laughing.

    Finally, after we had all settled down, Martha explained that the Mizrachi Women were a Zionist group that promoted education in Israel. That certainly seemed inoffensive enough.

    I said that I was uncomfortable about distributing this twenty-page handout because it appeared to be pandering to Jews. “Look, I’m obviously a member of the tribe, but I think that while it’s fine for Kennedy to address this group, distributing it may be going a step too far.”

    “So should we just dump them?” asked Martha.

    “I have a great idea!” declared Harry. Let’s give them out to people on the street, but only if they’re obviously not Jewish.”

    “Sounds like a plan,” I agreed.

    That evening, as I locked up, I felt we had gotten a lot done, although now we had to get rid of all that shit. On my way home, I saw a middle-aged Black couple standing under a street light. Their heads were bent together, but they weren’t talking.

    Then I noticed that they were thoroughly engrossed in something they were reading. It was Bobby Kennedy’s address to the Mizrachi Women.

    5

    The chances are, you never heard of Samuel Silverman and you’re not at all familiar with the Surrogate Court of New York County, aka the court of widows and orphans. Each borough of New York City has two surrogate judges, who appoint lawyers to handle inheritance cases of families who can’t afford their own legal representation.

    So that’s a good thing, right? Not always. And certainly not in the surrogate courts of New York and many other cities. Often lawyers, in cahoots with the surrogate judges, charge very high legal fees, depriving the widows and orphans of most or all of their inheritances.

    In 1966, Senator Robert Kennedy decided to put a stop to this practice at least in the Manhattan (New York County) Surrogate Court. Looking long and hard, he finally found the right man — Samuel Silverman, a justice of the State Supreme Court.

    The patriarch of the Kennedy clan, Joseph Kennedy, had amassed a family fortune that would be equivalent to at least ten billion dollars in today’s dollars. His hands were far from clean, but he provided his sons with seemingly unlimited funding to run for high political office.

    And so in turn, Bobby Kennedy funded Justice Silverman’s campaign in the 1966 Democratic Primary for a vacant Surrogate seat. Almost no one in the entire borough of Manhattan had ever heard of Silverman, let alone had any idea of whether or not he might be a good Surrogate.

    But none of that really mattered. What did matter were Senator Robert Kennedy’s endorsement and Joseph Kennedy’s money. But Bobby certainly put his father’s money where his own mouth was. He campaigned tirelessly for Justice Silverman.

    6

    One Sunday afternoon in late May, just a few weeks before the Democratic Primary, Bobby Kennedy, accompanied by Justice Silverman, was scheduled to tour the Lower Eastside, making stops in each neighborhood. The tour would culminate in a giant rally in perhaps the busiest intersection of the entire Lower Eastside – the junction where Essex Street and Delancey Street met.

    When the caravan arrived in front of our clubhouse, there was Bobby Kennedy sitting in a huge black convertible, and sitting next to him was Justice Silverman. Both of them were smiling and waving to a lively crowd and even reached out to shake a few hands.

    The problem was that they were more than an hour behind schedule, and had been long overdue for a rally before what might be the largest crowd in Lower Eastside history. When I approached the lead limo, the driver told me to hop into the front seat.

    “We already got lost three or four times. These damn streets don’t have any numbers like they do uptown.”

    “Hey, Boston’s even worse,” I replied.

    He laughed. “You got a point there.”

    “So you want me to be your guide?”

    “Absolutely! We got one more stop to make – the Lower Eastside Democratic Association.”

    “OK, I said. They’re just down the block, but if you’re really in a hurry, I know what we can do to save some time.”

    “You’re the boss!”

    We slowed as we approached their clubhouse. They had a small crowd, and when they saw Bobby, they went wild. They were expecting about a five-minute stop so that Kennedy and Silverman could each say a few words and maybe shake a few hands.

    But I told the driver to speed up and I’d get him to Essex and Delancey in less than two minutes. When the people in the crowd realized that we weren’t stopping, some of them starting cussing and shaking their fists in the air. I looked back and saw Bobby and Justice Silverman laughing. When he caught my eye, Bobby gave me the thumbs up.

    At Essex and Delancey, the police cleared a path for our motorcade, and Bobby and Justice Silverman climbed a ladder on the back of a large flatbed truck. There was an elaborate sound system, and despite all the ambient noise, Bobby could be easily heard even blocks away as he addressed the crowd.

    I could not believe how many people were there. Traffic was completely cut off for as far as I could see, and there must have been several hundred thousand people covering every square inch of ground.

    I got out of the limo and read the label attached to the ladder. It said, “Property of Joseph Kennedy.”

    Meanwhile Bobby was teasing the crowd. Of course, he knew why so many people showed up. There was just one person they wanted to see and hear, and regretfully, that person was not Justice Silverman.

