Author: litmag_admin

  • Editor’s Note

    The KGB Bar and Reading Room was my home away from home in college—you could even say I grew up there. Which is why, years later, this opportunity to guest edit the journal is all the more special to me.

    In some ways, the theme of the issue felt a bit like cheating. The dilemma lay in trying to produce something that involved writers I’ve read and long admired along with what I believe is the role of any good journal: to give platform to new voices. So, to ask the writers I admire, who are established in the craft, to share with us the works of new voices that they have been mesmerized by, whom they feel the world should know, felt like the most logical thing in the world. It also left little work to do on my part.

    I was somewhat surprised to see the diversity of writers in Voice, because it wasn’t something I was conscious about when making the selections. Living in New York, I’ve always been fortunate enough to be able to forget where I come from, what my gender is. I still believe, in my utopia, that should be the case. My aim here was to showcase hidden jewels, irrespective of everything else. As luck would have it, when you look for something different and special, you, by default, look everywhere—under every pillow.

    I am humbled and taken aback by the work we have published here. Putting this issue together reminded me of how much talent and incredible work there is out there, outside our radar. Beauty never ceases.

    So here is an issue that brings you voices you have possibly never heard of but should know about—beautiful, melancholic, brutal and strong.

  • Duty to Cooperate

    Duty to Cooperate

    “How can I help you today?” she asked, her hands on her hips, as she looked at the guy in front of the counter. He was still looking at the menu, trying to decide what to get.

    A minute later, she scratched her chin a couple of times. “It’s probably best if you let the person behind you come up, while you figure out what you want.”

    He looked at her, his brows furrowed. “I’d like the grilled tilapia with mashed potatoes and buttered corn.”

    “For here or to-go?”

    “For here,” he said, putting the menu down.

    “Fourteen dollars and seventy-three cents.”

    It was a routine: Towards the end of her shift, almost every day, she hated her job, passionately. There was always some reason; yesterday, it was her manager Roy, who had refused her request for a pay raise. “I’ve been serving waffles and French toasts and mozzarella sticks to drunk customers for two years now. Don’t you think I deserve a bit of a raise?” 

    “Not yet,” he had replied.

    Today, it was Rita, who had bumped her elbow into her stomach, as they were frying poblano peppers and didn’t apologize loud enough for everyone to hear it. “I want you to say it out loud, ok? I want everyone to know how clumsy you are,” she had shouted at Rita. 

    “Alright, I’m sorry,” Rita said, as she walked away from the kitchen. 

    “I don’t know how idiots like that get hired. This place needs a new manager, you know?” she said to the rest of the cooks, who weren’t paying much attention anyway. Speaking of managers, she thought, who the hell are they to tell me not to put my hands on my hips when I’m at the counter? What’s next? They’ll want me to cut my hair shorter?

    It was around five pm when she walked out of Ihop Express. Her car was parked a couple of blocks away. She was carrying her box of free dinner in one hand while texting her boyfriend Tony, with the other. He was supposed to buy her a 14k gold bracelet for her birthday, which was coming up in three days. “I’m so freaking excited about it! Is it beaded? Will you be coming to my place? Do you…”. Her texting was interrupted by a guy peeking out of a tent on the sidewalk.

    “Got a couple of bucks?” he asked, his graying old beard covering almost the entirety of his face.

    She put her phone in her pocket and just stood there, shocked that she had never seen this tent before.

    “I don’t have any cash on me, but I got some roasted turkey with rice and potatoes. Would you like that?”

    “I’ll take anything. Thanks.”

    She handed him the box and moved on, phone in her hand again. “Do you know what time you’ll be there?”

    She got in her car and started driving home. The seat belt alarm was beeping, but she didn’t care. She had Beyonce and Jay Z singing ‘Crazy in Love’ on her Pandora station and was tapping her right hand on the dashboard to the music. Her phone beeped. It was a text from Tony. “I don’t think I can buy you a gift. Just got laid off today.”

    She picked up the phone with her right hand, the other hand trying to keep the wheel straight as she drove on cruise control on the highway. “WTF? You got laid off from your sixteen-dollar-an-hour FedEx job? That’s got nothing to do with my gift! You promised you’d buy me that bracelet a month ago.” A car next to her honked. Apparently, she had been swerving into their lane. She honked back at them, while continuing to type. “You had better show up at my home with my gift. Or else…”

    She put the phone down. The speed limit was sixty-five; she was going around eighty. She pressed hard on the gas pedal and sped up. “That son of a bitch. How dare he think he could just take back his promise? I’d never do that to him!” She turned the music up. “Crazy in hate!”

    The car in front seemed to be going too slow for her. She honked at them before cutting through two lanes and winding her way ahead. It was her phone beeping again. “So, you don’t care at all that I got laid off? All you care about is your fricking bracelet, Lena?”

    She threw the phone away and floored the gas pedal. She almost hit the car in front, so she veered to the right. Later, when she’d think about it, she couldn’t remember the exact sequence of events. But she knew she was going ninety when she hit the car to her right, trying to pass the car in front of her. Her chest jolted forward and hit the wheel. She looked at her right-side mirror: it was gone. She looked in the rearview mirror: the car she had hit was pulled over, its driver’s side door and the front bumper bearing deep dents. Her breathing was rushed and sweat was pouring down her face. She slowed down, trying to find her phone so she could call Tony.

    The phone was on the floor, on the passenger side. She pulled over and took a sip of water, laying her head back, her chest heaving wildly. She looked in the rearview mirror and the car she had hit was catching up to her.

    The water bottle hit the floor as she sped up, cutting through lanes. She could see the other car following her. She was hoping to get far enough away from it so they couldn’t get her license plate number.

    ~

    By the time she got home, it was dark and the whole thing seemed like a blur.

    She was taking her shoes off near the door, when her mom rushed up to her and started talking about Sue, Lena’s aunt. “You won’t believe what Sue told me today about her boyfriend. He’s been cheating on her for years. And the crazy thing is…”

    “Mom, leave me alone, would you? Where’s Danny?”

    “He’s in his room, doing what he always does – playing that stupid video game. But listen, Aunt Sue’s really in a tough spot right now.”

    She went into Danny’s room and locked the door shut, as her mom stood outside, still talking about Sue.

    “Hey sweetie, how was your day?” she said, as she sat next to him on the bed.

    He looked up briefly, before continuing with the Minecraft game on his phone.

    “Talk to me, honey.” She picked him up and sat him down in her lap, running her fingers through his hair, her chin resting on his head. “Do you love mommy? She almost died today. And she almost killed…never mind.”

    “Mom, I’m so close to winning this game. Just let me play.”

    “Alright, just move over, so I can lie down next to you.”

    He grunted and moved his eight-year-old-self to the other side of the bed, still riveted by his phone. 

    She tried replaying the accident in her mind, but it seemed unreal. Surely, it didn’t happen; it was just a nightmare. Of course, her car was fine. Well, maybe it did happen? But what was certain was that there was no way the other driver got her license plate.

    She turned around, snuggled up to Danny and pulled a blanket over them. After he had been begging for months, she had finally relented and bought him a new phone almost a year ago, so he could enjoy his games more. She was still making monthly payments on it. Screw that fricking Roy, she silently cursed. Can’t even give me a two-dollar-an-hour-raise? Who the hell does he think he is…Ihop CEO?

    She didn’t know what time it was when she got up in the middle of the night and texted Tony: “Sorry that you got laid off.”

    ~

    She was at work a couple of days later, at the counter taking an order, when her phone vibrated in her pocket. Unlike other employees, she had always refused to silence it. “I’m putting it on vibrate; that’s good enough,” she’d told Roy.

    Later, while taking a break in her car, she checked her voicemail. It was what she was dreading: a call from an insurance company asking to speak to her about the accident. Damn…how the hell did that dude get my license plate, was the first thought that came to her mind.

    She ran into the kitchen. Rita was making buttermilk pancakes.

    “Hey Rita, ever been in a car accident?”

    “Nope,” she answered, without looking up from her skillet.

    “You know anything about insurance claims?”

    “Nope.”

    “Well, that’s mighty nice of you,” Lena said, as she walked out to her car.

    She lit up a cigarette and started googling ‘at-fault-driver in car accident.’ Every article she read made her more anxious: ‘at-fault-driver liable for injuries and payments;’ ‘accident will go on driver’s record;’ ‘other driver may file a lawsuit if you don’t cooperate with their insurance company.’

    She threw the phone down and turned up the music. It was Beyonce again. She rolled down the windows and spat in the direction of the Ihop.

    The calls came in every couple of days, the same woman, saying the same thing: “We need you to contact us. Based on the claim filed by our insured client, you’re legally required to share information about the accident and have a duty to cooperate.”

    She was having lunch with her mom and Danny one Saturday, when her phone rang. She could tell from the number that it was the insurance folks.

    “Why’s your phone been ringing so much these days?” her mom asked.

    “Damned spam callers.”

    “I hate those people. I wish the same for them that I do for Sue’s husband’s killer: they ought to rot in hell.”

    “Mom, I’ve heard that story a billion times. Please, just stop.”

    “Hey Danny, you want to hear a crazy story?”

    Danny was busy with his phone, as usual. He looked up at grandma. “No nannie, I’m busy.”

    “Ok, one night, a long, long time ago, your grandma’s sister’s husband was driving home from work, when a drunk driver hit his car and killed him. Not only that, he drove away from the scene and the cops never found out who it was. If you ask my sister what bothers her more today – losing her husband or not finding and jailing the guy who killed her husband – she’ll say it’s the latter. I tell you, there are some real crazy psychopaths in this world. Don’t you think so, Lena?”

    Lena got up and went to the kitchen sink with her plate. “I don’t need to listen to this crap anymore.”

    ~

    She was driving to work on the highway when she looked out the window. She was around the same spot where she had hit the other car. Her hands started trembling and for some reason, the memory of her aunt Sue screaming in her bedroom, yelling “I’m going to find you, you bastard! I’m going to find you and you’re going straight to hell!” and pounding her fists on the walls of her room, came back again in her mind. Even as a fourteen-year-old, it was something she knew she wouldn’t forget – watching her aunt cry and yell at the same time – but it had been a while since she’d thought about it.

    As she was walking up to the restaurant, her phone rang. It was the insurance company. She put it back in her pocket, before taking it out and answering it. “Hello.”

    “Can I speak with Lena Carter?”

    She hung up, squeezing the phone with her fist and put it on silent mode for the rest of her workday.

