Category: Uncategorized

  • Seaside Salmagundi

    Seaside Salmagundi

    Three Sea Poems

     By Jeffrey Alfier
     
    Tales I Might’ve Told a Runaway at a North End Beach
     
    I.
     
    From a blanket spread over undulant sand,
    a woman leaned up on her elbows,
    glanced at clouds that suddenly cut the sun.
    The shore went dark. Midday was suddenly dusk.
    That night, a song sparrow broke a wing
    against her bedroom window.
     
    II.
     
    A ten-year-old stared at the sea. His mother
    told him of mutineers forced to walk the plank
    beyond any visible shore. That night at their motel,
    the boy saw through half-shut blinds
    of another room, a black stocking slide
    down a thigh. Its seam was as dark as a wound.
     
    Letter to Tobi from Hampton Roads
     
    Love, I’m still hunting work out here. I lodge at a seaside motel
    among transients so aloof you’d think each room held a requiem,
    for we speak only in see-you-laters certain to vanish with us.
     
    Through the next window down from mine, a man stares solemnly
    at the wall as if it held the Stations of the Cross.
    Roses he’d sent to a woman in a far city went unanswered.
     
    Someone pours a vase of dead flowers out a window.
    A rhythm’s banged on a wall somewhere like desperate code.
    Brooms chase sand out of doorways.
     
    Some occupants are out of work. Or simply out of heart.
    This is the coast their dreams held. But they abide now
    as if they never arrived, a journey no dream kept the faith with.
     
    After a woman got evicted, they found nothing left
    save a cat food tin, a brush full of stray and broken hair,
    and a single red dancing shoe.
     
    On the lam, she’d hopped a Norfolk Southern,
    disappearing in the railway dark. A drifter up from Raleigh
    swears he saw her down a backroad picking wayside flowers.
     
    Today I wake and step toward the sea. Trawlers are outbound
    over drowsy morning waves. Tracks of sunlight break over the sea.
    Beach wanderers move slowly to their own designs for the day.
     
    A homeless man sits asleep against a dune. His face tilts down,
    hands to the sides of his head, like Odysseus
    blocking his ears against the music riding the wind.
     
    Of a Morning Along the Homochitto River
     
    I’d chatted her up in a Brookhaven pawnshop
    where she put trinkets on layaway
    and asked me if I had any speed.
     
    Let me break it on down, my friends:
    I too have dreamt of escape, had un-clocked
    hours drenched in coke with a pick- up woman
     
    who’d only dim to a cold silhouette
    by morning, deaf to my plea to remain,
    the salty musk of her on my breath —
     
    too young and too wrong,
    hips curled about me
    like the tongue of a serpent.
     
    Wish I’d been warned of the cost.
    She got a chokehold on the heart
    quick as addiction, but stayed a stranger,
     
    our night tangled in her hair.
    She dragged smoke through her lungs
    in a hurried exit through the graceless
     
    glint of that midsummer sunrise,
    and the door she left half-open
    measured me against the light.
     
     

    Two Seaside Poems

    By George S. Franklin
     
    July
     
    Half the year is already gone. Maybe I
    Wasted it—I’m not sure how you tell.
    The buzzards who float in the wind above Miami
    Won’t be back until October. I read somewhere
    They summer in Ohio, like the retirees from
    New York, who used to winter on
    South Beach in the residential hotels that are all
    Torn down now. I used to see them sitting
    Outside in those white metal chairs
    That nobody bothered to steal. This was
    The payoff for a lifetime of work standing
    Behind a glass counter where customers
    Didn’t let them forget that whatever they
    Were selling wasn’t worth it. At the end of
    Each day, they’d punch their timecards and take
    The subway home, their ears used to the
    Noise, and their eyes turned somewhere inside.
    On the beach, their hotels, pastel colored, didn’t
    Even face the water, but they’d watch the sun
    Set over the trees and apartment buildings.
    As the sky darkened, they’d stand up, one at a time,
    Drift inside to television or bed, the way the buzzards
    In winter will let the warm air lift and carry them
    As their sharp eyes scan the causeways and parking lots,
    Rooftops and twisting streets.
     
    The Day I Invented God
     

    I invented God in the late afternoon in October. The light came in at an angle through the pine trees, and someone was making dinner.

    I invented God on a day in October, not long after my grandfather died.

    My grandfather had collapsed the way they imploded the old casinos in Atlantic City: first, the sound of explosives, and then, the building crumbling in on top of itself. Where it had stood, rubble and dust, a sense of something missing, a hemorrhage.

    I invented God on a day in October when I was seven or eight years old. I knew the story where he called out to Samuel in the middle of the night, and I decided he should have my grandfather’s voice. Later, I discovered I could talk as much as I liked. He would never reply, never stop me in mid-sentence to tell me I had it wrong. And, if he reprimanded, it was only my own voice, assuming what he would say if he were going to say it. Eventually, I forgot what my grandfather’s voice sounded like, and I never heard it coming from him.

    That afternoon in October, I was sitting on the red brick steps outside the house, trying to remember my grandmother who’d died before I could speak and a great aunt who’d lived in New Mexico. Nobody bothered me at times like that. I got as far as remembering my great aunt’s room when she was sick, that it was green and the shades were drawn. My mother had taken me to visit when I was so young that memory and what I’d been told were mixed together.

    I invented God in the late afternoon in October. The light came in at an angle through the pine trees, and someone was making dinner.   

     

    A Seaside Poem

    By Richard Leise
     
    To Be Continued
     
    Where on Chesil Beach the blue flower
    ascends home with its pale fire and
    the possibility of an island—
    Where the pregnant widow of our
    secret history and childhood shame and the
    monkeys of witness swing through
    our window—
    Where west of sunset and the zone of interest
    the kindly ones lay their mark and
    Eileen, beloved, stands on the outer dark—  
    Where Lolita, and the others, the beautiful and the damned,
    make of the waves a sense and sensibility
    not of the recognitions or even the corrections but
    under the volcano capture the castle—
    Where the
    go-between
    Where things fall apart
    staying
    on like perfume on the sea, the sea
  • Found Object

    Found Object

    There I was at the Chelsea Flea Market, rummaging through a box of paperbacks. Most of them were bad, of course, but then there was that one. Faux-leather, palm-sized. Grayish words stamped on the outside that once were yellow? orange? They said this: Leroi, Flesch & Co Insurance 55 Liberty St. New York, NY 10005. And on the first page, this: 1965 Diary with Special Insurance Data from Leroi, Flesch & Co. Below, a boy had written Robby’s, the letters wavering even though he’d printed them with care.