    I remember his saying, “I know that all of you have been standing out here in the hot sun waiting to meet Justice Silverman…”

    There was a vast roar of laughter. Nobody had ever heard anything that funny. They would probably remember that remark for years. I certainly did.

    It didn’t really matter what Bobby said, or what Silverman said that day. Many of those people would vote for Silverman just on Bobby’s say-so. In a few weeks, Silverman would win in in a landslide.

    7

    Two years later, the Reverend Martin Luther King and Robert Kennedy would die from assassins’ bullets.

    And now, after so many decades, I still cry whenever I hear Dion’s mournful song, “Abraham, Martin, and John.”

    Here are the last four lines:

    Anybody here seen my old friend Bobby? 
    Can you tell me where he’s gone? 
    I thought I saw him walkin’ up over the hill 
    With Abraham, Martin, and John.

  • Poetry Holiday Grab Bag NYC

    Poetry Holiday Grab Bag NYC

    NYC Holiday TaxiNew York City Poems

    By Francesca Marais
     
    Shortchanged 5th Ave Blues
     
    his hands stroke the warm brass
    as his fingers orchestrate a sultry
    numbah
    the dehydrated leaves now Halloween orange
    begin to confetti from the trees
    next door Central Park playing piper
    to the stoopers moochers
    MET and museum enthused
     
    while their arms whip for their phones
    his lips purse into harmonies that could
    put a snake to bed
     
    the stoopers crowd the staircase
    and passersby confetti change
    over a hat
     
    his posture adjusts in an
    I-will-not-be-reduced-to-a-dollar
     
    New York at his feet
    unexpectant and lifted, his crowd’s
    mouths speak a quiet breeze
    they envision a viral uncovering of
    new-found-New-York-jazz-man
    his image doubled in vivo and
    Insta-televised on the latest iPhone
    zooming in from the top staircase
    the musician now a 45 degree bend
     
    dipping into his well of history
    he kneels into a crescendo
    the cameras, magnets gravitate
    the musician towards them and
    the shot is reeled in
     
    our jazz man’s pursed hum frowns
    even though the melodies
    sing a joy from his youth and of
    deep love for his woman his family
    his city
    the hat
     
    begs to be seized and another
    phone captures the blistering   
    synthesized tunes
    we envision a 10k following
    discovering uncovered ground
    jazz a new beat only found
    in the city where
    everyone comes to eat
     
    his back turns and we lose
    the portrait but his pain is there
    his clasping fingers pressing

    into it with another sound and

    his eyes hover over his
    shortchanged hat
     
     A warm bowl of kitchari to teach you to sit still
     
    Dieting is the second highest
    contribution to consumerism.
    Go figure…
    but unlike the rest of the
    21 day programs and elimination of
    this, that, and try a keto diet,
    fast intermittently, give up eating
    while-you’re-at-it diets, fads.
    This is a lifestyle, humbling me
    with its rice and grains
    ingraining memories of the warming
    meals grandmothers’ hands made,
    waking a sleeping me by crowing cock
    somewhere on some farm
    far away from these concrete slabs.
     
    The slow rush to greet the hidden sun
    behind haze over the Hudson, united me
    to my thoughts of hunger
    for something deeper
    a meal nor my tastebuds couldn’t
    distinguish – cheese,
    honey, chocolate, not even gum,
    no.
    Not even wine crossed my mind
    as I moved slowly
    in the race to transform
    my mind and body.
     
    Given up on the demon and
    angel trumpeting in my ears
    as I chugged a beer or shut the alarm
    or ate a cookie after a bowl of
    salad.
     
    I gave thanks for the bowl
    of kitchari more deeply,
    in wonderment.
    I obsessed with the floating
    notes of a jubilant spice market.
     
    Hail melted
    down my cheeks as
    my nose caught a whiff of the warm
    bowl of kitchari.
    I heard the angel speak to the
    demon asking when I’d grab
    for a slab or a pint.
    My hands fidgeted with anything
    they could find to quieten the noise,
    and I laughed alone outside myself
    recognizing the fixation for more
    movement in and around me.
     
    Beside myself with wet face and
    stuffed mouth; I thought
    mad or suffering withdrawals
    was I, but
    just realised all the
    channels were turned on
    with the volume maximized.
     
    born again.
     
    Times Square
    Beams on the empty streets
    I don’t even recognize
    The echoing of the sparse yellow cab
    In the distance, honking
    Barren sidewalks where
    I walk down directionless,
    No one around to shuffle past,
    Bumping in to remind me
    That time waits for no one in this city
    Where everyone comes to eat.
     
    How long has it been since
    your birds were able to sing? Since
    The fish jumped out of the East River
    To come up for air? Since your skies
    Weren’t shadowed by the remnants of
    Congested roads on the Holland-Tunnel
    Or Washington Bridge, trying to make it
    To work on time or back home for dinner?
     