    ~

    It was one of those mid-autumn days that were gradually becoming rare: it was warm, sunny and dry. They were sitting in her car, next to a park, watching the maple leaves drift down onto the ground. 

    “What happened to your door and mirror?” Tony asked.

    “I don’t want to talk about it,” she replied, smoking her cigarette. She passed it to him. 

    “No thanks,” he said, looking out the window, his hand resting on the dented door. The passenger-side mirror was gone. Over the past decade, sitting in the passenger seat, he was used to seeing his face in the mirror and it felt strange now to not see himself.

    “You ever worry about how you’re going to pay your rent?” she asked. “Got enough savings from your former job to get you through a few months?”

    “I don’t want to talk about it.”

    “Fair enough, you funny guy.”

    She took a last puff before tossing the cigarette out the window. “Tell you what: I’ll share what happened to my car and then you’ve got to answer my question, ok?”

    He nodded, smiling.

    “I was drunk and drove into a tree by the side of the road. Simple as that.”

    “Really?! When did this happen and why didn’t you tell me earlier?”

    “Well…there was that tiny little thing about you not keeping up your promises and pissing me off…remember that?”

    “And there was that tiny little unexpected thing about me losing my job and not having any income…remember that?”

    “It doesn’t fricking matter, Tony! You made a promise. A promise is something you stand by, regardless of what life throws at you.”

    He clenched his fist and punched it into the car door. “Oh really? Well, what about the promise you made to let me move in with you…when was that…when Danny was like three?”

    “Screw it. This isn’t going anywhere.”

    She got out and shut the door hard enough to make Tony jump up in his seat.

    “You can’t just walk away from this, you know!” he shouted.

    “Oh yes, I can. I can do whatever the hell I want. I can choose to pick up the phone or not,” she yelled as she pointed her phone at him. “I can choose to not have an alcoholic boyfriend move in with his son and raise him to be a jobless drunk like his dad. Those are all choices I can make. You get that?”

    He started walking away from her, punching his fists in the warm autumn breeze. He was gone too far to hear her screaming “Stop, come back! I need you!”

    ~

    She kissed Danny goodnight and turned off the lights. She closed the door and walked out, before returning and blowing a kiss in his direction.

    Her mom was at the dining table reading the newspaper. Lena filled up a glass of water and sat down next to her.

    “What’s up in the news, Mom?”

    “Same old stuff I’ve been reading for decades. Nasty people doing mean things to nice folks like us. Over and over again. It never changes.”

    “Mom, how does aunt Sue really feel about Uncle Bill’s accident?”

    Her mom put the paper down and took off her glasses. “I thought you didn’t want to talk about that?”

    “Just answer my question mom, for once…would you?”

    “It’s what I told your kiddo. She’s never going to let go of that sense of injustice. I’ve told her that it’s harmful to keep all that anger and resentment inside her, but she just can’t get it out of her mind. Poor thing.”

    “Do you think she’d feel better if the other person owned up to their fault?”

    “Hell yeah. She’s been wanting that for decades. Both she and I know that the other person’s going to pay a price for their actions, at some point in their life. You don’t just get away with that kind of stuff.”

    Lena ran her fingers around the glass, moving them up and down and in circles. It was late – eleven pm – and she had an early morning shift the next day. Her mom had put on her glasses and resumed reading the paper.

    Lena got up and headed to her bedroom.

    “Goodnight, dear,” her mom said, as she closed the door shut.

    Danny was sound asleep. She put an extra blanket over him and closed the blinds, before lying down next to him. It had been a tiring day and it didn’t take long for her to fall asleep. 

    It started sometime in the night: the pounding on the walls and the yelling: ‘You bastard, I’m going to find you!’ She sat up and ran to the wall, putting her ears next to it. ‘You’re going to hell!’. She fled from the wall and reached for her phone. She dialed the insurance company and got to their automated message. ‘Press 1 to leave a voicemail for your claims representative.’ She hung up, clutching the phone tightly in her quivering hands.

    No, she couldn’t do it. There was no way she could handle her premiums going up and have an at-fault accident on her driving record. 

    Plus, it wasn’t really my fault, she reminded herself. If only Tony had kept up his promise, none of this would’ve happened.

    ‘You have a duty to cooperate and are legally required to share information about the accident.’ ‘The other person’s going to pay a price for their actions’. ‘Nice folks like us.’

    Her arms and legs were shaking as sweat dribbled down her face. She had a sip of water before turning around to face Danny. “I love you, Danny. You’re the best,” she whispered silently, as she rubbed her hands over his blanket. 

    The pounding and yelling continued through the night.

    Her eyes were droopy from not sleeping well the night before, and the loud rock music they were playing was only making her fuzzier. She hated her eight-am Tuesday shifts.

    “What do you want?” she asked the guy in front of her.

    “Umm…I’d like a turkey sandwich, but on gluten-free bread. Also, can you make it with mozzarella cheese instead of cheddar? And oh, no fries, extra salad. That’s it,” he said, as he put the menu down.

    She started typing the order into the computer. Somewhere in the middle, she stopped. Aunt Sue was screaming and pounding her fists on the wall. Tony was not keeping up his promise. Her car’s mirror was shattered as she rammed into the car next to her. Her body was full of anxiety about her insurance premiums going up and a lawsuit being filed by the other driver. There weren’t enough nasty folks like her in this world…oops…she meant, there weren’t enough nice folks like her in this world…her heart was pounding as her mind reeled through it all.

    “What the hell are you asking for? Can’t you just keep it simple? No fries, extra salad? Who the hell do you think you are?”

    “What? What do you mean?”

    “I know exactly what I mean,” she said, pounding her fists on the table. “You’re being a royal prick!”

    The guy moved closer to her, his hands pushing on hers. “Say that again?”

    Roy, the manager, came running in. “Hold on, this has got to stop. Lena, I think you need a break.” He took her by her hands and walked her to the kitchen.

    ~

    The rain wouldn’t let up. It was hard to see beyond the wet windshield. They were parked at the same spot, next to the same park they were at a month ago.

    Faith Hill was playing ‘This Kiss’ on Pandora, as they passed along a can of Michelob’s back and forth.

    “I fricking love this song…don’t you? It reminds me of that night we went dancing at that Olympian pub…remember how drunk you were? You mistook this other woman for me – just because she was also a brunette – and started dancing with her, holding her hands. I had to come pull you away! Oh my god…”

    “Oh yeah, baby…I remember that. Those were the days. I even had a job then!”

    “Hey, did I tell you that we both have a lot more in common now?”

    “What do you mean?” he asked, as he took another sip of the beer.

    “I also got laid off. Well, I got fired. But I like to think of it as a layoff. You know what I mean?”

    “You did?! When?”

    “Doesn’t matter. Screw jobs…who needs them? Losers who don’t know what to do with their lives. Screw insurance, screw lawsuits, screw…everything!”

    “I don’t know about the last three, but amen! Here’s to screwing,” he laughed, as he opened another can of beer.

    She was tapping her feet and swinging her body back and forth. ‘This Kiss, this kiss…it’s the way you love me! It’s a…’

    Her phone rang. It was the insurance company.

    She stopped abruptly and sank into the seat, closing her eyes and bringing her legs up to her chest. It kept ringing. She picked it up and stared at the screen, her finger hovering near the green ‘accept’ button.

  • Double Buns

    Double Buns

     

    I hover around the buffet’s sushi section.

    The sushi chefs replace each piece as they are taken from the table.

    I place two pieces on my plate and one in my mouth every five minutes for forty-five minutes.

    I slink away for a minute to talk to my uncle.

    He has flown in for the dinner, thrown by the yeshiva, honoring his father, my late grandfather.

    I like talking to my uncle about women, but when other people approach us, he starts preaching about the joys of travelling.

    I slink back to the sushi.

    My gaze lingers on the soup table.

    The server is a short Dominican girl with her hair in double buns and braces on her teeth.

    She makes eye contact with me and smiles.

     

    My grandfather used to love bragging about my uncle’s youngest son.

    Particularly when this boy, my cousin, was very young.

    When my cousin was four or five years old, he had memorized:

                every single president of the United States

                every single vice president of the United States

                every single prime minister of the state of  Israel

                all three backwards

    My grandfather always placed a great deal of importance on memorization.

    My father did not.

    My father emphasized comprehension over memorization.

    But my grandfather offered rewards.

    Over the years, I was rewarded with a wide array of electronics for the memorization of a wide array of Jewish prayers.

    The longer the prayer, the more expensive the reward.

    My grandfather never actually tested me himself.

    My grandfather had his son-in-law, my father, test me.

    My father would report the results to my grandfather.

     

    William Wyler’s These Three stars Merle Oberon, Miriam Hopkins, and Joel McCrea.

    The real stars of the film are child stars Bonita Granville and Marcia Jones.

    Merle and Miriam are two recent college grads who start a school for young girls.

    Joel McCrea is the local doctor who helps them with handiwork.

    Miriam secretly loves Joel, and Joel and Merle openly love each other.

    Bonita Granville, a ruthless troublemaker with a perplexing persecution complex, blackmails Marcia Jones, getting her to corroborate false accusations against Miriam and Joel.

    The children accuse Miriam and Joel of engaging in a sordid affair behind Merle’s back.

    Bonita whispers that the two of them are exposing students to unspeakably lewd acts, sounds.

     

    In college, I was close with the poetry editor of the literary magazine.

    She was a kind, thin Dominican girl with a musical lilt in her voice.

    After graduation, I took her to the Jones Beach boardwalk on July 4th to watch fireworks.

    I thought I had been there before with my mother and sisters

    I remember it being a fancy place.

    I wear my turquoise button down, grayish skinnies, turquoise glasses, black-and-gray yarmulka.

    She wears a knit amaranth sweater, black shorts, contacts, and has her hair in double buns.

    Her mother walks her to the car when I arrive to pick her up.

    You know, Dominican mothers, she says, and I nod.

    As if I know.

     

    When she and I get to the boardwalk, I am shocked to discover it is not a fancy place.

    There is a beach block party going on.

    The music is loud.

    The sound system cheap.

    The ambience, neglected grunge.

     

    We walk and talk along the boardwalk.

    We pass a group of children running around.

    They chant as we pass through their midst.

    They chant Sugar daddy, Sugar daddy.

    I do not understand what they mean at the time.

    I understand that their words are directed at us.

    She and I both blush and avert our eyes until we pass the kids.

    We stutter in our conversation.

    Lose our trains of thought.