         And so for 50 cents I bought this boy’s diary. A flabby man wearing a T-shirt transparent with age named the price, took my money. Would have charged me a nickel if I hadn’t gasped when I opened it.

     

    Flip through and see what Robby drew.

         There are maps.

         Here is his neighborhood: green rectangles for lawns, squares topped with triangles for houses.

         Here is Paris, France. The Eiffel Tower rendered as a capital A. A furious scribble (we went here the Louvre museum). An arrow proudly points the way to our Hotel!

         Here is the Way to Witches Land. A thick, serpentine road. Beside a hairpin turn, Robbie has drawn a crossed-out car with a warning: witches want you to crash. After a forest of lollypop trees, another warning: No Trail Going to get lost.

         The boy has also drawn maps for New York, Nevada, Alaska. You come to the map he calls Robert’s Land on Thursday, June 24, 1965. There, a star inscribed in a circle indicates Robertville, the town capital.

        But every page is his geography.

    Robby Schwarz sits at the third desk in row 7, the last row. To his right is Susan C. (Susan H. sits in front of her). There are two blackboards and a wardrobe. The teacher is a stick figure with no mouth and three little loops for hair.

         Robby will have five classroom jobs in 1965: Leader, Wardrobe Monitor, Book Monitor, Out of the Room Monitor and TV Monitor. Underneath his classroom sketch is a typeset message from Leroi, Flesch & Co: Life Insurance rates are based on age. Buy now!

         With Robby’s diary in your hands, you are a time-traveler. You peer into the past, foretell the future. You know, for example, that Robbie will learn Spanish this year. You read the lists:

    la silla – chair 
    la papel – paper 
    el lapiz – pencil
    la maestra – teacher

    And the dialogues:

    Q: Do you have a dog?
    A: Si.
    Q: What is his name?
    A: Sellama Jespa.

         When school is almost out, on Sunday, May 16, 1965, Robby Schwarz will see the Twenty-Fourth Spring Concert at Queens College. He will copy into his diary the program: Berlioz Op. 2. Joseph Surace, Organ. Carl Eberl, Conductor. Polynesian Dances. Intermission. This year Robby will take violin lessons. He will learn all the musical notes. He will remember, when holding the instrument, to keep his thumb bent.

          But enough predictions about what will be.

          Flip through the diary backwards and you are in the past again: Robby has been to Trafalgar Square, Westminster Abbey, the Houses of Parliament. To Niagara Falls. To a Snowy Park Monument in Colorado. To Lhasa, Tibet, and Davos, Switzerland. Robby has also explored interior landscapes, illustrating the circuitry in his radio, the steering coils in his television set. Ah, the jittery itch of precocity! The insatiability of privilege, wild leapings from one page to the next!

         You imagine him traveling the world with his parents. You imagine him in hotel rooms, lonely, drawing in his diary.

         Close the diary. Listen closer now.

         Can you hear his mother?

         (“What a Picasso my Robbie is! A drawing of the England Garden!”)

         Can you hear Robbie?

          (“Looklooklook here look.”)

          (“What a pretty blue,” she goes on.)

          (“And this one here look look.”)

          (“Mm yes, I see.”)

          (“I can say them fast Plutoneptuneuranusjupitermarsearthmercuryvenus.”)

     

    Flip to July 16, 1965. There is the typeset message from Leroi, Flesch & Co: Augment Social Security benefits with Life Insurance! Above, Robbie has drawn the front page of the Robert Daily Chronicle. It looks like this:

    ROBERT SCHWARZ SR. DEAD

    Our beloved President Robert Schwarz Sr. died today at the age of 43 because of a heart attack. The doctors said it was a heart attack from strain. Our newly elected president will be Robert Schwarz Jr.

     By R. S. Junior.

         The creepiness is not lost on you. Did Robbie’s father die on July 16, 1965? Or was Robbie committing an act of imaginary patricide? So you flip through this boy’s diary one last time to get the whole scope of it, to take one last look at this Spanish-speaking, violin-playing, eight-year-old globe-trotter. Memories as they are recalled, histories as they are written, have a way of leaving things out, after all. Always, there is wishing and there is memory, but it is difficult to tell the difference.

  • Issue 07: Commitment

    In the introduction to Issue 07, Lisa Howorth ponders the Eleventh Commandment: thou shalt honor thy commitments.

    Blake Butler’s deadpan “Bloodworld” pairs a narrator’s private perversities with his dreary day to day agenda. 

    David McConnell’s “Huge,” which reads like a story by Schuyler or McCourt, tells of two musicians and how their unusual marriage turns even rockier after breast reduction surgery. 

    In “Ella,” Christopher Stoddard’s story about the sudden dissolution of a yuppie Manhattan couple, the protagonist can only accept her commitment to a relationship once she destroys it. 

    An astoundingly original modern rendering of folklore, Bruce Benderson’s “Pinnochio in Port Authority” inserts a children’s book character into the adult libidinal world. 

    In Steve Anwyll’s “And I’ll Call You a Liar,” a man’s commitment to his wife entails revenge upon a vulnerable victim.

    KGB Journal’s first visual art contributor Scott Neary revisits an Amsterdam encounter with James Baldwin in text and illustration. 

    “A Seppuku of Centerfolds,” Tom Cardamone’s ficto-memoir of an East Village gay porn collector, is a gothic tale of connoisseurship and entombment. 

    In Margaret Barnard’s “The Clam Shell,” the narrator describes the heartbreak and crushing banalities that always accompany the spiraling of a friendship.