    Since I didn’t need to scream
    in conversation to my friend next to
    Me on the subway? Like you, Manhattan
    With your surging energy,
    I survived on Laughing Man coffee to
    Fuel me from my day job
    To my effervescent East Village –
    Williamsburg parades, only
    Sleeping to sober its memory
     
    Like you Manhattan, I thrived in the
    Spaces foreign minds like mine connected
    Overlooking the New York skyline at a
    Limited pop-up happy hour venue,
    Recalling the names of the ten
    New faces while swimming in the
    Tiki themed cocktail menu I’ve consumed
     
    I need the noise to drive me so I don’t have to find what ignites me And potentially fail at it without even having tried
     
    I need the noise to drive me so I don’t need to face that I came Here without purpose
    And you’ve worn me out
     
    I need the noise to drive me so I don’t feel lonely
     
    Is that how you feel? Now that all the Peters
    Who called you home, have left now?
     
    You are free from entertaining a story
    Your trees can now breathe.
     
    Burnt stub
     
    “Talana,”
    That was the name of our team
    And I was maybe six or seven,
    Bending over to tighten the laces
    On my “takkies.”
    Butterflies cocooned in my insides
    As my head cocked on
    My marks.
    My crouch reversed into a stance and
    Like a precursor to victory
    I recognized you –
    Round eyeglasses, wide toothy smile.
    Your eyes beamed through the lenses
    As my shuffle galloped
    Your arms outstretched in
    Praise and pride
    Like a bet won on an unassuming
    Thoroughbred to make first place
    – I dove
    Into your embrace.
    Putting down the trophy
    Quickly,
    You lit a cigarette between
    Your fingers, pursed your lips and
    Drew, gazing out the left eye
    While I attempted to move
    A life sized white knight into the
    Black hole space now laced
    With traces of smoke you
    Left behind from
    your box of Champions.
     
    House = school team names used for student body participation in sports, etc. in South Africa
    Takkies = local term for sneakers, trainers, running shoes
     
     
    Wanderlust.
     
    A hint of adventure
    Remedies her cooling heart;
    A lioness watching its prey
    She makes no mistake
    In her advance
    And lands
    Right
    Where
    She
    Mus
    ter
     
     
    Still a 1980 American Citizen Dream
     
    Thank you, America, for teaching me
    About a dream and the extents
    That I will go to achieve it
    Finer things and fickle
    To my heart’s deepest desire
    To roam the deserted parts of the globe
    Away from humdrum in the machine
    You gave new meaning to sex and longevity
    And harmonized notions of romance, modern romance
    A silk film on screen I wear in the sweltering summer heat of the west
    And inner cities you’ve reared
    The colour of my skin giving me new meaning
    The identity I already thought was confusing melted deeper
    Into the pot of your vague appropriations
    Friendships old renewed after decades
    Learning progress through due process
    Without it you WILL NOT SUCCEED
    An undying gambit
    A gamble on a dream
    But most of all
    My mother who shook her own world
    To make it here
    Battling institution and reverse racism
    Support by the hour for your dollar
    Scrubs on since 1980
    That brought her all the way here
    And still she won’t do it
    But maybe one day she will
    But begs why you’ve been so
    Harsh and fang baring
    To someone who’s supported your dream
    Since before I was born

     

    New York City Poems

    By Tom Pennacchini

    A Bay Wolf in the Apartment of Eagles

    Come the dawning 
    Regardless of mood 
    I like 
    To take some moments 
    To 
    cut 
    the 
    Rug 
    in the morn light of my room

    dip 
    move 
    vibe and shimmy 
    I do the spasmodic 
    To the 
    Radio

    Amusing me self 
    And digging 
    The reflection of my Moves as 
    Silhouetted 
    in the Van Gogh prints 
    On my walls

    Oh yeah 
    I Got It 
    A Rock’n’roll kid 
    from 
    Get to Gone

    It’s my 
    Days 
    Dawn

    and

    Regardless of mood 
    This is my private morning 
    Clarion Call 
    and my 
    Free Flying 
    Fuck It All 
      
    Lone Folkie

    There is a squat/stout duffer in a windbreaker and a Mets cap on the outskirts of the park  
    playing a rickety 5 string and hoot ‘in and holler’ in. 

    I have no idea what he is singing.   
    There is no discernible melody.   
    Every now and then he stops/ freezes/ puts his forefinger in the air  
    to take some sort of measure  
    before plunging back into his flailing guitar.   
    After another stuttering burst he will stop/  
    then let loose with an elongated cry to the sky/   
    punk operatic/ style 

    nobody seems to stop/and listen/he does not have a container for contributions and probably would not get much trade/ 
    he is playing/for his own/self/and that is / enough   
    It’s/utterly senseless/ wholly out of key.   
    Beyond the realm of anything/  
    resembling cohesive musicality  
    /rambunctiously obtuse 

    yet imbued with an innocence that casts proficient excellence into a pallid light.  