    Struggle looking for them.

     

    The night has gotten cold when we get back to the car.

    We see some fireworks from the parking lot.

    We had been on the wrong side of the beach.

     I drop her off at home.

    On the drive home, I shout at myself.

    I do not understand.

     

    At the yeshiva dinner, we sit through speeches.

    I am on one side of my uncle.

    My father is on his other side.

    The two of them are talking.

    The speeches are interrupted by a montage of old photos of my grandfather.

    The montage is followed by a brief speech about my grandfather.

    We listen quietly.

    Rabbis get up to speak about other people.

    I slink out of the dining room.

    Outside, I inspect the dessert buffet as it is being arranged.

    The Dominican server with the braces and double buns approaches me.

    She tells me that she really likes my tie-dye tie.

    I tell her I really like her semi-translucent glasses frames.

    We speak for a minute.

    When I see my uncle, I tell him that I think this server likes me.

    He raises his eyebrows.

     

    Years ago, he told me to watch the film Rodger Dodger.

    The film stars Jesse Eisenberg as a teen who runs away from home to spend time with his womanizing uncle.

    The uncle takes the boy under his wing, and spends a night with him, trying to get the teen laid.

    My uncle has often told me to get laid.

    He has never taken me under his wing.

     

    My uncle’s son, the one with the memory, grew up to be a sporty kid.

    He also grew up to be annoying.

    He would ask me sports questions.

    He knew I hated sports.

    I spent a few weeks by my uncle’s, when his son proposed a bet.

    My cousin said that if I shoot a basketball, and make one shot, for a week he will not be allowed to speak around me without raising his hand and getting called on.

    I made the shot.

    He raised his hand often, eagerly.

    I never called on him.

     

    A number of years later, we were all together for Passover.

    My cousin grated on my nerves continuously.

    At the Seder table, I told him a Jewish story.

    The story of the death of Rabbi Akiva.

    The story of how the Romans raked metal combs across Rabbi Akiva’s flesh.

    Of how Rabbi Akiva was flayed by metal combs.

    I told my cousin that hearing him speak felt like being flayed by metal combs.

     

    Shortly before the graduation ceremony, after classes ended, I went to a big party.

    I had barely slept for three days.

    The party was being thrown by an old roommate of mine.

    I got high with him right when I got there.

    I was only on my first drink.

    The party was filled with drunk, single Jews.

    I was very high.

    The crowd of people made me very anxious.

    I hole myself up in my old roommates bedroom.

    A few couples come in, seeking alone time.

    They make polite exits when they see me splayed out on a bed, mumbling to myself.

    I am busy processing the potentiality of a relationship with a non-Jew.

    I construct multiple, lengthy chains of possibility.

    Some less positive, some more.

    No chain positive for my family.

     

    At the end of the yeshiva dinner, I look for my uncle.

    He is flying out the next morning.

    I do not know when I will see him next.

    I spot the back of his bald head entering the bathroom.

    Through the crowd, I see the double buns of the Dominican server enter the same bathroom.

    I nervously check my phone and eat three cookies.

    I hover close to the bathroom door.

    I hear faint, high-pitched shouts.

    Yes daddy, yes, oh yeah Daddy, I hear.

    I drive my grandmother home.

     

    At my grandfather’s shiva, the grandchildren spend alot of time in the kitchen.

    Our parents are visited by wave after wave of well-wishers in the living room.

    I am sitting with my cousin in the kitchen.

    The annoying one with the memory.

    My sister stands nearby, charging her phone.

    My cousin turns to me and asks me who I think our grandfather’s favorite grandchild was.

    As I begin opening my mouth with a cruel, arrogant answer, my sister interjects.

    Me, obviously, she brilliantly declares.

    Obviously, I agree after a pause.

    She leaves the kitchen and I tell my cousin how much our grandfather loved him.

    I tell him how our grandfather used to brag about him all the time.

    He tells me nice things too.

     

    Me and my cousin really did make peace.

    But I did fudge some of these details.

    I omitted some things.

    Like how the girl I went to the boardwalk with had been seeing another guy.

    I met him once or twice.

    He seemed like a goofy, but unfunny, asshole.

    He was with us at graduation.

    She and I were next to each other, in line, in our seats.

    The guy was on her other side.

    They made out all day.

    They held hands for most of the ceremony.

    That night on the boardwalk, on July 4th, she mentioned him once.

    Mentioned how he does not answer his phone.

    I disparaged him briefly.

    Really, I failed to offer any of myself to her.

     

    It was not all omission.

    I wrote some real fiction.

    Like my uncle and the Dominican server.

    That did not happen.

    It was fiction.

    Why did I invent such a rendezvous?

    Does it mean I’m like the child terror that is Bonita Granville in These Three?

    Projecting sex out of a delusional sense of persecution?

    Why do I feel persecuted, and how?

    Am I trying to castrate myself?

    Is there anything left for me to castrate?

    Doesn’t my manhood belong to the Jewish people?

    That feels like a weak excuse.

     

    At the end of the dinner, my uncle and grandmother implored a now-very-religious old roommate of my mother’s to set me up with her niece.

    My mother later told me a weird story about this old roommate.

    About this old roommate’s husband.

    My mother told me that this woman’s husband was in medical school with my father.

    My mother told me that the four of them, the two couples, my father, my mother,  my mother’s old roommate, and my mother’s old roommate’s husband, were hanging out in an operating theater.

    The old roommate’s husband reached into the open torso of a study corpse, pulled out the heart, and proceeded to juggle the organ.

     

    In Rodger Dodger, the uncle never gets his nephew laid.

    The boy’s independent self-discovery is the movie’s “moral.”

    Forget the uncle’s cavalier approach to sex.

    The movie ends with the teenager back in high school, suavely flirting with a female classmate in the high school cafeteria.

    It is about framework.

    A proper teenage boy should not try to bed women in dive bars, sleazy clubs, all-night diners.

    He should be making moves on nice girls in his high school cafeteria.

     

    My mother’s now-very-religious old roommate’s niece chose not to date me.

    Do we get to choose our own cafeterias, or are our cafeterias chosen for us?

  • Dale

    Dale is in a cult. He is a cult member. Dale is seventeen. He is the fourth-youngest member of the cult.

    Dale was born into the cult. It is all he’s ever known.

    The cult is a religious cult. They worship their own god. The god that the cult worships is the 1984 film The Karate Kid, directed by John G. Avildsen.

    The cult was started in 1986 by Dale’s uncle, Steve. Steve started the cult shortly after the film The Karate Kid became available on videocassette.

    At first, Dale’s parents joined Steve’s cult because a few months earlier they had given Steve a large amount of money to get him back on his feet. They were worried Steve would do something stupid with the money.

    But, eventually, Dale’s parents started to worship the film The Karate Kid, too, just like Steve.

    Over the years, the cult grew and grew. Steve was a good cult leader, and the members of the cult were happy with the cult.

    The cult met two nights a week. They watched The Karate Kid. They had pot-lucks and talked about The Karate Kid and prayed about The Karate Kid. They had Karate Kid costume parties. At the costume parties, everyone dressed up as a character from the Karate Kid, and the characters danced to music from the movie.

    This part of the story has been the ground situation. The inciting incident follows.

    In 2010, when Dale was seventeen years old, Steve got sick, and Steve later died. The cult got a new leader. The new leader was Steve’s oldest son, Harry.

    Harry was a fanatic. He wore his facial hair in a way that made him look scary. Harry hadn’t liked the way that his father had run the cult. Harry thought that the cult should do more than just have parties.

    Harry started to question whether or not the members of the cult really did worship the film The Karate Kid. Harry suspected that at least some of the members just liked the movie a lot, and liked going to the parties. 

    Harry declared that there would be trials. All cult members would take part in the trials. The first trial was answering trivia questions about The Karate Kid. Harry had found the trivia questions on the internet.

    Most of the cult members did fine on the trivia questions. They had seen the movie a lot. Two members did poorly, and Harry asked them to leave the cult. The remaining cult members were fine with this. They hadn’t liked those two, anyway. Those two never brought anything good to the potlucks.

    Later that year, the remake of The Karate Kid came out in theaters, and then on DVD.

    Harry declared that the remake of The Karate Kid was a false god that should be destroyed. Harry bought a bunch of copies of the DVD and gave the cult members hammers and lighter fluid and matches with which to destroy the DVD’s.

    Several of the cult members thought that this was a bit much. They thought the remake was alright. They had gotten together, without Harry knowing, to go see it.

    Those several cult members thought that the cult wasn’t fun anymore like when Steve was around. So they decided to leave the cult.

    Harry declared good riddance to the non-believers.

    Next Harry declared that all cult members should get tattoos. Must get tattoos. Big ones. But several of the remaining cult members didn’t want big tattoos, so several more left the cult.

    Good riddance, Harry declared again.

    There were only about a half-dozen cult members left. Harry insisted that these half-dozen were the true believers. Harry was right: the half-dozen cult members that were still around really did worship the film The Karate Kid.

    Except for Dale. Dale had a secret.

    Dale no longer worshipped the film The Karate Kid. Over the years, while in the cult, Dale had come to worship the actress Elisabeth Shue, instead.

    The actress Elisabeth Shue played the character Ali-with-an-i in the film The Karate Kid. Dale was in love with Elisabeth Shue. Madly. Head over heels.

    So when the fanatic Harry declared, in his biggest, boldest declaration yet, that the cult would be kidnapping all of the directors and producers and crewmembers and actors (other than Pat Morita, who had played Mister Miyagi and who had since passed away) and actresses and extras and everyone—EVERYONE!—who had been involved in creating the cult’s one true god for a grand, ceremonial reenactment, and then, when, through a series of events, Dale discovered that Harry’s true intentions, Harry being a fanatic, were not to kidnap everyone for a grand, ceremonial reenactment but instead to kidnap everyone for a grand, ceremonial sacrifice—a human sacrifice to the one true god—Dale decided that he must flee the cult and must himself kidnap Elisabeth Shue before Harry could get to her.

    But when Harry discovers that Dale has fled the cult and, through another series of events, also discovers that Dale has discovered Harry’s true intentions, Harry sends his cult members in pursuit of Dale. To stop Dale, at any cost.

    The inciting incident having concluded, the story now has a protagonist (Dale) and a conflict (Dale wants to save Elisabeth Shue, whom he loves and worships, from Harry) and an antagonist (Harry the fanatic).