    “Rough Plans to Go Wrong” by Gary Indiana concludes the issue, speaking candidly about the negativity that follows aging and commitment to a single place. 

  • Four Poems – Elaine Equi

    “T” AS IN TAUT

        for Tom Clark

    To hold the line steady

    through countless
    poem-years.

    Not a slacker,
    he taught us that –

    as one who truly 
    stands by his word

    when words
    seldom mean what
    they’re meant to.

     

    JITTERMAGNET

    Chaos amulet.

    Nervous soda —

    sipped like static
    through a straw.

     

    BLANK BAG

    I dream of losing
    my purse again.

    Have gone out
    without my personhood.

    Am just a penniless
    ghost again,

    unable to buy
    a return-ticket.

    The sales counter
    is the border
    of this country.

     

    EVERY REVERIE

    Stuffs the ears
    with cotton candy –

    unheard of
    sweetness

    that liquifies
    the brain first,
    then the body.

    Life as an amoeba
    was good.

    After that, too many
    worries — lost
    in a complex forest.

  • Issue 08: Music & Transformation

    Writing about music is not, as the overused quote of undetermined origin goes, like “dancing about architecture.” It is, however, like writing about a different kind of language. This language exists parallel to, but just outside of, whatever other language(s) you speak, and can shape your identity just as much if you let it. In Issue 08 five writers explore different ways in which music and the things we build around it can inform and transform us.

     Table of Contents

    “Etude #31” (excerpt, A Reading from the Book of Kelst), by Tobias Carroll

    On Soft Rock, by Rob Roensch

    At the Gates of Hell: Montreal, April 3, 2009, by J.B. Staniforth

    A Slow Train Bound for Glory, by Scott D. Elingburg

    Hard Tyme: A Hair Metal Haiku Story, by Ian King

  • Four Poems – Lisa Simmons

    Four Poems – Lisa Simmons

    The Towers 
     
    I
     
    When had you seen stillness of that measure before?  
    The shadow of the leaves, so distinct,
    etched onto the wall by sun.  
    When had you seen skies so blue?
    You had drawn them with finger paint in class
    but not without a requisite cloud; cloud as clue
    to what you were looking at, as blue so uninterrupted
    might be confused with the sea.
     
    II
     
    I rode the elevators of a tower with my father once,
    counting the seconds it took to reach his office,
    swallowing hard all the way so my ears would not pop. 
    On the deck gazing at everything,
    water, sun, clouds, and sky, 
    our apartment’s windows, the park, my school –
    all laid out before us and small.
    My feet and stomach tingled.
    I pretended to be a leaf.
     
    III
     
    She was a cousin on my father’s side,
    one of countless cousins I had not met.
    On time for work at the Windows on the World for once,
    her father told us ruefully, she was trying to turn over a new leaf.
    My father ten years dead then, would have known her,
    her smile and face, and not just  
    from the pictures in an album,
    or from the paper, a flyer, TV.
     
    IV
     
    Dust hovers down these sidewalks, shifts in the corners,
    in the crevices, of which there are more now –
    dust, the consistency of sugar and flour, pollen, sand. 
    Downtown rescuers search your face, waiting for the smile,
    the only tender for their works. 
     
    V
     
    We sat by my father’s bed in the intensive care unit
    and held his hand. He could not speak.
    My cousin called her mother that morning,
    sobbing as there was thick black smoke.
    All of us then, the hand clutched at the deathbed,
    calling God’s name in unison, that oath, that prayer.
     
     
    Forgetting
     
    You’ll want some story – a small tale – ears ringing.
    But this is a forgotten room without a door.
    No. There is a door but it shuts on every sentence,
    opens on a new room.
    Will you recall? 
     
    The scrap of sky in the corner,
    an inch you liked best,
    you have fixed at the edge of your mind.
    You let it go (gloves left on a subway seat),
    and now it’s tough to judge when the puzzle is complete,
    how to view that picture.
     
    Orange peels, firecrackers, windmills, bamboo.
    Pine, smoke, brine, lace.
    Seed, flame, water, wind.
    Pages in books, frozen notes, wallets in cabs –
    half past, forlorn, alone.
     
    Whisper of a pot, pressure steaming
    or whistling from the side.  Just before.
     
    Leave the door open, the keys have walked.
    Barefoot on asphalt, sand, grass, and snow.
     
     
    Winter animals
     
    I am the fox, you are the hunter. I am the deer, you are the bear.
     
    Deer cross highways.
    No hunters yet.
    We wait for snow,
    summer barely gone.
    Mute animals stop then leave.
    When will hibernation be set?
     
    Their only shields–
    a beauty to stun,
    a stillness to startle,
    speed to help hide.
    Wild, yet meek. Raise mercy.
     
    I am the deer, you are the wolf. You are the fox, I am the hunter.
     
    How does the deer get lured?
    By appetite, like the bear?
    Reunions to come before hunger sated.
    We are the hunter, the bear, the deer, the wolf, the fox.
    Mournful patience and a lonesome departure.
    The hunter sometimes is hunted.
     
     
    Regrets only
     
    People gathered as tightly as lemons, limes, and oranges
    piled into supermarket pyramids.
    This party could have altered
    the currents of your life but you are absent.
    An orange trips to the floor, rolls over to the bar, orders Dewars neat.
     
    What is the word of the tall, tan man you did not meet who surveyed the edges
    of the gathering, plumbed the depths the hostess would go
    to ensure that talk of the guests
    stepped lightly, kindly, measuredly,
    over the heirloom rug that did not deaden the elephant’s heels?
     
    You missed your former rival,
    the long-forgotten quarrel,
    the widening of years in your faces.
    A potential rival pulled on an ear, fingered a nose, smoked a log,
    curls of white curlicuing a halo
    of spite and good nature alternately.
    .
    What did you do instead?
    Flipped the channel, ate an unsatisfying meal,
    sat in an emergency room with a friend who collided with a taxi.
     