    His songs/ performance/ like life/ a messy and inconclusive/ thing/

    You can have/ your polished practice and Carnegie aspirations/  
    and make of that an evening/ with class 
    but I like the way this codger lets her rip/   
    this ragged chanteur/  
    airs it out/ no class/ no talent/ but lotsa / style

    Shine on

    Shine on oh perishing republic of dreams 
    oh community of outcasts 
    Art in the essence with no need 
    for product or commodity 
    Convivial souls rabid rebels minds afire 
    Provincetown dunes Christmas Eve 
    Greenwich Village the 20’s to the 50’s 
    Innocent fervent glass of beer cafeteria a quarter 
    Shine on oh perishing republic of dreams!

    Winged Ones

    Bustling old fella dashing biddly bop by dressed to the nines 
    with briefcase stuffed under his arm equipped with fixed maniacal grin jabbering to himself while confirming his expressions 
    to an equally jazzed and jaunty westie he calls Ralph trailing exuberantly behind 
    lets me know 
    that there are actually still some living beings out there 
    to learn from

    Narcissus Stereo

    Whenever I am in a roomful of actors (christ don’t ask) I am buffeted and overwhelmed by waves of nausea 
    for some truly baffling reason they identify as artists but never discuss art 
    they do however love to dither on politics and dish presidents oh and 
    movies natch but Rembrandt or Brueghel nahhhh

    They are ostensibly interpreters of script but never discuss literature excepting Shakespeare which they have been dutifully schooled upon 
    (what the fuck – – art and …  school?)

    shame can be a necessity (we’re people after all)

    where’s the sense of it?

    Put In Place Out of Place 
      
    I have been shut down occasionally vis a vis my mutterances on the street corner and while attempting movement on the frenetic city sidewalks  
    I like to do it in order to sort of clear a path and in order  
    to facilitate and free up navigation-  
    at times I’ll say “I gotta do a little bit a that swivel and swerve” – or as I zig and zag out a maneuver – ” just the slip n slide” whilst moving and weaving thru the throngs 
    Other times I’ll emit a bit of a shriek  

    Or 

    Announce constructive critiques regarding their aptitude for city walking like  
    “Another dolt – doing the diagonal “!  – admonishing the herd – “I am begging for mercy “!  “Good heavens – cease and disperse the cluster “! 
    Their compass clearly needing alignment (my god do they drive like this?) – 
    Must make sure that shit is correct!  I am trying to move freely goddamnit! 
    “I gotta circumnavigate stone agony”! …  “Becomes imperative “!! 
    Perhaps I’ll be clogged by a stroller 
    “Nightmare in perpetuity “! 
    A Yammerer on the phone AND a stroller- 
    “You know they’re out to torture”!!

    Then there are the odd times in which I need to be schooled – 
    One time I was loudly griping about a construction obstruction (it is all over and everywhere) and a yob kinda bloke said ” its NY – Stop complaining”…  
    I readily complied. 
    Another time I was wading through a crowd announcing, “I know my babies ain’t shy” whereof a charming lass turned to me and demurred “How do you know I’m not shy?”  
    I fluttered – gurgled some kind of non-sequitur before feathering and loping off. 
    Well perhaps I’m not a confrontational sort but there you have it 
    just trying…trying to move along.

    New York City Poems

    By Mary Durocher
     

    Chelsea Hotel #2 

    A sparrow perches on the subway platform at 36th Ave. I’m alone and waiting for the W train. I can’t keep track of each fallen sparrow. Leonard Cohen wrote that, not you. Wait, no, it’s, I can’t keep track of each fallen robin. The song is about Janis Joplin. In an interview Cohen said he regretted revealing that Joplin was his muse. Mostly because of the song’s reference to her giving him head on the hotel bed. I think being a dead robin is worse.  

    The sparrow darts off into November’s bleak sky. I can’t keep track of each fallen sparrow. I watch its silhouette shrink and I remember the crows that circled Mt. Haystack’s peak when we went in June. I was Joplin and you were Cohen. I teased you by loudly labeling the crows as an omen. You stared in awe at their formation. I was always too expressive, with my feather boa and unruly locks. You were always too silent, consumed by your meditations.  

    I don’t know why I envision this. You and I were not notorious lovers. A piss-scented subway platform is not the peak of a mountain. Riding the W train is not being with you. A sparrow is not a robin. Neither of these birds are Janis Joplin.  

    Naivety 

    The seer of the Lower East Side 
    sways on a corner, 
     
    crying to New York’s 
    electric eternity.  
     
    Her mascara drips  
    and cakes into her skin, 
     
    black stockings snagged,  
    her party dress swirls 
    in the rotten breeze. 
     