    Dale found Elisabeth Shue before the cult members found him. It wasn’t hard; he knew where she lived. He worshipped her and all.

    Dale didn’t break into Elisabeth Shue’s house, at first. He waited for her to come out of her house to go somewhere.

    Because Dale loved her so much, he couldn’t help but be honest with Elisabeth Shue. He told her her life was in danger. She walked faster. He told her to come with him. That he could save her. She told him to eff off.

    So Dale broke into Elisabeth Shue’s house.

    When Elisabeth Shue found Dale in her house, she told him to go away. Then she said she’d call the police. The she said she’d shoot him.

    Dale tried to explain the situation. The danger she was in. But Elisabeth Shue wouldn’t listen.

    But then some of the cult members arrived. They knew where Elisabeth Shue lived, too. Harry had made a big list.

    The cult members made a lot of noise and broke a lot of glass when they broke into Elisabeth Shue’s house. They scared Elisabeth Shue, so she went with Dale. She brought the gun she had threatened to shoot Dale with. 

    If a gun, etc.

    Dale and Elisabeth Shue escaped in Elisabeth Shue’s car. Elisabeth Shue drove. Despite being seventeen, Dale did not have a driver’s license. He had grown up in a cult. Dale had gotten to Elisabeth Shue’s house by bus. Elisabeth Shue really didn’t live that far from where Dale lived.

    Elisabeth Shue drove into the desert. Elisabeth Shue didn’t live that far from the desert, either.

    She stopped the car. She and Dale got out. They were in the middle of nowhere. It had been nighttime when they had escaped from Elisabeth Shue’s house, but now it was daytime. 

    Elisabeth Shue pulled out the gun and pointed it at Dale. Dale hadn’t known that Elisabeth Shue had brought the gun. She demanded to know who the eff Dale was and what the eff was going on.

    Dale told her everything.

    He told her about the cult: his uncle, the potlucks, Harry, the tattoos. And he told her about Harry’s plan. The real plan. And he told her how much he loved her. And worshipped her. So much so that he just couldn’t let that happen to her.

    In a long, dramatic scene, Elisabeth Shue points her pistol at Dale and demands that Dale tell her what he loves so much about her. Dale then launches into a dramatic monologue about three tiny moments in the film Karate Kid—little moments that no one ever probably noticed ever but that Dale had watched and rewatched over and over and over again that had made Dale fall in love with her. By the time Dale finished his monologue, Elisabeth Shue had lowered the pistol.

    Elisabeth Shue had been twenty-one years old when she played the female lead in the 1984 film, The Karate Kid. In the desert, with Dale, she was fifty-four. 

    Despite the age difference between Dale and Elisabeth Shue, at the end of Dale’s monologue there was a moment where it was possible that they might have kissed.

    But then they saw a line of cars coming quickly down the road. Dust flying.

    This has been the Act One climax, which has ended on a positive charge in relation to Dale’s object of desire (to rescue Elisabeth Shue).

    This has also been the Inciting Incident of Subplot A, a star-crossed love story starring Dale, 17, and Elisabeth Shue, 54.

    Elisabeth Shue has a husband. She is married. When Elisabeth Shue’s husband got home from work and his wife was missing and there was broken glass on the floor, he called the police. This is the Inciting Incident of Subplot B.

    The police came and did what they do, but it was all moving too slowly for Elisabeth Shue’s husband, who was frantic. He decided to take matters into his own hands. He got into his car and went looking for his wife. 

    Before leaving, though, Elisabeth Shue’s husband went around back to put food out for the dog. Outside one of the broken windows, he found a wallet. A cult member had dropped it.

    Elisabeth Shue’s husband’s discovery of the cult member’s wallet, which contained the cult member’s driver’s license indicating the cult member’s home address, is Subplot B’s Act One climax (a positive charge).

    Subplot A’s Act One climax occurs in the very next scene when, with the cult members in hot pursuit, Elisabeth Shue has the opportunity to escape on her own, without Dale. But she hesitates. And, in an action indicating feelings for Dale (the indication of those feelings further indicated by appropriate facial expression), she goes back for him (positive charge).

    In Act Two of this story the Central Plot is complicated by seven scenes, Subplot A by five, and Subplot B by three, all culminating in the Act Two climax. 

    Act Two, therefore, consists of fifteen scenes, the three scenes complicating Subplot B nestled within the five scenes complicating Subplot A, those five scenes likewise nestled within the seven scenes complicating the central plot, the series of fifteen scenes ending on a one two three causal sequence of scenes from, in particular order, Subplot B, Subplot A, and Central Plot, those three scenes amounting to the Subplot B Act Two climax (Elisabeth Shue’s husband’s sleuthing leads him directly to Harry himself who then kidnaps Elisabeth Shue’s husband and ties him up [negative charge], the reader learning at that point that Harry has also kidnapped and tied up Dale’s parents) causing simultaneously the Subplot A and Central Plot climaxes (Elisabeth Shue learns that Harry has abducted her husband whom despite this new love for Dale she cares for very much so Elisabeth Shue abandons Dale to go save her husband [negative charge, Subplot A] sending Elisabeth Shue straight into the clutches of fanatic Harry [negative charge, likewise, Central Plot]), all setting up the subsequent Act III climax and resolution. 

    In the Act Three climax, in which all characters and all Subplots are brought together in a single scene in a single location, said scene in said location orchestrated in Bond-villain-fashion by the fanatic Harry, Harry forces Dale to choose between his Object of Desire, Elisabeth Shue, whom, as a result of her attempt to free her husband, Harry has also captured and tied up, or Dale’s own parents. Dale ultimately decides to release Elisabeth Shue back to her husband (positive charge: Central Plot and Subplot B; negative charge: Subplot A). Elisabeth Shue and husband depart, setting off a showdown between Dale and Harry resulting in Dale’s parents being saved and Harry being defeated.

    Somewhere in all that, the gun introduced in Act One is fired.

    BH James, 39, writing this story three-and-a-half weeks after he was told by his wife Liz that, despite his not remembering them as such, the first four months of the year preceding by four years this year had been the worst, most perilous months of his and her marriage, BH James, over the course of those three-and-a-half months, questions wife Liz about those earlier four months, Liz generously obliging and thereby, despite the bitterness for both parties of the revisitation, helps BH reconstruct/reorchestrate the story. 

    The Inciting Incident of the worst, most perilous months of BH’s marriage occurs in January, on moving day. His wife, Liz, tells him to be careful when mounting the TV. But he doesn’t listen. And he breaks it. And she cries, not about the TV, and she leaves and doesn’t come back for a long time. Negative charge.

    BH writes this scene into a story titled Wiff and then swears to Liz that it’s not them.

    The Act One Climax occurs in February. Liz, having put baby to bed, stations herself, as she does every night, alone in bedroom, where she will spend the next several hours, alone, while BH writes, Liz careful not to disturb BH, who frequently complains that he never has time to write anymore.

    This night, though, BH comes and stands in the doorway. He has just learned that his first novel, Parnucklian for Chocolate, published one year earlier and having failed to meet any and all expectations, is a finalist for an award. A PEN award, he tells her, which is misleadingly vague but true.

    Liz exclaims! emotes! attempts a hug that BH shies from. It’s not a big deal, he tells her. Don’t tell anyone.

    He leaves, goes back to his desk, and she is again alone. Negative charge.

    The Act Two Climax occurs in March, when BH insists to Liz—BH and Liz having just purchased a house after recently having a child and therefore having little expendable income—that he has to has to has to go to AWP in Seattle—that he’s a writer and he has to, BH however, in contrast to the previous year, in Boston, when he signed books at his publisher’s booth each of the three days he was there [his wife at home with their fever-sick six-month-old son], BH was participating in no signings, no readings, no offsite events, nothing at all in particular.

    But he had to go, because he was a writer.

    And when BH went (for four days) he hardly called home, barely spoke to his wife, to his son not at all.

    Upon returning, BH, 36, finished the first draft of a long short story titled The Anti-Story and set at a fictional version of AWP Seattle. The protagonist of the story is a writer. Unmarried, with no kids.

    Negative Charge.

    BH James, 39, writing this story four years later with the help of his wife Liz, has read in a book about stories that scenes in a series should alternate in charge (positive, negative, positive, etc.). But that is not how this story goes.

    The Act Three Climax occurs in April, when BH’s wife Liz makes an appointment for marriage counseling because her husband for months now has been a cold distant self-absorbed prick, clearly wishing at all times to be anywhere but in his own home, lamenting frequently that he’s not even a writer, anymore, not even a writer.

    Liz tells BH about the appointment. BH, teacher, responds that he’s chaperoning a field trip in Sacramento that day. He’s doing it to help out another teacher. Liz stresses the importance of not going on the field trip. BH goes anyway, misses the appointment.

    Liz makes plans to leave. Negative charge.

    The Resolution occurs in June. BH, 36, teacher, is at a three-day training in Florida. On the first day, his cell phone breaks. It turns off and won’t turn back on, and it won’t charge. He tries calling from the hotel, several times. Leaves messages. Sends emails from a computer in the lobby. He walks to several stores to buy several devices that might make his phone turn on, but none of them work.

    BH spends most of the three days alone in his room, reading. By the time BH arrives at the airport to fly home, he has not spoken to his wife or son for three days. He searches for the payphones, but can’t find any. People don’t really use them anymore, so they’d been removed. BH asks someone. He never asks. There is one payphone left.

    When Liz answers, BH tells her the story of his three days without a phone. Then he tells her he loves her, and misses her. He asks to talk to his son. When Liz is back on, BH tells her he is coming home. BH intends BH’s statement that he is coming home to have both literal and figurative meaning.

    BH tells Liz they should have another baby. By August she is pregnant, and the following April their second-born is born. Positive charge.

    Four years later, Liz will tell BH, who is writing this story, that, as bad as it was, from that point on, it’s all been pretty good.

    By the end of the Act III climax, Dale has achieved his external Object of Desire: Elisabeth Shue is safe. Harry is in jail. But Dale is not happy. Dale did not achieve his internal Object of Desire: the love of Elisabeth Shue.

    But, in the end, Elisabeth Shue comes back to Dale (positive charge). She hugs her husband, pets her dogs, and leaves them. And in the story’s final scene, Dale comes home to find her standing, waiting, at the stairs.