    Accidents are invitations to unmapped roads.
    They vanish once you pass.
    You sent no regrets.
  • Issue 09: The Poetry Issue

    With work by Elaine Equi, Katie Degentesh, Youssef Rakha, K. Eltinaé, Paula Bernett, Leah Umansky, Ace Boggess, Lynne Sachs, Olena Jennings, and Alex Dimitrov.

    – Ben Shields


    Four Poems by Elaine Equi

    Three Poems by Katie Degentesh

    Three Poems by Youssef Rakha (translated by Robin Moger)

    Five Poems by K. Eltinaé

    Five Poems by Paula Bernett

    Two Poems by Leah Umansky

    Five Poems by Ace Boggess

    Five Poems by Lynne Sachs, from her collection Year By Year Poems (Tender Buttons Press)

    Five Poems by Olena Jennings

    “My Secret,” a poem by Alex Dimitrov

  • Four Prose Poems

    What If a Little Bone
     
    Say that god is out to lunch. What if a wasp settles on the fried chicken. What if god gets
    a little bone stuck in his throat and coughs up an alternate universe. We’re living in it,
    aren’t we? What if god forgets how he jury-rigged us in the first place. What if the spine
    is a ladder and the tongue a rope. Some days you climb the rungs, other days you make
    the noose. What if you could send a billion Forever stamps through the mail and get back
    an authenticated copy of god. You could set it on the shelf and it could watch you eating
    supper. Even so you’re quite alone. What if when you cry for your lost mother, the copy
    god mutters tick-tock. Where is the border between now and heaven and do you need
    identification to cross over and will your spit suffice. What if there’s a wall up there,
    higher than all the bone ladders on earth stacked end to end. What if the hole to hell is
    right here in the backyard, just as your kid’s friend said it was. What if children know
    everything that matters, until they forget. There is no salvation from that much ignorance.
    What if god says he’s sorry for laughing, but sweet jesus, how he needed a laugh. 
     
    Hunt
     
    Daily I hunt the silence that endures this city. It’s said to nest under sidewalks, ride the
    winter contrails. Many ordinary things are rumored to contain it: ball bearings, silverfish,
    the disowned shredder on the curb. But I can’t find a trace. This morning on Eighth Street
    I thought I felt it feathering the little wind, until the brick cleaner’s pressure washer
    growled and bucked its hose. Startled, I stepped on black ice and went ditch-sliding like
    that woman’s car in the weather app video. (To her rescuers she kept saying, tearfully, I
    was only trying to calm the baby. And when she stopped talking you could almost see
    it—silence opening its throat inside her heart.) Somehow I kept my footing. A passerby
    averted his eyes; who knows what he was hunting. Our skulls functioned perfectly as box
    blinds, obscuring whatever bided within. Then a mourning dove called Hey you, you, you,
    and my mind swung around like a telescope. I looked at myself through its wrong end. A
    fierce silence rose up inside me, scraping its beak on my spine. See? it said. It was silence
    that thought me up in the first place. And makes me still. 
     
    Casper
                                                    
    A milky moon was rising on the Fireman’s Fair when the shelter guy waved me into his
    booth—an old Mister Softee truck lined with wire cages. It was your typical story:
    somebody’s uncle had died, leaving a passel of cats. Take your time! the shelter guy said.
    But we were already in the time of breakdown. The workers were chasing off the snot-
    faces, reeling in the jiggy lights that festooned the fairgrounds. The shelter guy was a
    holdout. I could smell the sulfur of his righteousness. I passed over all the pretty ones and
    knelt before a black molly. She was flat-eared, dull as roadkill. The shelter guy said She’s
    a biter, that one, and I knew she was. But I felt my third eye roll up: Signs point to yes.
    I took her home and fed her the finest offal. For a year she never looked at me. If my
    hand hovered, she clicked her teeth. I named her Casper, after the Mayan king whose real
    name nobody knows.
     
    One day I said her ghost name and she remained visible. She yawned, and I saw that
    somewhere in the back-time she’d lost a fang. When she sank the other, it was for the
    miracle of blood. I understood that she wanted little from me, only fish heads and a
    change of dirt. Some nights as I lie in bed she comes to smother me. Her throat makes the
    sound of locusts. She licks my third eye until it sees a future. Hazy, with biting flies. How
    I love her mercy.

     

    Errata

    Rapture caused the sheet lightning behind p. 11.
    The women carrying rebar through the gutter spaces should be bull dykes.
    And is always singular.
    The narrator, I, has synesthesia, not amnesia. A lowercase i tastes like salt.
     
    P. 47: The letter e is not an earplug. (The letter Q can be so configured in a pinch.)
    The men hosing off the marginalia should be wearing pink camo.
    But is as naïve as a chicken.
    The narrator’s sequiturs will be ticketed for code violations.
     
    P.227: The flashback is marred by the static of yearning.
    The kids installing the commas should be orphans.
    Yet drags its chained foot.
    The narrator has been detained for lucid dreaming.
     
    Because twitches its trigger finger.
    The narrator regrets nothing.
     
  • Issue 10: Idols & Idolatry

    An Aztec emperor’s chambers and the dreary quarters of a worker made ancient by his windowless office: two poems and two universes by Marshall Mallicoat.

    At the outset of B.H. James’s “Dale,” we’re in a religious cult whose god is the original Karate Kid film. By the end, we’re in a memoir of marriage counseling, writing, and narrative structure.

    In Shani Eichler’s debut story, “The Ties That Bind Us,” a secular Jewish family goes through an identity crisis when their daughter announces her engagement to a non-Jewish young man.

    From his recent collections The Sailor and Turncoats of ParadiseJoobin Bekhrad’s six poems are written in a classical style steeped in Iranian mythology.

    Dana Schein’s four paintings span from the spontaneity of artistic creation to pressure and melancholic boredom. One image depicts a student excelling in a piano lesson; in another, a man looks on the verge of losing consciousness from lifting the same instrument.

    Frank strolls in a vanishing New York in Carl Watson’s novel excerpt, “A streetcorner in limbo.” Aware that nostalgia is just a scarecrow to ward off change, he can’t entirely resist it.

    In Mike Corrao’s imagined apartment complex, there’s no reason to stay: landlines are severing, fires igniting, potential meteors dropping—yet no one can bear to leave.