    Swarms of men, 
    fresh from their glass houses, 
    pass her unholy pulpit, 
     
    breath hot and sharp 
    their taunts burst at her feet. 
     
    She and I are not similar. 
     
    I am an adolescent, 
    a blurred outline. 
     
    She is ablaze and immune, 
    a myth with a chipped tooth. 
     
    When the visionary sees me 
    she grabs my hands.  
     
    Angelic, angelic, angelic.  
     
    I yank away.  
     
    I reject her now. 
    I reject her still. 
     
    Her shadow is following me 
    down Orchard Street.  
     
    It darts across 
    walls,
     

    wounded in fury

    at my inability to see.

  • Six Poems – Tobi Alfier

    Before the Scattering
     
    We knew that soon we’d split apart
    like the lumber we shattered and carried
    up the dunes to our private place,
    the sound of the ocean just over the ridge,
    breeze turning to wind with the lowering sun
    and our thoughts turning inward to remember.
     
    This day’s brilliance will become the very history
    of light. This evening’s laughter the very history
    of probably never again. Fireshadows mottle
    our faces. And the unseen tide rises and falls.
     
    Out come the thick sweaters even with the fire’s heat.
    We reminisce. We kiss. We dance.
    The lovers and the never-to-be lovers—all the same
    on this last night. Some of us will sleep here
    spooned close to the embers, the Constellations
    of Sadness and Joy whispering to us in the dark.
     
    Some of us will be on our way—a train to catch
    or other reason to avoid the morning glow
    of tears we all shed in the dark. Supposedly grown,
    we are like children listening for the ice cream cart
    of Dreamsicles and next steps. But this night we will
    always recall, no matter what happens tomorrow.
     
     
    The End of Winter
     
    We see the back of him as we watch the water.
    He’s hunched over a splintered picnic table
    oddly angled into a slow hill down to the road.
    He wears the uniform of all retired local fishermen:
    well-worn denim jacket over hand-knit sweater,
    black watch cap pulled down over his ears. A ruddy,
    windblown profile. We see a pencil clutched
    in one hand, the other arm holds a notebook down
    to keep it from gusting to the sea.
     
    He writes his observations just as we do,
    pays no attention to us or anyone else, not even
    his wife hollering for him to bring in wood—
    but gulls hunting low-slung fiddler crabs, a ferry
    rounding a far-off point and heading toward
    the harbor to disembark city day-timers aching
    to quiet their minds for just a short minute,
    stocks of beer for the pubs, full creels and provisions
    for hotel restaurants…that he notes.
     
    This beloved island. Where hours slip slow like seabirds
    and the shore is mainly quiet. A few collectors
    of beach glass, and always the sad silhouette
    of one person who knew their embrace was forever—
    they won’t be returning to the mainland
    with the last ferry, not today, not tomorrow.
    We see their hurts where a truth is buried in every scar,
    the silence of their pain like a feather,
    falling from a wing.
     
     
    Offshore
     
    The sea tells its story in more than myths and shipwrecks,
    it is mothers and sons, sons and lovers, lovers and husbands
    as well as all things living or dying, or dead—
    the thick kelp forest hides meteorites from heaven
    and much sea life, some we can’t even describe
    because we have no words for it, all preserved
    in the salt of witness, stories passed down
    from generations, changed very little as they go.
     
    I catch her often on beaches that thread the coast,
    always gazing seaward, lowering her head to light a smoke
    even in damp winds, her collar drawn up against the cold.
    The day is already etching away in shadows—
    she has not found what she searches for, only gulls
    crying up and down the flattened water. They carry
    no answers. I’m fearful of approaching her to ask
    what she seeks. She won’t find it tonight, I’m sure.
     
    Flying clouds muscle in on the gulls, change stars
    into scraps of constellations. The sky over the sea
    turns tungsten-gray to blue-black. Late workers on break
    congregate in the beach parking to pass a flask.
    It’s time for the woman to move on to her next lookout.
    I don’t know where she’s going or how she’ll get there.
    May her ghosts find their sea legs and bring her peace
    before the next morning breaks—my unspoken wish for her.
     
     
    Calendar Girl – April
     
    Spring is a fading map of winter.
    As the sun strips ice from fields,
     
    she exhales. It’s time to put down
    her hair, put on her bracelets,
     
    and spin and spin and spin
    on the new lawn carpeting up
    spiky between her toes,
    and smelling like a world reborn.
     
    It’s all about the boots and music,
    Saturday night dances springing up
     
    from here to across the border,
    honky tonks, jukeboxes and radios all night,
     
    a wealth of warmth falling on bare shoulders
    all day. A balmy breeze. A hardblue sky.
     
    Sundress stained with the beginnings of flowers
    and luminous fragments of joy touch everyone.
     
    She drinks in the colors, pure and sweet,
    packs away the winter beiges and grays,
     
    digs out her sandals, follows the sounds
    of water over river stones, the rush of wings.
     