    At BH, 39’s, and Liz, 34’s son’s preschool graduation, as they wait for the ceremony to begin, BH and Liz have a lively debate about the location of the climax of Shakespeare’s Hamlet. BH contends that what they had written about the 5-act structure in the book they had co-authored (Method to the Madness: A Common Core Guide to Creating Critical Thinkers through the Study of English) was all wrong. That the whole play progresses toward the duel, after which there is only the unraveling. Liz, who knows the play better, retorts that the uncertainty is resolved in the closet scene, and the certainty is what matters.

    BH cites Aristotle. Liz cites another author, who said that Aristotle got most of it wrong. BH tries to respond, but the ceremony begins.

    BH tells the same anecdote in a blog post titled Rethinking Shakespeare’s 5-Act Structure, later published as an article in a magazine for teachers.

    The next morning, BH James will finish this story. And the day after that, BH will be 40. 

    He picks up his pen, then puts it back down.

    When he picks it up again, he writes…

    THE END

  • Crime Wave at Goose Rocks

    Crime Wave at Goose Rocks

    Bayonne

    By the time Ryan was born, the oldest of his five siblings was already in high school, and his ornery father’s terrible tantrums had more or less subsided. Metal ashtrays were tossed less frequently through the house, and bad afternoons at the track seldom led to threats of bodily harm. The old man even managed moments of quasi-affection—patting little Ryan on his head when he came home from school and surrendering the television to him on Thursday evenings when he got to be a teenager so he could watch Matlock and, his hero, Perry Mason.

    By the time he had reached his forties, Ryan was the only member of his family in contact with the old man, calling every Sunday morning over to the squalid one-bedroom in Bayonne where his father moved after their mother had left him. Ryan let himself be taken out to lunch once a month at the VIP diner down the block for which his father would dress in one of his frayed leisure suits from the seventies and order desiccated roast chicken or London broil with glutinous gravy.

                When no one picked up that Sunday, Ryan tried every twenty minutes until the middle of the day, pretending that the old man might have gone out though the bar didn’t open until noon and the dogs weren’t raced on weekends.

                The drive to Bayonne took nearly an hour through church traffic, and the odor coming out through the humidity-warped door hit Ryan in the face before he even tried turning the knob. He paused and took a deep breath to steel himself for what lurked beyond the threshold. Neither defending the guilty at the public defender’s office nor living in the cramped home in Guttenberg with his wife and son calmed him particularly, but the thought of July in Maine at Goose Rocks Beach brought him some peace of mind: its cool sea air the perfect antidote to corrupt and crumbling Hudson County, New Jersey, where he’s had to refuse bribes and keep clear of questionable congressman.   The place was too far from God, as he liked to say, and too close to New York City.             

    Imaginary surf sprayed his face, and sand tickled his toes as he easily broke through the flimsy door and walked down the creaky linoleum floor into the bathroom where his father lay on the floor covered in bloody glass shards. He’d toppled against the mirror when the stroke hit. The odor of the place is what Ryan can’t shake off, rotting cantaloupe on the kitchen table, decomposing father on the bathroom floor.

    Goose Rocks

    The fantastically New England Fourth of July parade doesn’t catch him in the throat like it should. He and Patty have dressed seven-year-old Peter in a Spiderman costume and wait with the hearty Maine crowd and occasional other summer renter just outside town for the parade to begin. Yesterday’s rain has disappeared overnight, leaving a cool bite in the air and perfectly blue sky, but Ryan can only concentrate on the ruddy local men and their sincere-looking wives and thank God he hadn’t persuaded Patty to move up north with him and put up a shingle. There is a stark absence of robbing and divorcing here, suing and defrauding.

                The parade moves glacially down the main drag past the turreted Victorians on one side and the bike path along the rocky beach on the other.

                Lying unlocked just off the path, Ryan spots a sexy Italian racing bike, and even more impressive, a Vespa with a key in its ignition. He remembers sipping a Bud Light in Patty’s parents’ kitchen after their first trip to Maine, praising the unlocked vehicles of New England and listening to Patty’s mother’s racist insinuations—Hudson County where there were too many blacks and Hispanics to leave anything unattended.

                Turning his head away from the bikes, he looks across the street at the unlocked houses and remembers the imbecilic burglar he’d visited in Rahway the day after he discovered his father. Not smart enough to disarm a decent security system, Sal Starita had been captured speeding recklessly away from his crime. The smell of Rahway Prison returns to Ryan’s nostrils, and he hears the heavy prison gates clanging closed behind him.

                He feels hemmed in, as big adults in baggy short pants, babies, and yapping dogs crowd them on all sides. His queerly sensitive nose picks up perfumes and deodorants, halitosis and diapers.

                “I can’t take this anymore,” he whispers to Patty, who looks mutely back at him.

                “Patty, sorry, my stomach,” he yells a moment later, clutching his belly and tearing off in the opposite direction of the parade.

                Ten minutes later finds him panting for breath and trudging down the deserted section of the main drag past which the parade had already processed. He catches the eye of an attractive blond about his age sunning herself in front of a bed and breakfast and moves toward her like he has something to say, but nothing comes out and he beats a hasty retreat, picking up speed again down the path.

                While ambling along, staring at the waves as they crash against the rocks, he feels his knee knock into a mountain bike leaning against the seawall.

                “Fucking asshole,” he says, North Jersey resounding hollowly through the empty beachscape, “shit fucking dick.”

                He shakes his leg out and appraises the bike, unlocked and brand new. He kicks it, then, then picks it up and holds it apologetically. Coolly, he checks out the empty beach, the path, the houses on the other side of the street.

                Sal Starita’s beady eyes fix on him from Rahway, urging him on.

                When Ryan mounts the bike, gently like he’s trying to seduce it, and takes it tentatively forward, neither the seagulls swooping down into the water nor the hermit crabs crawling over the sand seem particularly disturbed.

                About a football field later, he dutifully twists it around and starts pedaling back, but when he gets to the spot where he found it and climbs off, his foot gets caught on the seat and he topples onto the concrete ground. A few seconds later the mountain bike tumbles down on top of him, blackening his eye.

                He feels woozy when he gets back up, his bacon-and-egg breakfast tasting awful in his mouth. His back itches ferociously just where he can’t scratch it, and a deadening pain starts up in his brain.

    A momentary lapse hadn’t been enough, and the moment he’s back on the bike, his body starts to reassemble, the pains lessening, the itching going away.

                Fiercely, he surges forward as the cool breeze blows through his thinning hair and the distant sounds of the parade float up to his ears. Reaching the hill that marks the end of the beach, he continues on the road as it splits away from the sea up into the woodsy barrio right above town.

                Panting and perspiring, he comes to a halt in front of a down-on-its-luck house with deteriorating aluminum siding and a sagging front porch. Its driveway has no vehicles, but its front yard is crammed with plastic toys.

                The residents are likely at the parade, but he walks up to the door and rings the buzzer just in case. After the tinny bell echoes several times through the house, he grabs the knob and tries to turn it.

                The knob won’t budge.

                 And without any warning, thatit happens again. A tremor snakes back up his spine, knocking him is body about. He wants toalmost vomits but can only dry-heaves.

    Since discovering his rotting father, he’s developed this problem with thresholds—his mother’s on Bergenline Avenue, his brother’s in Staten Island. Foul tastes fill his mouth as he approaches them. HThey make his torso tremors, his shoulders shiver.

                The knob is still stuck when he takes another crack at it, and relief washes over him. He just has to dispose of the bike somewhere, walk back into town, and return to his life.

                But when he tries it one last time for good measure, the damn thing creaks open and he finds himself in a living room covered with more broken-down toys and reeking of cat piss and recently fried meat. He stops his nose up with his fingers and watches a bedraggled gray tabby yowl from her perch on the ripped-up couch across from a TV muted to a cartoon channel.

                Everything looks dirt cheap, but he doesn’t need to take anything valuable. He picks up a broken action figure, flips through a People magazine from the stack on the floor, but the thought of taking something they won’t miss doesn’t sate the emptiness at the bottom of his throat, nor calm the hives in the pit of his spine.

                Outside on the bike a moment later, he wraps the cord around his neck, the one that had connected their television to the cable box, then sails down the street toward home, giggling about the existential despair he’s inflicted.

     

    Ryan’s heart beats calm and steady as he lugs the mountain bike through their rented apartment into the unfinished basement, which he and his family have hardly explored. While covering the bike and cord with an old yellow-stained sheet, he gets caught with the genuine runs.

                After vacating his bowels in the bathroom upstairs, he sees on his watch that Patty and Peter (the Ps he calls them) should soon arrive at the community center where the parade concludes.

                Peter’s face lights up when he sees him in the distance, and Patty looks relieved. But when she gets close enough to see the black eye, a look of distress falls across her face and she wants to know if he’s planning on telling her what happened.

                “Not really,” says Ryan, resenting herthe way she used her prosecutor’s voice.

                “I just tripped,” he revises when he sees she’s not letting it go.

                Peter grunts impatiently, eager to get back to the fair, and Patty shrugs her shoulders and touches her husband on his arm. His eyes well up when he sees how sweet she’s being. She’s letting him the hook as he’s got a pretty good track record, but he’s got to start acting normal again. He knows from his father’s example that wives won’t stick around if you don’t.he’ll lose his wife if he can’t.

                They eat hotdogs, drink soda, then huddle protectively around their only child as he rides a pony and sinks enough baskets to dunk the red-faced mayor in a pool of water.

    Monday

                The clouds roll in, and the family gets out the Monopoly set.

                Enthusiastic but not very calculating, Peter spends too much on houses and hotels, and a mild run of bad luck (a go-to-jail card and a case of community chest) takes him to the bridge of bankruptcy.

                The storm on his face reveals an approaching tantrum, so Patty notes that he’s bought seven hotels and asks with a kindly gleam if they happen to be playing “seven hotel” Monopoly. Then she elbows Ryan who allows that they are.

                In this new version, the player with seven hotels gets half of everyone cash. Peter glances nervously at his father while accepting his new stash.

                Ryan smiles kindly but burns inside as more and more corrupt Hudson County values get imported to Maine. He imagines a seven-hotel Monopoly set resting alongside the stolen bicycle and the cable cord.

    Sunday

                On the following morning, sunlight pours from the sky.

                Ryan looks off at the ocean, listens to his wife reading softly to his son on the beach, then bolts to his feet.

                If he pleads more stomach trouble, she’ll send him to a gastroenterologist. He doesn’t have to explain himself in any case. Years of being trustworthy have built him credit.

                “Going for a stroll,” he says, tipping his the beach hat.

                “Alrighty,” says Patty with the quizzical smile she saves for defense attorneys, “enjoy.”