    Five poems by Josh Lipson locate his studies of Levantine language and culture as a passageway in which he may declare his allegiance to idle reverie.

    The speaker in two poems by Dante Fuoco, calloused by waiting and the wind, runs late and turns the ticking of time into song.

  • from After David (a novel)

    from After David (a novel)

    Logging on the site is like stepping into a candy store. Or walking into a party and waiting for someone to talk to you, some swaggering dude with a joint in one hand and a bottle of beer in the other. Except he is the only one you’re waiting for.

    All you have to do is leave your chat window open and the hot pink band will light up, and then they’ll rush in. One of the many amazing surprises of online dating in your sixties is to discover all the twenty-somethings and thirty-somethings who flock to you as the latest taboo to transgress. 

    Ethanb, 20 – You’re really attractive. It’s my fantasy to be with an older woman.

    BMW1976, 37 – I love French women

    Desire4Mature, 42 – The dynamic is unmatchable when it’s the right older woman and a younger man

    Eljefe86, 27 –I know I am a bit young but I think you should give me a chance…

    How could I resist clicking?

    ***

    The first time we met was in Tompkins Square Park, around noon, before he went to his day job at a nearby recording studio. He had contacted me on the dating site a couple of weeks earlier – Hi, I’m Jonah, you seem quite lovely. I liked that word lovely. Almost old school, anachronistic, even. So much more respectful and charming than the raunchy pick-up lines guys on the site tossed like so much hastily knotted baits in the dating river. A touch of old-fashioned gallantry that contrasted with the pictures of this cool guy – sexy as hell, with his scruffy beard, dark curly hair, beat-up Converse, and an electric guitar on his knees, in the heat of the action. 

    Still, when I saw how young he was – 37 – I hesitated. I was 62. A full generation older. He gently insisted. I gave him my phone number and he called me. His voice was smooth, just a little nasal, relaxed. Social ease. Not pushy. When you meet someone online, you make your decision to go ahead or not based on tiny clues. He worked two blocks away from my place. Why not get together for coffee? It was mid-September, a few days after my birthday (another birthday to ignore, forget, tread lightly over – because what else is there to do with the years that pass?).

    The weather was warm, with a trace of cool, the elm trees still glorious, their green just a bit dusty after the hot summer. I waited for him by the dog run and watched a pair of pit-bulls frolic. I had an envelope under my arm, with the bank statements proving that I could cover her rent in Brooklyn in case she came short. I had to have everything photocopied so that Louise could sign the lease. I was nervous about whether I had enough money in my relatively small investment account to qualify as a guarantor. New York landlords require solid cash in the bank. I was still getting royalties from the book I had written about the end of my marriage with David, but they were dwindling, so I was mainly living off my paychecks as a freelance commercial translator, and my teaching. Louise and Juliet were at home, Juliet visiting from Jacksonville with Vivian, her baby, who was now exactly one year old.

    I didn’t tell the girls I was going to meet him. I just said I was going to the copy place. I wasn’t dressed for a “date.” Skinny jeans, t-shirt, denim jacket, booties, casual. My usual look. He was a jazz guitarist. No point dressing up. He strolled up to me in his sneakers and bomber jacket, looking straight out of Brooklyn. Laid back. Cool in a kind of nerdy-sexy way. Jewish, I realized later, when I looked him up online (he had told me the name of his quartet). Dark hair curling in his neck and tumbling forward, dark stubble of a beard, sensual mouth, soulful look in his hazel eyes, strong – but not too strong – nose, tallish, but slight. Elegant. Sexy smile. Where had I seen that smile before? These warm, smoldering eyes? 

    Shall we have coffee? He asked. 

    I didn’t think of David at that moment, but as we walked side by side across the park, falling into step with each other, he felt familiar, as though we had been lovers in a previous life. But it was the same immediate chemistry that I’d felt  with David when he had sat down next to me that first of January at our mutual friends’ apartment, our bodies moving towards each other like magnets before we even said a word. I forgot the envelope under my arm, the financial responsibilities. There was a quality of silence around him that I found relaxing, a mute complicity, as if his presence released in me a long-forgotten insouciance. He was immensely appealing.

    We headed to the little coffee shop along the park. He asked me if I had told my daughters I had a date. I said that I hadn’t. Then he asked me if they were his age. I said, no, younger. And we laughed with relief. That was that, at least.  And then his smile, head a little to the side, almost shy — as he offered to pay, because I was taking out my own wallet, not sure. Was that even a date? 

    I told him I had to photocopy some paperwork and he offered to walk me all the way to the copy place (I’ll be a little late for work, but that’s okay). Later I thought he had arranged our date close to the time he had to start work, so that if it turned out we had no chemistry he would have a good excuse to cut the date short. We got out of the café, coffees in hand, and I spilled some on my feet. He squatted to clean up the stain with a napkin and said he liked my boots, and I handed him my cup while I went in. 

    It’s when I waited for the paperwork to be photocopied that I thought of David and of our move to the neighborhood more than twenty-five years ago – when everyone lived in the Lower East Side instead of Brooklyn. Writing the first short stories, sending them out, applying for grants, selling articles, writing all day long, giving readings and going to readings every night, scrambling for money, the excitement of belonging to a group of young, edgy, emerging writers. I could sense – or guess – that he was holding out for the same dreams. Did he see that in me, too? Or did he only see an older, attractive French woman, with whom he wanted to experience the thrill of the forbidden?

    I was surprised that he was dating online. He was in a band. He must have girls fawning all over him. 

    At this, he laughed. 

    Actually, the kind of music I play, it’s all guys. It’s not like pop music. I don’t get to meet girls that much. And people are so guarded in New York. If you talk to a girl in the street, they think you’re a creep.

    Why did you contact me? I am so much older than you.

    I thought you were cute.

    I hope it’s not because you’re into older women. I wouldn’t want to be a fetish.

    His face didn’t give anything away. He would be a good poker player, I thought.

    He had dated a German woman for three years, he said, going back and forth between Berlin and New York, when she finally moved back for good a few months ago, and he stayed in New York for his music. 