     
    Calendar Girl – May
     
    Aunt May settled herself down on a few acres
    four hours and lightyears away from her family.
     
    She woke each morning through spring’s open windows,
    fingers twirling through her fine gray hair, listening
     
    for the music deep inside while looking at the orchards
    that had come to be both savior and friend.
     
    Peaches and apricots on her tongue like her husband,
    blessed be, and her companions—never introduced
     
    as anyone’s uncle and fooling no one,
    they’d last as long as a spare hair on a pillowcase
     
    before it went into the wash. Aunt May was our real aunt.
    We knew she’d grown up rough, only guessed the stories
     
    from the awkward silences between grown-ups
    if we marched in for some attention. We never got to hear
     
    the good stuff—surrounded by a thick musk of secrets
    like lovers in by-the-hour motel rooms. Not one word.
     
    We loved Aunt May and she loved us. We hugged
    her tight when we could. At the end, when the storm broke
     
    and sunlight fell wild over everything in life and in dream,
    she was our wildflower who opened private and alone.
     
     
    Road Trip
     
    We watch a young girl skip down to the water’s edge
    as we stroll the shore, warming in the mid-morning sun.
     
    Georgia—her parents had taken a road trip cross-country
    and that’s where she was born—rubs her 34-week belly
     
    as we talk about names. Our hope’s as full as a harvest moon
    shining in a small window. Georgia had always wanted April,
     
    May, June or July but it’s coming up on August now,
    and we’d opted for surprise. So much to discuss
     
    in this privacy with a short shelf life and many loved ones
    with opinions. The sweet scent of cut grass rolls over us
     
    from an upwind field and I kiss her hands. Her summery dress
    slips down one shoulder in that way it does. Gets me every time.
     
    Forget the walk, it’s time for wine. And juice. And the list:
    no relatives still living, no first loves, second loves, any loves.
     
    We go to the harbor, look at names stenciled on hard-working
    trawlers. The light leans into afternoon. Georgia leans into me.
     
    She draws her finger across my lifeline as we both see the right choice,
    the early breeze blesses it as favorable as a soft kiss.
  • Mister Brother