                Today will be trickier as there’s no parade to suck people away from their homes.

                At the end of the beach, he climbs the hill, striding past the house he’d broken into two days before. An old Chevy is now in its driveway, and a man is cleaning a grill next to it with a hose and some steel wool.

                An internal engine tilts Ryan toward the man. Another revving has him wishing the guy a “good day.”

                “Morning,” says the man. Fortyish with hung-over eyes, he has a physique like a bear, and his dismal expression reminds Ryan of his father’s in his last years. Then Ryan tips his hat again ridiculously like a character from a thirties movie and pushes farther down the street in search of a house with no one home. The next one has an SUV in its driveway, the one after that some dirty, blond kids playing in a sandbox. Finally, at the end of the stretch just before the road disappears into the marsh, Ryan passes a house devoid of people or vehicles. It’s made of a chintzy rock unsuccessfully evoking medieval glamour and set back a bit from the street; its thick and weedy lawn can’t have been mowed in weeks.

                He walks up to the front door and rings the bell, trying to think of what to say if someone turns out to be home. When there’s no answer, he knocks softly until his hand gets the better of him and the sound of banging reverberates through the air.

                After another ring just for the hell of it and three more knocks, he grabs hold of the knob, having forgotten that he’d plan to wrap his hand in his shirtsleeve before touching anything.

                To his surprise and considerable consternation, the knob refuses to budge. He wonders what sort of losers lock their door in Goose Rocks Beach.

                After looking up and down the block, he smashes into the flimsy door with his right shoulder. Nothing happens so he tries again with the other side. His shoulders are achy and bruised by the third try, but the door seems to loosen, and a hard kick finishes the job.

    His stomach stays steady as he storms into the cold, clammy inside, and he wonders if he might finally be recovering from his discovery that spring. Once his eyes adjust to the darkness, he sees he’s in an empty room with a water-logged linoleum floor. Rust streaks the walls, and everything looking foreclosed and forgotten. He slips carefully forward from the front room into an empty hallway, fearing a tumble through rotting floorboards and wondering what he can possibly find worth stealing. Toward the back of the house, he enters a room with a dusty red carpet and some actual furniture: an armchair, a VCR, and a pile of videos—Analyze That, The Gangs of New York—detritus, he decides, of some long-failed marriage, the abandoned beach house.

                Taking a different route back to the front door, he slips into a mildewy kitchen with a rusty fridge. His heart bangs relentlessly, he smells the sharp reek of rot, and his mind conjures bodies left to decay—forgotten spinster aunts, drug-addled cousins. This was the danger of walking into strange houses.

                He imagines himself back in Judge Dolan’s courtroom, this time representing himself on some heavily circumstantial murder rap, when the sun coming in through the foggy windows reflects on something plastic on the chipped Formica table—a credit card.           

                Not likely valid in this millennium, he thinks, as he grabs it and takes a closer look. But the Chase Visa actually doesn’t expire until the next day. The first name on it is Evan, the last Cohen.

                Not so many Jews in these parts, thinks Ryan, as he strides back down the street with the card in his pocket, tipping his hat again to the man whose cable cord he’d stolen. Could a freckly, red-haired man such as himself get away with using it?

    Thursday AM

                The next morning presents him the problem of using Cohen’s card to buy something for the unfinished basement without asking for “alone time” with Patty, the word they’d used during the terrible summer Peter was conceived when they had nearly split.

                So this is what he does.

                While driving to the sea, another blissfully sunny day, he double-parks in front of the overpriced beach store. Known in his family for penny-pinching, Ryan can only hope what happens next won’t seem suspicious.

                “Just a sec,” he murmurs while dashing into the store.

                He has only a few minutes before Patty grabs Peter and darts inside to investigate. While appraising the racks of towels, T-shirts, and bottles of suntan lotion, Ryan chances across a large inflated blue whale, which may puzzle his family but will fit perfectly well into the unfinished basement with the rest of the loot.

                Grabbing it, he dumps it unceremoniously on the counter along with Evan Cohen’s Visa card, valid for scarcely hours more.

                The stumpy old cashier mumbles something Ryan can’t grasp, so he waves the card impatiently.

                “Can’t a man just buy something?” he demands, hearing discordant North Jersey in his voice.

                The woman explains that he’s got the store model. He has to find one that’s not inflated and blow it up when they get to the beach. He goes back to get one, leaving the card in her hand and raising all sorts of alarms in his head—that she knows Cohen, that he’s too Irish-looking to be Cohen, that she’s got some intuitive old Maine nose for thieves. Inarticulate explanations for why he has Cohen’s card sputtering through his head, he takes the receipt from the old lady, signs it, and stuffs the plus-size whale into the plastic bag she’d given him.

                Puzzled at first, Patty succumbs to the charms of the whale when it gets unveiled at the beach and even starts to inflate it herself. While watching her blow up the plastic whale purchased with the stolen credit card, something peculiar overcomes him, and he has to turns over on his stomach to conceal the arousal in his swim trunks.

    Thursday PM through Sunday AM

                Since the whale isn’t exactly stolen, it doesn’t need to be stashed in the basement but can rest with the other beach materials in the garage. The elation, the slight high, the physical desire that its presence evokes in Ryan makes good work of both Thursday, and Friday and Saturday nights after Peter has gone to sleep. Ryan devours Patty on the queen-sized bed like he hasn’t in years. On Saturday night, as he begins to climax, Ryan imagines speeding through Goose Rocks on a stolen Vespa, squealing dramatically to a halt in front of an empty beach bungalow. The buoyant nights make them pleased with themselves all weekend, no longer looking at the younger, more sexually prodigious couples with quite the same envy. They may be falling into middle-age, but everything is not quite over in the area that both Ryan’s and Patty’s mothers referred to austerely as “down there.” Maybe it’s their explosive nights, their sun-flushed days, all the fresh lobster; in any case, the criminal itch subsides. Ryan cuts the credit card into small pieces and tosses them into the trash.

    Monday

                At the crack of dawn, it returns with a vengeance. Neither sunburn nor mosquitoes can explain the itch, a physical sensation sneaking deceitfully from his ankles to the backs of his knees, his fevered scratching bloodying his sheets. After he’s writhed miserably in bed for as long as he can stand, he puts on his bathrobe and sneaks out into the day.

                The loud sound of the Suburban ignition rattles his nerves, so he takes the crappy bike that comes with the rental out of the garage. He nearly falls off when his bathrobe gets stuck in the chain, and he hears conversations about credit cards and cable cords. He leans the bike against a tree, and while approaching a Mini Cooper that might have a key in its ignition, the thought of jail catches him in the throat. There were other dangers—the inevitable divorce, the shame that Peter would carry with him. But it’s Rahway prison that makes the taste of last night’s meal rise back up his throat.

                The most effective defense for the glaringly guilty would never hold as he wasn’t abused as a child though his mother did die of breast cancer when he was barely out of college, and no one can prove the priests hadn’t molested him during his altar-boy adolescence.

                 The Mini Cooper is locked, and the itch is worse than ever. He wriggles his ass against the back of the bike seat, then scuttles off in search of an emptier side street, knowing he must hit the first possible house then come right back home before Patty catches wind of his absence.

                The only house on Gardner Lane with no car in its driveway looks impenetrably plywooded. His mood is plunging, stomach rumbling, when he sees an aluminum-sided prefab with no vehicle in the tiny driveway.

                The greasy doorknob gives in easily to his touch, and the sickly sweet smell of aging hits him squarely in the face. The room is crammed with old blankets and quilts, the coffee table in its center full of crumbs and stains. Black-and-white photos that, which look European, fill the walls. The floor creaks as he steps inside, but no one seems to stir, and he gets the queasy feeling that the old foreign lady who lives here hasn’t made it through the night.

                “Vinny,” a voice demands from the back of the house, “why you here so early, Vinny?”

                He instinctually makes the sign of the cross, relieved that the lady is still alive, when her walker starts shuffling from the back. The old guinea will take a while to get to the living room, but she’s on her way.

                Unfreezing himself, he grabs a photo lying face down on a coffee table and a dish of Paleolithic jelly beans and flies out of the house. There is no place for the plate, so he Frisbees it away, hearing it smash into pieces in someone else’s driveway.

    After some furious pedaling, he makes it home to find both his Ps still asleep. He skulks into the basement and dumps the photo (of a youngish police officer with an eighties haircut who must be the old biddy’s son) onto a yellow-stained mattress. He considers scattering the jelly beans anarchically through the basement but crams them into his mouth instead. They, too, must be from the eighties but contain too many preservatives to rot in any old Italian lady’s lifetime.

    Tuesday, Wednesday, Thursday

                Sated, sickened by the insanity that has descended on him, Ryan’s body no longer itches, but his head feels heavily fogged.

                That tight-lipped half smile has frozen onto Patty’s face. She doesn’t bother to ask what’s wrong, but it will all become clear when his crimes get exposed. She definitely won’t stick by him like the wives of the hooker-loving governor and the sexting congressman. Of course, no press conference will be required of him, just another Hudson County attorney caught up in something he shouldn’t be.

                As the days of the vacation drone on, he slips occasionally away from his Ps, climbs down into the basement, and gazes uncomprehendingly at the bicycle, the cable cord, and the photograph.

    Saturday

                They plan to stop for a night in Jamaica Plains on their way back to New Jersey, as an old college chum is having a barbecue for them. Bright and early Sunday morning, they will drive back to New Jersey since they are both due in court on Monday.

                While straightening up the house, climbing into the Suburban, and driving out of Goose Rocks Saturday morning, Ryan feels his heart pound worryingly, and his eyes blink in the hazy sun, but once they merge onto the southbound highway, the cloud starts to dissolve.

                By the time they’ve crossed into Massachusetts, he feels deliriously happy as his ailment doesn’t seem to cross state lines. Uncharacteristically gregarious, he downs four beers at the barbecue and regales his hosts with tales of stupid criminals.

                “If you catch them, you might as well keep them,” Patty wearily declares, “you know they’re going to go right back out there and get caught again.”           

    Sunday

                Ryan wakes up with a start on the fold-out couch. He doesn’t see Jim and Julia’s messy living room but the contents of an unfinished basement two hours north, and a nosy landlady going through it after the season is over and asking questions across town. The story of the disappearing cable cord meets up with the story of the one appearing in his rented house.

                He looks at his watch and sees it’s only two AM.