    I understand, I said. I told him I had been in a relationship for six years with a Russian guy who worked for the UN in Geneva. He had asked me to go and live with him. But I didn’t want to uproot my life and my daughter’s life. Besides, Geneva’s deadly. Berlin’s better.

    That’s when I asked him the name of his band. He was playing tonight, but way out in Bushwick, (I’m not going to ask you to go that far). Then he pointed to a metal door covered with graffiti in a still grimy block that gentrification hadn’t reached yet. 

    I work here. It’s a recording studio.

    I double-kissed him, French style, and on the way back home I sipped my cappuccino with the kind of lightness and excitement one has after the promise of a new love – or a promising encounter – such an unexpected surprise, tendrils of desire rising in a limpid sky, not a cumulus in sight, thinking no further than the moment, no further than that immediate mutual attraction, that ease we both felt, then joyfully tossed the cup in the trash can at the corner before walking up to my apartment. 

    He sent me a message two days later. I was in a taxi headed to JFK with Juliet and Vivian. Juliet lived in Jacksonville with her husband who was a jet pilot in the Navy and I was going to spend a few days with them while Scott was away on a detachment.

    I am on my way to Florida, I texted back. I glanced at the baby who was wailing while Juliet precipitously unbuttoned her top and pulled out a breast dripping with milk. The driver, who looked Afghan or Uzbek, stole a quick, possibly disapproving look in his rear-view mirror but said nothing. 

    I only mentioned that I was traveling with my daughter. I didn’t mention the baby. Her existence was off-limits, of course. Unmentionable. Unthinkable. 

    Let’s get together when you come back, he texted.

    ***

    It wasn’t my first experience with virtual encounters. One day, a couple of lonely years after my breakup with Vadik, Irishactor sent me a direct message on Facebook. On the thumbnail photo a sexy guy in his thirties, with pale blue eyes, cropped hair and a light beard, looked thoughtful. His page was filled with dreamy photos of a farmhouse by the ocean, and shots of a white mare peacefully grazing in the fields, the rocky Irish coast in the background, and of a stone fireplace in front of which a Persian cat slept, its paws folded under its bosom, next to an open laptop. 

    We started to message every evening – which, for him, being five hours ahead on the West Coast of Ireland – often meant 3 or 4 AM. But he was a night owl. I imagined him in the rugged farmhouse, within hearing distance of the tide, waves crashing menacingly on stormy nights. And me, flying to Dublin and showing up soaked from the diluvian rains while he greeted me, bathtub full of steamy water, fragrant Irish stew (he had given me the recipe) on the stove. The affair lasted two months. I was stunned to feel how powerful the letdown was afterwards, as if we’d literally spent all our nights together, flesh to flesh. I knew that imagination was the most powerful organ of desire, but here was the proof of its power. 

    After Irishactor, signing up on the dating app was a natural step, like shifting from smoking weed to shooting hard drugs. I had no expectation, really, just a bit of excitement: choosing the photos, writing the profile, and the trepidation of exposing myself publicly, as though I was about to stand half dressed in a skimpy outfit on a street corner, waiting for the first clients to show up. 

    Justpassingby, 42, Manhattan, PhD in literature from Brown, worked in advertising. No photo. But the picture he sent me on a bucket site was very cute – at least, what I could catch of it before it got swallowed up in cyberspace. Smart and fun and a good flirt. A girlfriend who traveled a lot for her job. Did I mind? I did not. We’d log on in the evenings and I’d take my computer to bed or chat on the app on my iPhone. What are you wearing? Usually a plaid pajama bottom and a tank top, or some evenings, just the tank top because it was May and it was getting warmer, and one thing led to another. We both watched Mad Men and debriefed afterwards from our respective beds. Did you see Megan tonight? I don’t like her. Too big a smile. Tonight it was really dark. Do you think he’ll end up killing himself, throw himself out the window? He was extra cautious. No photo and no personal details on the site, no mobile number, only instant message on the app, and he only gave me his first name. Matt. 

    One evening, a few weeks after our first contact, he jumped the gun.

    Do you want to meet tonight?

    He picked a bar in K-town, on the first floor of a hotel. The bar was deserted, with a “Lost in Translation” lounge vibe, a Korean barman wiping glasses behind the counter pretending not to pay attention. He was sitting at the bar, in the corner. I slipped on the stool next to him.

    He was good-looking, preppy-cool, short dark hair, blue eyes. Dark jeans. Blue canvas jacket. Would I have been attracted to him if I’d met him cold here in this deserted bar? We were already way past that. We sat on a couch. After a glass of Chardonnay he leaned towards me. Shall we kiss? Thirty minutes later we were breathlessly making out in the cab that was taking us back to my place. I didn’t invite him up. 

    A week later he booked a room in a hotel in Soho, one late Saturday afternoon in May, and waited for me, reading a novel by Ann Patchett. Bel Canto. Good choice, I said. The room was lovely, elegant, all shades of taupe and gray. I was wearing a long, black summer dress that I had just bought with a pair of flat sandals. He sat next to me on the bed and ran his hands up my naked legs. 

    Through the sheer curtains the late afternoon sun filtered a soft light. No noise came from the street. A big mirror on the dresser played our reflections, streaked with splashes of slanted sun. It did feel like New York, but a foreign New York we were both visiting for the first time, coming from other, far away countries, and we had just met and booked a room. 

    We were good together. The chemistry, the fluidity of our moves. A perfect bubble out of time and place. 

    It was a shock, afterwards, to be back in bustling Soho, warm, sunny. I floated back home, in sex afterglow. 

    We stayed in contact for a while. And then I didn’t hear from him for a couple of weeks. One night he messaged me and apologized for being out of touch. He wasn’t single anymore. I liked that he had been graceful enough to let me know. One day when I looked for him on the site, I saw that he had deactivated his profile. I knew it would just be a fling, since he had a girlfriend. But I was grateful for what he had given me: the reassurance that I was still desirable, still sexy, still vibrant.