    Mister Brother

    Mister Brother is shaving for a date. Mister Brother likes getting ready and he likes having had sex. Everything in between is just business.
          “Hey, Twohey,” he says. “Better take it easy on the sheets tonight, Mom’s out of bleach.”
          “Twohey (that’s you if you’re ready to wear the skin for a while) says, “Shut up, you moron.”
          “Ow,” Mister Brother says, expertly stroking his jaw with Schick steel. Don’t call me a moron, you know how upset it gets me.”
          Mister Brother, seventeen years old, looks dressed even when he’s naked. His flesh has a serenely unsurprised quality not common in the male nude since the last of the classical Greek sculptors cut his last torso. Mom and Dad, modest people, terrorized people, are always begging Mister Brother to put something on.
         “Shut up,” you tell. Him. “Just shut up.”
         You, Twohey, I’m sorry to say, are plump and pink as a birthday cake. You are never naked.
         “Twohey, m’dear,” Mister Brother says “haven’t you got any pressing business, ahem, elsewhere?”
         You say, “You bet I do.”
         And yet you stay where you are, perched on the edge of the bathtub, watching Mister Brother, naked as a gladiator, prepare himself for Saturday night. You can’t seem to imagine being anywhere else.
         Mister Brother rinses off, inspects his face for specks of stubble. He selects an after-shave from the lineup. To break the scented silence, you offer a wolf whistle.
         “Mister Brother says, “Honestly, if you don’t let up on me, I’m going to start crying. I’m going to just fall apart, and won’t that make you happy?”
         Mister Brother is a wicked mimic. When you tease him, he tends to answer in your mother’s voice, but he performs only her hysterical aspect. He omits her undercurrent of bitter, muscular competence.
         You laugh. For a moment your mother, not you, is the fool of the house. Mister Brother smiles into the mirror. You watch as he plucks a stray eyebrow hair from the bridge of his nose. Later, as the future starts springing its surprises, and you find yourself acquainted with a drag queen or two, you will note that they do not extend to their toilets quite the level of ecstatic care practiced by Mister Brother before the medicine cabinet mirror.
         “Hey honey, come on now; don’t cry. I didn’t mean it,” you say, in an attempt at your father’s stately and mortified manner. Imitation is not, unfortunately, the area in which your main talents lie, and you sound more like Daffy Duck than you do like a rueful middle-aged tax attorney. You try to hold the moment by laughing. You do not mean your laughter to sound high-pitched or whinnying.
         Mister Brother plucks another hair, rapt as a neurosurgeon. He says, “Twohey, man.” He says nothing more. You understand. Work on that laugh, okay?
         Where are you going?” you ask, hoping to be loved for your selfless interest in the lives of others.
         “O-U-T” he says. “Into the night. Don’t wait up.”
       “You going out with Sandy?”
       “I am, in fact.”
       “Sandy’s a skank.”
       Mister Brother preens, undeterred. “And, what’ve you got lined up for tonight, buddy?” he says. “A little Bonanza, a little self-abuse?
       “Shut up,” you say. He is, as usual, dead right, and you’re starting to panic. How is it possible that the phrase, “lonely, plump and petulant” could apply to you? There is another you, lean and knowing, desired, and he’s right here, under your skin. All you need is a little help getting him out into the world.
       “So, Twohey,” Mister Brother says. “How would you feel about shedding your light someplace else for a while? A man needs his privacy, dig?”
       “Sayonara,” you say, but you can’t quite make yourself leave the bathroom. Here, right here, in this small chamber of tile and mirror, with three swan decals floating serenely over the bathtub, is all you hope to know about love and ardor, the whole machinery of the future. Everything else is just your house.
         “Twohey, brave little chap, I’m serious, capish? Run along, now. On to further adventures.”
         You nod, and remain. Mister Brother has created a wad of shifting muscles between his shoulder blades. The ropes of his triceps are big enough to throw shadows onto his skin.
         You decide to deliver a line devised some time ago, and held in reserve. You say, “Why do you bother with Sandy? Why don’t you just date yourself? You know you’ll put out, and you can save the price of a movie.”
         Mister Brother looks at your reflected face in the mirror. He says, “Out faggot.” Now he is imitating no one but himself.
         You would prefer to be unaffected by such a cheap shot. It would help if it wasn’t true. Given that it is true, you would prefer to have something more in the way of a haughty, crushing response. You would prefer not to be standing here, fat in the fluorescent light, with hippopotamus tears suddenly streaming down your face.
         “Christ,” Mister Brother says. “Will you just fucking get out of here? Please?”
         You will. In another moment, you will. But, even now, impaled as you are, you can’t quite remove yourself from the presence of your brother’s stern and certain beauty.
         What can the world possibly do but ruin him? Mister Brother, at seventeen, can have anything he wants, and sees nothing extraordinary about that fact. So, what can the world do but marry him (to Carla, not Sandy), find him a job, arrange constellations over his head just the way he likes them and then slowly start shutting down the power? It’s one of the oldest stories. There’s the beautiful wife who refuses, obdurately, mysteriously, to be as happy as she’d like to be. There’s the baby, then another, then (oops, hey, she must be putting pinholes in my condoms) a third. There’s the corporate job (money’s no joke anymore, not with three kids at home) where charm counts for less and less and where Ossie Ringwald, who played cornet in the high school band, joins the firm three years after Mister Brother does and takes less than two years to become his boss.
         All that is waiting, and you and Mister Brother probably know it, somehow, here on this spring night in Pasadena, where the scents of honeysuckle and chaparral are extinguished by Mister Brother’s Aramis and Right Guard, and where the souped-up cars of Mister Brother’s friends and rivals leave rubber behind on the street. Why else would you love and despise each other so ardently, you who have nothing but blood in common? Looking at that present from this present, it seems possible that you both sense somewhere, beneath the level of language, that some thirty years later he, full of Scotch, pecked bloody from his flock of sorrows, will suffer a spasm of tears and then fall asleep on your sofa with his head on your lap.
         That night is now. Here you are, forty-five years old, showing Mister Brother around the new hilltop house you’ve bought. As Mister Brother walks the premises, Scotch in hand, appreciating this detail or that, you feel suddenly embarrassed by the house. It’s too grand. No, it’s grand in the wrong way. It’s cheesy, Gatsbyesque. The sofa is so . . . faggot Baroque. How had you failed to notice? What made you choose white suede? It had seemed like a brave, reckless disregard of the threat of stains. At his moment, though, it seems possible––it does not seem impossible––that men don’t stay around because they can’t imagine sitting with you, night after night, on a sofa like this. Maybe that’s why you’re still alone.
       Tonight you sit on the sofa with Mister Brother, who lays his head in your lap. You tell him lots of people go through bad spells in their marriages. You tell him things at work will turn around after the election. Although you still call him by that name, this man is not, strictly speaking, Mister Brother at all. This is a forty-eight-year-old nattily dressed semi-bald guy with a chain around his neck. This is a tax attorney. Here he is and here you are, speaking softly and consolingly as the more powerful constellations begin to show themselves outside your sliding glass doors. 
         And here you are at fourteen, in this suburban bathroom. You stand another moment with Mister Brother, livid, ashamed, sniveling, and then you finally force yourself to perform the singular act that should, all along, have been so simple. You leave him alone.
       “So long, asshole,” you say weepily as you exit. “And, fuck you too.”
       If he thought more of you, he’d lash out. He wouldn’t continue plucking his eyebrows in the mirror.
       You go and lie on your bed, running your fingers over the stylish houndstooth blanket you insisted on; worried, as always, about the stains it covers. You hear Mister Brother downstairs flirting with Mom, shadowboxing with Dad. You hear his Mustang fire up in the driveway. You lie on your bed in the room that will become a guest room, a junk room, a home office, and then the bedroom of a stranger’s child. You plan to lose weight and get handsome. You plan to earn in the high five figures before you turn forty. You plan to be somebody other people need to know. These plans will largely, astonishingly, come true.
         As Mister Brother roars away, radio blasting, you plan a future in which he respects and admires you. You plan to see him humbled, weeping, penitent. You plan to look pityingly down at him from your own pinnacle of strength and love. These plans will not come true. When the time arrives, reparations will be negotiated between a handsome, lonely man and a much older-looking guy in Dockers and a Bill Blass jacket; an exhausted family man who’s had a few too many Scotches. Mister Brother won’t come at all. Mister Brother is too fast. Mister Brother is too cool. Mister Brother is off to further adventures, and in his place he’s sent a husband and father for you to hold as the city sparkles beyond the blue brightness of your pool and cars pass by on the street below, leaving snatches of music behind.