                Not fifteen minutes later, he’s cruising at seventy, veering toward eighty, hoping against hope that he can get there and back without Patty noticing he’s gone. Once there, he bursts through the feeble screen door in back, striding calmly through the house and down into the basement.            

                But the minute he’s back on the road, he has real trouble convincing himself he doesn’t have anything more incriminating in back than a bicycle, a photograph, and a cable cord, that the rank odor emanating from the Suburban really only comes from the melon that Patty had briefly forgotten there the week before.

                When Portland approaches, he takes a random exit and follows it with a series of random turns, landing him in a neighborhood of clapboard houses. He pulls into the driveway of a particularly tiny one and deposits the cable cord and the photograph on its dime-size front yard as a kind of offering. The mountain bike won’t stay up, so he lays it on the ground and strokes its back tire affectionately goodbye before scurrying back to his son, his wife, and his guilty clients, the corpseish smell of rotten melon still pervading the Suburban.

  • Choosing Water

    Choosing Water 

    The first time I went in a boat, I was about four years old. It was in Maine. I was in a tiny sunfish and I was terrified, afraid of falling out and drowning, but my aunt held my hand as the boat bobbed near the shore. With her touch I knew everything would be alright. At that time, the water was a source of fear, because even then I understood its tremendous power to take life. At home, there was a brook where I pretended to fish and watched the rushing water drag fallen leaves through its current, twisting them up in its own churn.

    Years later, I attended college along the Connecticut River. We were required to take physical education classes, so I threw caution to the wind and enrolled in whitewater kayaking. I marvel at how unafraid I was of the rushing river and the rocks I could be dashed against, the sharp surfaces that could break my bones. I was keen to absorb the instructor’s directions about how to right the single-person kayak if it capsized, but instead of being scared that I’d be trapped under the boat, I was exhilarated that I could maneuver inside of it, shape its direction, change its path. The water was alive and so was I and together we could move objects. 

    Soon after, during my junior year abroad in Glasgow, Scotland, I eschewed an umbrella, leaning into the rain that fell every day, sometimes for an hour, sometimes for fifteen minutes, absorbing it like a refreshment even. Again, I felt the reminder of being alive as the drops of rain caught in my hair and fell into my eyes. The rain changed something, even if slightly, about how I moved through the streets, making things different than they would be if it never existed.  

    More than a decade later in NYC, I developed a habit of swimming laps at the local YMCA. In the water, like nowhere else, my mind could be soothed but invigorated: all the detritus clearing out, leaving nothing but taut, logical thoughts like the numbers I counted to myself as I went up and down the lanes, methodically, rhythmically, weightlessly. In the pool, it seemed I could swim forever without tiring. During the pandemic, the pool closed temporarily and I lost access to the liberating sensation of doing laps, the repetitive invitation of the movement. 

    Movement, and the freedom it offers, has always been important to me. As a toddler, I would spend time in a playpen. When my mother discovered I didn’t like to stay inside it, always asking to be taken out of it, she came up with an innovative solution: she cut a hole in it so I would know that I had the freedom to leave whenever I wanted. With this adaptation, she says, I was content to stay inside the playpen for hours. 

    When I stayed in the psychiatric hospital in my thirties, movement was tightly restricted. The unit was locked and, for the majority of our stay, we weren’t allowed to leave its confines. Visitors came to us at specified hours through the locked doors. Getting too close to the doors was a violation that would result in confiscation of your street clothes, which would be replaced with flimsy hospital apparel. One evening, I took all my roommate’s velvety dresses from the hangers where they were carefully arranged and piled them on the floor next to the window, in what I thought was preparation for tying them together to climb down the side of the building and escape. My efforts were interrupted – with no one to open the window to offer me the knowledge I could leave should I wish to, which, according to the logic of my early childhood, might itself have been enough to convince me to remain inside where I belonged. 

    Close to the end of my three months’ stay, we were allowed to take short, supervised walks outside. But on our journeys beyond locked doors, there were no bodies of water to promenade alongside and no rain fell overhead. Cold, immobile concrete surrounded us as we squinted in the sun, unaccustomed to its brightness. Inside the unit in art therapy, I painted a beach bucket, full of hermit crabs, set before a background of sand and waves. 

    Making choices has always been difficult for me, but like water, they are vehicles of power.  My neighborhood in New York City is along the East River and, in 2020, I could visit the nearby riverside park. A fence separated me from the water itself, the life-giving source. Still, during those lonely pandemic days before the vaccine, visiting the waterfront helped give me a kind of peace I could not find elsewhere. Every choice that I made seemed full of the possibility of life or death. I could get sneezed on at the laundromat, so I started using drop-off service. Someone could cough on me at the deli or grocery store, so I began ordering my groceries online. Meeting men in person could result in a painful death, so I held phone and Zoom dates. 

    The pandemic took away my chance to go to the ocean in 2020, so when I returned there in 2021, I was ecstatic to bop up and down in the waves, letting my long hair drag through the water. At my favorite beach, I reminisced about my girlhood, spending hours in the tide pools, watching the paths in the sand that showed where snails had crawled.

    Most of our bodies are made of water and perhaps that is why I feel so at home in it. Every summer since I was ten – thirty years now excluding the year the pandemic stole – I have visited my godmother in Maine and spent time at the ocean. It could be that this consistency is also what makes water feel like home, like a natural place to return to again and again.

    Water is an instrumental part of the story of Jesus, from his baptism in the Jordan River to his turning water into wine to his preaching on the shores of the sea. And for me, water is the grandeur of God, the vast wonder of the universe, the amazing properties of a substance that is life-giving, the molecules that hold my body up.

    But water can also take life – and that is perhaps what instills respect and fear. My father, nearly 75, almost drowned as a young man and for this reason he won’t jump off the diving board of the pool in his backyard, not even wearing a life vest. Every summer he says this is the year he will and every summer the life vest remains hanging in the pool room, unused. 

    While my mother may have given me the opportunity to make a decision when she cut the playpen during my toddler days, sometimes my parents have feared the choices I’ve made. During a study abroad program in Argentina, I planned to go to Patagonia with two friends over spring break. My parents were concerned about the safety of the planes we’d be flying in – imagining them crashing –  and warned me that they did not approve of my decision. I remember being on the other side of the equator from them and hearing the anxiety in their voices, as they tried unsuccessfully to dissuade me from the adventure. 

    On that trip, we experienced amazing horse rides with legitimate gauchos and clear natural lakes on the Camino de Siete Lagos or Path of Seven Lakes. The water was bluer than anything I’d ever seen. It was as if my parents’ worries had sunk to the bottoms of the pristine lakes, forgotten, unheeded. What replaced them were vistas of clarity and beauty that I remember decades later.

    As a child I believed I’d be a famous writer and live by the sea in Maine. That hasn’t come to be, not yet, but when I think of the dream, it’s mostly the ocean that I see, taste, and hear. Once I rode the Staten Island Ferry in my thirties for fun with a friend, there and back, not bothering to leave the ferry terminal when we arrived, simply turning around to board the boat. The ride, moving along the water, was the experience we were after. 

    Given the opportunity, I’ll always choose the water.

  • Capstone

    Capstone

    among the blue desks was a meager
    audition for adulthood crumpled
     
    into a mess of wooden shadows reciting
    barbell lines on the film school second
     
    floor (stair steps closer to Orion) how
    I was dreaming young of the world’s
     
    grand magnanimousness suffused
    with balloons that smelled of palm frond
     
    everglades my school-sanctioned camera
    would record the nightglow trees by lights  
     
    of Coe Lake where it snowed pine cones
    in the backyard of my mother’s house
     
    where acres stretch forever rugs of green grass
    and hunger the endless hunger for somewhere
     
    anywhere else
  • Broken Compass

    Broken Compass

    1.

    I prefer to think

    I first felt the muse flutter

    those immortal nights

    when I was young

    and even suffering seemed new.

     

    But life is again becoming dull,

    where again I find this empty shell

    echoes

    2.

    The second time

    I put my foot down,

    you landed on my toes,

    sliding with a push

    softly on the floor.

    Then I took off your golden case and had you naked,

    slender in my hands.

     

    Tomorrow I will get you replaced.

    3.

    Blessed to sit on this chair and notice my fingers,

    Lucky to see my nails gather in dirt the time,

    Privileged to be able to finish every night without pretensions about luck or divine light,

    only principles I know to defend and intimations that make life worth living.

    4.

    I am always in love,

    and maybe it’s with me,

    with the shadow of pure light

    I find in between

    the kisses.

    5.

    like a bird

    whose doesn’t know about time,

    but still feels the pull

    of earth’s magnetic heart,

    I walk slowly in the sun, naked to the grass,

    a child of ancient myth who let his gods

    slowly die

    in the blue dominions

    of the half-dreamt

    open sky.

    6.

    I’m looking for you amongst the immense, illiterate, consoling angels,

    the collapse of foam and liquid sand

    I’m trying to resurrect the conjunction of the mind and opposition of the stars,

    that taste of transcendence in the night air

    here with the budding

    ablaze, intoxicated with the rushing, ambrosial tastes,

    all the syncopated tremors

    echoing in the unbearable

    yellow hue.

    7.

    All I know is that the now is

    the ashtray with a painting of Japanese fishes, a book, my phone

    intensity and apathy, enlightenment and confusion.

    8.

    Looking at my hand: is this a hand?

    Like the veins of magnolias under the sun and the vastness of the ocean

    in the sound of a shell.

     

    I recognize my voice now.

    9.

    a
    vortex roar / black / shavings of mist / tense, jubilant, almost erotic
    violence / the ligaments under my skin / the train suddenly halting and
    reality thickening / the collective dream briefly shattered / here in
    this desperately empty space with the anemic feel

    10.

    through the ennui of night.

    I want to remember

    not the photographic stillness of your beautiful smile,

    but the accidental grace,

    the fading gold of your hair.

    11.

    without ever walking in the wild and wondering why

    the overcast afternoon sky is the color of a wolf’s howl,

    I would muse naively

    as if something in my head

    weren’t black eyes with a million sparkling irises of white.

    12.

    wasn’t that it’s destiny,

    to tread the earth?

    Now I’m stranded in the space between sense and word

    Dark, with penetrating eyes:

    A very expressive face and a very expressive voice,

    My native language,

    ineffable tones,

    My only word.

     

    But I know where I come from:

    the continent stretching from pole to pole—

    Of oneself I sing.

    13.

    If these fragments are to be found,

    let them be found

    with a picture of a mountain behind them,

    Something ethereal, something blue.