    ***

    Four months later, Hey11211, 37, Brooklyn, jazz guitarist, appeared in the flesh between the Elm trees of Tompkins Square park, having magically slipped off the small window of the dating app, like the genie floating out of Aladdin’s lamp. 

    Hi, I’m Jonah, he said. 

    Almost instantly, it felt like love. 

    I couldn’t say why, exactly. Of course, all the red flags shot up simultaneously, wide age difference, casual online contact, jazz guitarist, laid back attitude, non-date coffee date creating a perfect storm of arousing danger, making my heart beat. But at the same time, this uncanny feeling of complicity, as though we had already slept together, and we could just seamlessly slip into bed without missing a beat or embark on a trip tonight – last-minute tickets to the Maldives, for instance. 

    I couldn’t remember when I had the dream, whether it was after the first or second time he had come to see me. But I’m pretty sure I hadn’t had it in Jacksonville at Juliet’s, although when I was there I woke up several nights in a row in a sweat, wondering whether I should pursue or not because he was so much younger than me. But when had I ever put the brakes on anything in my life, especially where men were concerned? All the men I had been with since David were younger than me, so what’s an extra few years? Thinking back, I must have had the dream after the first time we had sex, or maybe after he’d asked me about anal sex, online. The word anal blinking dangerously on the little window coiffed by a band of hot pink. I was being pursued by two black wolves, up the stairs of a house I shared with my mother. The wolves had cornered me against the wall. I woke up, drenched in sweat. 

    He texted me the afternoon I had flown back from Jacksonville. I was doing some errands in the neighborhood and my phone buzzed. I thought maybe it was Louise and fumbled to pull my phone out of my bag. When I saw his name, my breathing accelerated. 

    Hey Eve. So when are you going to invite me up to your place? 

    Me: Why don’t we have a drink tomorrow and talk about it?

    He: I think you’ve already made up your mind.

    I thought of that line from a song that had been a hit all summer: “I know you want it, I know you want it.” My heart beat a little faster. He was right. We had both made up our minds within a few seconds of seeing each other. 

    He continued: Considering our age difference, it would play out like an affair rather than a romance. 

    I was walking through the park, phone in hand, close to where we had first met, coming back from depositing a check at the bank (later he would show me how to deposit checks directly on my phone, and I downloaded the app), it was a sunny day, but the light seemed to darken, as though a cloud was passing in front of the sun. I shivered and sat on a bench. So that was his opening gambit. All risk and benefits calculated beforehand. I just want to fuck you. Let’s not waste our time in niceties like dates and candlelight. That’s the deal, take it or leave it. No room for negotiation. I swallowed hard.

    Fine I thought. He only wants sex? I can handle that. 

    I played it coy to hide my agitation: What about seduction? 

    He: Yes, seduction, of course. Always seduction.

    But my legs felt weak when I got up and started to walk back home, as if he had already backed me into a corner and taken control. I didn’t know whether I was disappointed or aroused – the two sensations blending together in an explosive mix.

    Later it occurred to me – how could I have not realized it at the moment, how could I have been so blind – that it was no coincidence that I had met Jonah just as Louise was about to move into her first apartment, and just as I was leaving behind the role of mother. That I would try to make him fill a void left by Louise’s moving out, Louise who, herself, had filled the void left by David’s absence. 

    After the breakup with David, I couldn’t wait to shed the role of wife, like a snake sloughing its skin. The truth was that I was shell-shocked. I couldn’t imagine embarking on a new relationship. With whom? How do you start again meshing your life so intimately with someone after a 22-year long marriage? My body was running way ahead of my emotions. The sudden freedom was intoxicating. All I wanted was lovers. Hot sex. Right away there were a few, in quick succession, fleeting, passing by. And then there was Vadik, who was living far away in Europe and travelled all the time for his UN job. The long-distance didn’t scare me. On the contrary, it allowed me to be a mom for Louise without bringing a man into our home on a daily basis and confuse her. In fact, when he asked me later on to live with him in Geneva, I panicked. I couldn’t see myself taking Louise and moving in with him, in that apartment complex on the outskirts of Geneva, which frighteningly resembled the Soviet-era apartment buildings in Moscow where he had grown up, and be a wife. 

    And now, just as Louise was about to leave home, I felt a new burst of sexual energy. It was a funny thing, and unexpected, that in my sixties I felt more self-confident than I had been at fifty, when David had left, or even at thirty, when we had met. I knew I looked way younger than my age, like my mother did, slender, toned body and a halo of blond hair, lucky genes, I guess. And I had in me that same fire she had. That fire that I hated, that I was jealous of, when I was a girl, when she lit up a room with her energy, her seduction, sucking up all the attention to herself. My own fire had just been smoldering all these years in the safety of the couple. And I believed that charm, seduction and vitality came from an inner radiance, not, or not only, from youth. 

    In La Maman et la Putain, (The Mother and the Whore), the Jean Eustache movie, Alexandre (played by Jean-Pierre Léaud) has a live-in girlfriend, Marie, but starts an affair with a hot Polish nurse which threatens his relationship with Marie. 

    I had grown up with that story, the constant swing between pure wife and naughty lover, the oldest story of romance as told by men in the Western world – and perhaps in the whole history of humanity. My family had embodied that split. In my grandparents’ home, where I grew up, my grandmother played the wife and mother: her role was to keep everyone fed, clothed, educated and controlled. Meanwhile my mother, defiant, pregnant by accident, was the bad girl with the platinum blond hair and the stiletto heels, cigarette dangling between her fingers, whose mysterious life played out off-stage. I navigated between them, the straight-A, straight-laced, good girl, secretly yearning to let my wild side loose as soon as I could.

    With men, I was always torn between the two, even way back when David and I had gone down to city hall for a shotgun wedding, one-month old Juliet in her little bassinette at our feet; and even years later, when Louise was born.

    ***

    He texted me the following Monday, mid-morning. I was getting out of the shower, thinking about him.

    When will you invite me over?