     

    “Copyright@1998 by Michael Cunningham. Originally published in DoubleTake Magazine, Fall 1998. All rights reserved. Reprinted by permission of Brandt and Hochman, Literary Agents, Inc.

  • Poetry Potpourri

    Poetry Potpourri

    St. Paul's stained glass windowThree Poems

    By Timothy Resau
     
    Rendezvous at St. Paul’s
     
    Rendezvous outside St Paul’s stained-glass windows—
    lips locked—
    breathing crowded
    with floating radiation—
    Why say more when
    Jesus is behind the wall,
    selling knives to Lord Byron,
    as Ms. Lamb squints
    blue eyes at a rag-muffin hillbilly
    riding a pony down the asphalt hill?
    A real woman in these lost-n-found arms.
    And in the backyard
    America’s cooking its dreams:
    plastic poets dreaming
    in bowling alleys—
    neighbors selling
    lies painted Catholic.
    The radio plays broken Mozart,
    & babies are found in junkyards—
    An aroma of gasoline drifts
    thru the air—
    & acne is real!
    A tattoo of love
    is on her face forever—
    The kiss of life from
    the high poet, selling paperback
    books for a fin—
    Glitter & gold
    summer & cold—
    yes, I’ll be old!                       
     
    Acid Love
     
    Broken love ride—
    love wreck-wired—
    the outcomes always the same—
    unreality-a cold chill – iced!
    The anguished heart
    throbbing, throbbing,
    pumping, purple
    cold fear — alone.
    The design itself — wrecked.
    A high of love — lost.
    Love constellation—
    stellar vibrations—
    a child’s pleading eyes—
    A young black man on corner,
    waxing mustache, saying:
    I’ll never come down from this—
    like a bird frozen in eternal flight.
    Everyone’s a delusion,
    trying to be real—
     
    The experience is all….
     
     Nobody Thinks I’m Human   
     
    The full moon hid across my face—
    my shadow missing in the pale light,
    & they kept saying that they wouldn’t
    have missed it for the world.
     
    Things you never forget—
    like the murder of love.
    The pain of each death–
    the fear
    the hate
    the waiting. 

     

    Two Poems

    By Scott Renzoni                                         

     

    Red Hair, Blue Jacket

     
    The blue of her jacket was primary.
    You wouldn’t’ve called it
    anything other than blue.
     
    Not cerulean or indigo or delft,
    and with no modifiers
    like baby or powder, sky or navy.
     
    That hair, though!
    Cascading over the collar…
     
    An autumn sunset over Walden Pond.
    The embers of humanity’s first fire.
    The way the sky sometimes looks
    at dawn when you wake up
    next to a new lover.
     
    I’m sure she doesn’t think of it that way
    in the mornings, before coffee,
    as she drags her comb
    through fire
    and runs her fingers
    through flame.
     
    A Refrigerator in Paterson
     
    His wife must have been beside herself.
    Not one plum left for breakfast,
    and that maddeningly casual note:
    “this is just to say”,
    despite having been told, probably repeatedly,
    they were intended for the morning table.
     
    And that report about how sweet
    and how cold they were—
    insult to injury, making the
    “forgive me”
    as hollow as the bowl with its gnawed pits.
     
    Perhaps there had been other notes,
    making excuses for why
    the dog wasn’t walked,
    the garbage not removed,
    the car not washed,
    or the Sunday paper left on the step
    to soak through in an afternoon rain.
     
    Or perhaps it was the only one,                                 
    scratched on a scrap
    in the middle of the night,
    knowing that no note
    and no apology could ever fully explain
    how sometimes even plums
    are too beautiful to be left alone.