    14.

    I’m
    doing this for beauty… the sheer joy of the wind blowing on my face
    when it’s hot, how it becomes the breadth of my existence as I briefly
    become aware of my body amidst all the movements of the day… how I
    cease to move automatically (like an animal) and pause, making my back
    straight to grasp being in the inner flexing of my thighs, the balance
    of gravity on my shoulders, presence in the soul of my feet… monstrous
    abstractions with wrinkles… wrinkles from laughing, creasing with
    taunting, almost sarcastic pleasure… brotherhood, sisterhood, the
    shadows of divinity we impart to dogs and the sweet reminder of all
    things pure in the smell of bread flooding the city square at seven in
    the morning when the world is awake but still not fully conscious, still
    hungover with yesterday’s collapse in furious crystal dreams …
    mornings of blooming June with the taste of acidically sweet
    raspberries…

    15.

    Listening for silence

    on the underside of a leaf, cool in shadow,

    I’m thinking of an invisible image:

    how an angel forms every time

    I quiver with light.

  • Box

    i want to put you in a box
    i would tape around the box
    i would kick the box
    you’d rock and rock in the box
    i’d hold the box close to my chest
    i’d hear your whisper inside
    you do what you think is best,
    so i’d ship the box
    then i’d ask for it back
    you’d grow tired in the box
    but you know you cannot rest,
    penance, we’d call it
    you would laugh        
    and i would not,
    i’d think about your long limbs in the box
    how—if i ever pulled you out—your body
    would be tangled in itself
    like a befuddled cartoon,
    i rest my back to the box
    lean on the box        
    nod off on the box
    you’d get mad at me,
    me and the box,
    i’ll remind you why you’re in the box,
    remember when you assaulted a girl
    and you didn’t even know it?
    you will go quiet in the box,
    lean in the box,
    nod off in the box,
    and i will be mad by the box,
    for ever having been so in love with you.

     

  • Body, Soul, Words

    Body, Soul, Words

    Words are us trying to give body to soul.  Soul is unseen, inside, before and beyond particularity.  Words are us trying to say something, make something visible, pin it down, which maybe could kill it, but we try anyway.  Because something we don’t understand wants to be said.  Words are like coins we trade back and forth, like currency, they mean because we say they do.  They’re containers for things that can’t be contained.  We try to make them hold our love, our grief, our…. uh… uh…. uh… to tell us who we are.

    Soul is a noun and an adjective, an it described with an article, an attribute without.  You can have one or the quality of.  Can you also not?  Can somebody not have a soul?  Does anyone not want to?   We are because we’re given it; it makes us.

    Soul can be also site, as in, “deep in my soul”; a person itself as in, “there wasn’t a soul in sight,” a saying in which soul is a person with a soul, a synecdoche, a figure of speech, from Greek for “simultaneous understanding,” in which the part stands for the whole or the whole for the part, soul being part of everyone. 

    Or everyone’s part of it, according to Emerson, who defines “The Over-Soul” as:  

    that great nature in which we rest as the earth lies in the soft arms of the atmosphere; that Unity, that Over-soul, within which every man’s particular being is contained and made one with all other; that common heart…

    The soul is held in the arms of the heart.  A body is held so too.  Does anyone not want to be held?

    The Greek closest to our meaning of “soul” is “psyche” which came from words meaning “breath” and “life,” and is the word from which we get “psychology.”  Greek “soul” is the vital breath, the spirit, the animating principal of life.  In St. Ignatius of Loyola’s Spanish the soul is “anima,” and it is  – we are – saved by a merciful God.  In Jung the anima is the feminine part of a man’s personality, the part of the self that’s directed inward to the subconscious.  Is soul—the soul—female?

    St. John of the Cross, a fellow Spaniard and near-contemporary of Ignatius, is the writer from whom we get the phrase “the dark night of the soul,” from the one short poem and two lengthy books of commentary on the poem that imagines the night-time meeting of the first person narrator Lover and his Beloved.  The Lover is the soul, the person; the Beloved is God and the dark night is what the Lover-Soul experiences after the first blush of falling in love wanes into the dullness of daily life and then the the despair of falling out of love with God and feeling duped, resentful, distant, hopeless, dark.  The dark night of the soul, in St. John’s telling, is followed by the Lover-Soul’s return to the Beloved-God to dwell forever in mature, accepting unity. 

    Nice work if you can get it.

    In De Anima, Aristotle compares the oneness of body and soul to the oneness of the wax and the shape given to it by the stamp.  I like that image, but it’s still just an image, a picture meant to look like something invisible.  It’s only like, it isn’t it.  What is?

    My philosophy teacher friend explains how Aristotle’s concept of the soul differs from Plato’s.  He tells me about matter and form and potential and substance and accident and soul.  I believe he understands these words; I know that I do not.

    Here are some words from Isaac Hayes and David Porter, via Sam and Dave: 

    I’m a soul man

    I’m a soul man

     

    Got what I got the hard way

    And I’ll make better each and every day

     

    I’m a soul man…

    Hayes and Porter wrote this song in l967, four years after the Birmingham bombings, two years after the assassination of Malcolm X, the March on Selma and the Voting Rights Act, and right after the 12th street riot in Detroit when black people had written the word “soul” on the homes and buildings owned by black people so that these buildings would be passed over, the way Jews had marked the lintels of their homes with the blood of a lamb so the angel of death would pass over.  These were the buildings of people who suffered beneath oppressors, but knew how to, subtly, secretly, take care of their own.

    A soul man is a man who has lived a life that has not been easy.  He has suffered and learned how to take care of himself and his own. His soul  may be inborn, but his soul (-ness?) is earned.

    The words you write may be born in thought but they are not born fully made.  Words get where they get with labor, with the hard wet messy work of being born by a human being.  I don’t want to say that the making of words requires suffering, but I think I can tell when art is made without labor or heart.  I think I can feel when art does not have soul.

    Sometimes the words “soul” and “spirit” are used interchangeably, which might sound okay until you take those nouns and turn them into adjectives.  A spirited thing is ebullient and light, it bubbles.  A spirited youth is a lively girl or boy, someone with spark in their eye.  Soulful is someone who’s been through stuff, and been around and suffered.  Soulful is dark as  well as luminous. 

    A letter from Keats to his brother and sister-in-law in 1819:

    …..The common cognomen [nickname] of this world  …. is ‘a vale of tears’ …  What a little circumscribe[d] straightened notion! Call the world if you Please “The vale of Soul-making”.….. … [T]hey are not Souls till they acquire identities, till each one is personally itself. …  Do you not see how necessary a World of Pains and troubles is to school an Intelligence and make it a soul?

    A person’s soul is made through her experiences.

    A story’s soul is made in the labors of the heart and mind and lots and lots of drafts. 

     

    The body grows visibly.  We come squalling and messy from our mother’s bodies.  Our stories come squalling and messy from us.  We grow and learn and our stories do, too; we shape and reshape them and hope they grow into things that can stand on their own and be true or beautiful and then we send them away.  Then part of them isn’t us anymore, just theirs.  Does part of us go with them, part of our soul?  Do we lose or gain by this?   Does soul increase being given away?  

    Sometimes words know more than us.

    Sometimes what we do not or can’t say stays in us.  Sometimes because we’re afraid or don’t understand, or sometimes because some things aren’t meant to be said. Some things are beyond words. 

    I spent a week at a writers’ conference where I taught a class in the morning and attended readings in the evenings.  I paid attention to the work my students read, and tried to offer useful responses to them.  I listened carefully to writers of poetry and prose who presented their stories and poems on the big stage and I said nice things to them after they read.  But now, not a week later, I remember only vaguely what was read.  What I remember is who read.  I remember people nervous and proud and eager to read, and all of us sitting listening together, not alone in the dark.  

    The distinction between ‘verse’ and ‘prose,’” T.S. Eliot wrote, “is clear; the distinction between “poetry” and “prose” is very obscure… I object to the term “prose poetry” because it seems to me to imply a sharp distinction between poetry and prose. which I do not admit, and if it does not imply this distinction, the term is meaningless and obtuse, as there can be no combination of what is not distinguished.

    But every writer knows that there is prose and poetry and sometimes they’re very different but sometimes you just can’t tell.  Is that sort of like how body and soul are not distinct?  They’re not identical, but each needs the other to be.

    I don’t write like I did 30 years ago.  My body is older and slower and my words are slower too.  Some things I used to think I no longer do; some things I used to want to say don’t matter to me now.  Some other things – not words – mean more to me.  Has any of this to do with soul? 

    Or have I just gotten tired?  Maybe some getting tired is good, like giving up some particulars, some stuff I can barely remember now, some stuff maybe I didn’t really need so much after all.  Stuff I wanted to write or be or be seen to be.  Ambitions I had, the longing for respect, renown, money.  Resentments I nursed.  My jealousy.  Regrets.  Some things I wanted instead of appreciating the good gifts I have been given. 

     

    From the index of first lines at the back of the Harvard edition of The Poems of Emily Dickinson:

    Soul, take thy risk 

    Soul, wilt thou toss again

    The soul has bandaged moments

    The soul should always stand ajar

    A poem by Emily Dickinson:

    Bind me – I still can sing-

    Banish – my mandolin

    Strikes true, within-

    Slay – and my Soul shall rise

    Chanting to Paradise

    Still thine –      

    The soul outlives the body.  After the body dies there’s something else, in memories or others’ acts or other things we don’t really know about but that doesn’t keep us from trying to imagine or write about them.  Like maybe the rightness of what we write is less important than our attempt and our attention to others.

    Is soul so we are not alone?  Are words a part of this?  Of God?

    “The soul is known by its acts,” wrote St Thomas Aquinas in Summa Theologica, his multi-volume though incomplete masterwork.  Thomas wrote a lot of things – hundreds of sermons, commentaries on scripture, philosophy, letters, exhortations.   Then late in life he had a mystical vision after which, and in comparison to which, he wrote, “Everything I have written seems to me like straw,” and he stopped writing. 

    But Thomas’s God lives on for us in the words he wrote to try to understand him.  Is writing acting too? 

    I’ve been trying to understand things by comparing them: the soul to that which longs to speak; the body to words; the longing for words to the longing for God.  But I don’t really understand these things, much less how to connect them.  Maybe I’m  trying to compare things that aren’t distinct.  Maybe I’m trying to think my way to knowing what I can’t.  Maybe I’m trying to understand what I need to accept.  Maybe I need to live with mystery.