    An hour later he was running up the stairs, his guitar case slung over his shoulder. It was noon. The sun was pouring in. I made him espresso in my stovetop Italian moka pot. Dark, lanky, he watched me with a look of expectation and ironic detachment, perhaps not sure of what I was expecting of him. And I watched him watching me. While the coffee was brewing, he strolled to the baby-grand piano and opened the lid. 

    Better not, I said. It needs to be tuned. The wood got cracked when it was shipped from France. It was my grandparents’ piano, from the 30’s. I played on it for ten years.

    Afterwards, I regretted not having heard him play. I remembered my mother talking about a lover she had had – a Jewish concert pianist – as a “grand tenor,” which I imagined alluded to his male seduction, (or, who knows, perhaps even to his love-making), an expression that seemed appropriate for a musician. Jonah didn’t strike me as a “grand tenor.” Perhaps that was why I was attracted to him. 

    He leaned against the kitchen counter, sipping his coffee, smiling at me with that dazzling smile, all dark skin and dark beard, like a Middle-Eastern movie star, waiting for me to make the first move. Maybe he was intimidated. David, too, would lean against walls, against doorjambs, against bedposts, and look at me with a half-smile, offering himself to me. Do with me what you wish. Take me. I am yours. I had never wanted a man so much since David. It was that open invitation that was devastating.

    I came to him. He put the cup down.

    Shall we rip each other’s clothes off? He asked ironically, or rhetorically.

    I pressed my body against his. I could feel how big he was though the canvas of his cargo shorts.

    I’m hard.

    I know. 

    I took his hand and we went to my bedroom. There was a bookcase outside the door, with all my novels, in English and in translation, stacked on the shelves. He picked up the memoir I had written about the end of my marriage with David, twelve years earlier. It had a big, glamorous photo of me on the cover, black and white. It’s me, I said, although it was obvious. He studied the photo for a moment and read the blurbs, then put the book back without saying anything. His face blank. For a second I wondered if he compared my book cover photo – the one that my agent had qualified as “glamour-puss” – to me now, but I didn’t think I had changed that much, and I let that fleeting thought go. In my bedroom, he looked around, taking it all in, the mirrors, the antique dresser, all the windows. With an air of calm detachment. 

    The light was too bright for a first time.

    In full daylight, the first kiss. Without the help of darkness, soft lighting, conversation to soften the edges. Neat, like a shot of vodka.. His lips, deliciously pulpy. He was skinny, with a slightly hairy chest, narrow shoulders, a soft stomach, not a gym body – but that body felt like fire between my arms. 

    I collapsed on the bed under him, and he helped me out of my jeans. I was wearing black socks. He put his hand on mine as I was about to peel them off.

    No. Keep them.

    There was no foreplay, just him inside of me, filling me up so hard I wasn’t sure that I could take him all in, afraid that he would chafe the tender skin inside. And then, as he moved ever so slightly, as his eyes searched mine, something gave way in me, and I dissolved around him.

    You’re so wet, he whispered, and his face went soft, his breath came faster.

    We were not ripping each other’s clothes off. There was a slow deliberateness to his moves. A shyness, even, as though he was waiting for a signal from me to let loose. There was something elusive about him, withholding, as if he had been detached from his body – his mind floating above us, watching ironically. And the chemistry between us was so intense I could barely abandon myself, my body was trembling, holding back from fear of being consumed. One time, many years ago, I had smoked sinsemilla with David during a trip to the Keys in Florida, and while we drove on one of the bridges headed to Key West, I had hallucinated a higher power, a God watching me from the sky. This felt like a high too, but a high that was more emotional than purely sexual. I came in long, almost silent sighs, just before him. I leaned against his chest and touched him gently where his sex was resting on top of his thighs.

    I am not a good rebound guy, he apologized. Not like when I was 25. 

    I was touched that he worried about not living up to my expectations. I wanted to take him in my arms, to reassure him. Instead, I teased him.

    You aren’t so young anymore. 37 is practically middle-aged. 

    I had forgotten my own age, by then. I was just the right age. Or no age at all. I ran my fingers through the hair that curled on his chest. 

    Hmmm. So soft.

    I put lotion on it, he joked. L’Occitane.

    L’Occitane? That’s a French brand. How come you know about it?

    Men who live in New York can’t help being metrosexual, he said. 

    It was funny to be so attracted to a guy who labeled himself metrosexual. Also a jazz guitarist. When I was a teenager, my crushes had been musicians: Liszt, Chopin, Schubert, Beethoven. I played their music on the piano, the same one that was now in my living-room, and I listened to their albums on my little orange turntable. But they were all dead. A few days after Jonah’s visit, while doing research on a book I was working on, I randomly opened one of my earlier novels, and was astonished to discover that the heroine’s boyfriend was a guitarist and that her ex-husband and the father of her daughter was a musician. I had completely forgotten about it. I never re-read my books after they were published. It was as though I had hallucinated them. But these coincidences happened a lot in my life: I’d create a character, and then the real-life counterpart appeared, as if I had manifested them unconsciously years before.

    He got up. He couldn’t stay. He had to go to work. Men, always busy, always running from one activity to the next, all action. Buttoning his shirt over his t-shirt. Pulling on his shorts. I had lost all sense of time. I took him to the door and stood in front of him, naked except for the knee-high socks. 

    I watched him cross the landing, guitar case on his back, in shorts and flip-flops (it was a warm day). In a flash, I remembered David in his flannel shirts and ripped jeans – the very incarnation of the eternal American sexy boy. And then that other flash: David, just back from the red-eye, walking up these same stairs with the bag he had taken to LA to meet his lover. All night I had prepared myself to ask him to leave. All night I had repeated the words: It’s over. You need to leave. You need to leave now. NOW. Furious to have been caught red-handed, he had mashed his hat back on his head, the Fedora he had taken to wearing lately, and bolted for the door, didn’t even put the bag down. He only turned back on the landing for a final goodbye with these cryptic words – you and I are still us. The us of the past, presumably. Because the present us was dissolving at that very moment. 

    Jonah waved at me from the stairs with a smile that was a bit lopsided, tender, with a dash of smirk, a dollop of irony, erasing the last image of David.

    To be continued, he said.